Meat Throne City

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  • Ash Chackal's avatar Artist
    Ash Chacka...
  • DDG Model
    ChatGPT 2
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    Public
  • Created
    2d ago
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Prompt

EVERYTHING IS A MELTING SIRLOIN! THE POPE IS A MELTING SIRLOIN! ALL THE PRIESTS AND BISHOPS ARE MELTING SIRLOINS! ALL THE PEOPLE ARE MELTING SIRLOINS! Extreme surrealism within extreme surrealism within extreme surrealism inside even more extreme surrealism of old masters and new masters and modern 20th century and current 21st century extreme AI capability pushed even further: The more you look the more there is to see: today's modern sirloins in medieval clothes in utter despair due to the constant threat of total sirloins annihilation by imaginary AI robots from another timeline that penetrate the space time continuum and assimilate all the different sirloins and steaks of the universe is the main theme, the sirloins have given up. Melting sirloins fill the streets, Masterpiece artwork: ALL THE PEOPLE ARE MELTING SIRLOINS! hyper-realistic 3D HDR scene, surreal and intentional, whimsical contrasts, subtle brush stroke vibrations, intricate details, Utter sirloins, Utter sirloins, Utter sirloins, traditional artistry meets digital precision, sirloins melting into surreal landscapes, eccentric sirloin creatures roaming, intricate details in vibrant colors, whimsical and imaginative setting, Salvador Dali's sirloin influence evident, mysterious atmosphere with surreal sirloin architecture, floating sirloin objects, mind-bending perspective, fusion of realism and fantasy, blend of Dali and Gendiminas Pranckevicius styles, ALL THE PEOPLE ARE MELTING SIRLOINS! high-resolution digital artwork, creative genius at play, unique artistic vision, dreamlike world with even MORE EXTREME sirloin surrealism that stretches far beyond what we categorize as surrealism. Midnight. Dark. Low contrast. Eerie. sirloins. Horror. Combine images from ALL THE PEOPLE ARE MELTING SIRLOINS! and Ray Bradbury's Asleep in Armageddon with Cranberries' images from Zombie In your head, they're still fighting Modifiers: Zdzisław Beksiński Picasso naive art Henri Matisse Alex Grey Andy Warhol Paul Klee Wassily Kandinsky Otto Dix Paul Cezanne Ernst Ludwig Kirchner Tim Burton graffiti Johannes Vermeer Francis Bacon Max Ernst H. R. Giger Pino Daeni Jasper Johns Egon Schiele Mondrian Georgia O'Keeffe M.C. Escher Yuko Shimizu Joan Miró Louis Wain Victo Ngai Enki Bilal naoto hattori art brut Odilon Redon Ohara Koson Kazimir Malevich milo manara Jean-Michel Basquiat Ernst Fuchs Raoul Dufy abstract expressionism Endre Penovac Ray Caesar Roberto Matta Niko Pirosmani Piero della Francesca Duy Huynh Francisco de Zurbaran Chaim Soutine neo-surrealism Adam Martinakis Arshile Gorky rauschenberg Jean Babtiste Monge Tanya Shatseva Francesco Clemente Bridget Bate Tichenor José Clemente Orozco Jamie Heiden fnord Mio Asahi zebadri El Anatsui Faith47 Psychosomatic surrealism Gayane Khachaturian Mimmo Rotella Horace Pippin Soey Milk Albert Koetsier Squeak Carnwath Janice Sung Kupkarina Psychedelic Mannerism Mihail Chemiakin Eiko Ojala Scovel Shinn Chiaroscuro lighting, detailed sirloins and complex composition, harmonious interplay of light and sirloin shadow, high sirloin resolution, intricate sirloin techniques, depth and movement, by a fusion of two surreal and sirloin artists, Artstation, richly layered colors Dali Alex GreyemotionalHigh Octane Renderultimate masterpiece10K UHDdramatic dynamic lighting Best AI Generated art enhanced ultra realism64K HDR Brutalist Postmodernismsurreal color paletteUltra High Octane Render

More about Meat Throne City

With prompts from Stephen Ternullo, zabadri and Sylverdali which severely modified. Everything is a sirloin.

A highly detailed and disturbing digital painting in the style of Zdzisław Beksiński and Hieronymus Bosch, featuring a grotesque and surreal scene. A large crowd of robed figures, many wearing bishop-style miters, have faces and sometimes entire bodies made of raw, marbled red meat, dripping with blood and fat. In the center, a prominent figure, also made of dripping meat, is enthroned on an elaborate, red velvet chair under a canopy. Smaller chunks of raw meat are scattered on the cobblestone ground. The background is a dark and intricate gothic cityscape with tall, ornate buildings and towers under a dark, overcast sky with a full moon. One building features a banner that reads "ALL THE PEOPLE ARE MELTING SIRPOINS." Distorted and grotesque faces, some appearing to be skulls or decaying flesh, emerge from the architecture and clouds. Robotic or mechanical figures are interspersed among the meat-laden individuals and on the ground. The overall mood is macabre, horror-filled, and unsettling, with a sense of decay and rot. The color palette is dominated by dark browns, grays, and deep reds of the raw meat, with subtle hints of gold and dark blues.

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