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                                        Recife, Brazil. The sand burns like sugar underfoot. Salt in the air, drums in the distance, and the ghosts of old traders still whispering through the palms.  Louie Louie started hanging out at the beach with the local chapter of the Ancient Arabic Order of the Nobles of the Mystic Shrine — a handful of sunburned men in linen suits, trying to remember what mysticism meant.
                                        
                                        They drank gin out of chipped teacups and spoke of Mecca, Memphis, and lost initiations. Their fezzes were faded red, relics of costume rituals and forgotten desert dreams. Louie Louie would sit quietly beside them, humming under his breath, a sound like sea-water over shells.
                                        
                                        One night, they gave him a fez and a ring. “You’ve got the look,” one of them said, half-drunk, half-serious. Louie Louie smiled — a slow, tidal smile — and slipped the ring onto his finger. The air thickened. The surf began to pulse like a living drum.
                                        
                                        After that, everything shifted. The Shrine’s tidy ceremonies unraveled. Their mock-Arabic chants turned to something older, heavier — rhythms that crawled out of the sand. They stopped reciting from their manuals and began to dance, barefoot, eyes rolling white.
                                        
                                        They called on spirits they did not know by name, and the spirits answered.
                                        
                                        The Shrine abandoned its quasi-religion for the real thing — Candomblé. The fez became a crown for orixás. The ring a seal of transformation. Their lodge by the sea turned into a temple of wind and salt, where Yemanjá’s laughter echoed through the night.
                                        
                                        Tourists whispered about the strange figures in red hats dancing in the moonlight. The police came once, but the ocean rose in defense — a wall of foam and lightning that sent them running.
                                        
                                        When dawn came, Louie Louie was gone. Only his footprints remained, leading into the tide.
                                        
                                        Still, on certain nights in Recife, when the moon leans low and the drums begin again, the men of the Shrine return to the beach. They dance in the surf, fezzes gleaming wet, possessed by something vast and real —
                                        something that remembers Louie Louie.