Chronicles of the Rogue Time Surfers: I am Chronos - Time is on my Side

Futuristic warrior in surreal galaxy landscape with clocks

Artist
Chris...
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AIVision
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  Chronicles of the Rogue Time Surfers: I am Chronos - Time is on my Side
  
  Model: AIVision
  
  Size: 3071 X 5461 (16.77 MP)
  
  Used settings:
  
  Prompt: Photorealistic, ultra-detailed full-body portrait of a lone time-traveler warrior standing heroically in front of an apocalyptic, non-linear landscape where conventional space-time has collapsed — horizons fold like paper, clocks and city fragments float and orbit in slow motion, rivers run upward, fractal rips and aurora-like timestreams braid through the sky. The warrior holds a time-forged weapon, a stunning chronoblade, in a relaxed ready pose, weight on one leg, three-quarter low-angle view to emphasize scale and authority. The sleek, form-fitting Chrono jumpsuit glows faintly from within — woven with luminescent blue vein-like filaments that pulse softly along major seams and muscle lines. Overlaid steampunk elements: aged brass and copper plating panels riveted along shoulders, chest and thighs; exposed miniature gear trains and winding cogs housed beneath glass portholes; coiled copper tubing looping from the spine to the forearms; small pressure gauges and analog clock faces embedded in the chest and hip plates; stamped serial numbers and engraved runes around gear housings. Leather harness straps with buckles and laced seams cross the torso, connecting to a worn leather utility belt holding vials of glowing chrono-fluid and a pocket compass. The elegant, full-coverage helmet is framed in burnished brass with visible rivets and a decorative filigree of etched clockwork motifs. Large, opaque golden-sapphire visor — a warm golden tint with a sapphire-like refractive sheen, crystal-clear, but showing faint internal HUD glyphs and an analog clock ring etched into the inner surface. Heavy, form-fitting leather gloves with reinforced brass knuckles and articulated finger plates; fingertips show subtle conductive pads and tiny gear articulations. Futuristic boots with segmented soles. Volumetric dust, sparks and drifting debris in the foreground, subtle motion blur in the background, sharp subject focus, cinematic rim lighting and dramatic god-rays through the tears in reality. Heroic low-angle, three-quarter stance, full-body centered but slightly off-set; shallow depth of field with crisp subject and painterly background; 35mm–50mm feel, high dynamic range, ultra-high detail, photoreal concept art — ArtStation/Octane quality, 8K output, hyper-real textures, cinematic — believable materials and engineered clockwork detail. Epic Science-fiction Masterpiece
  
  Upscale & Enhance: 1
  
  Aspect Ratio: portrait_tall
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Prompt: Photorealistic, ultra-detailed full-body portrait of a lone time-traveler warrior standing heroically in front of an apocalyptic, non-linear landscape where conventional space-time has collapsed — horizons fold like paper, clocks and city fragments float and orbit in slow motion, rivers run upward, fractal rips and aurora-like timestreams braid through the sky. The warrior holds a time-forged weapon, a stunning chronoblade, in a relaxed ready pose, weight on one leg, three-quarter low-angle view to emphasize scale and authority. The sleek, form-fitting Chrono jumpsuit glows faintly from within — woven with luminescent blue vein-like filaments that pulse softly along major seams and muscle lines. Overlaid steampunk elements: aged brass and copper plating panels riveted along shoulders, chest and thighs; exposed miniature gear trains and winding cogs housed beneath glass portholes; coiled copper tubing looping from the spine to the forearms; small pressure gauges and analog clock faces embedded in the chest and hip plates; stamped serial numbers and engraved runes around gear housings. Leather harness straps with buckles and laced seams cross the torso, connecting to a worn leather utility belt holding vials of glowing chrono-fluid and a pocket compass. The elegant, full-coverage helmet is framed in burnished brass with visible rivets and a decorative filigree of etched clockwork motifs. Large, opaque golden-sapphire visor — a warm golden tint with a sapphire-like refractive sheen, crystal-clear, but showing faint internal HUD glyphs and an analog clock ring etched into the inner surface. Heavy, form-fitting leather gloves with reinforced brass knuckles and articulated finger plates; fingertips show subtle conductive pads and tiny gear articulations. Futuristic boots with segmented soles. Volumetric dust, sparks and drifting debris in the foreground, subtle motion blur in the background, sharp subject focus, cinematic rim lighting and dramatic god-rays through the tears in reality. Heroic low-angle, three-quarter stance, full-body centered but slightly off-set; shallow depth of field with crisp subject and painterly background; 35mm–50mm feel, high dynamic range, ultra-high detail, photoreal concept art — ArtStation/Octane quality, 8K output, hyper-real textures, cinematic — believable materials and engineered clockwork detail. Epic Science-fiction Masterpiece

Modifiers:

Nikon D850 artstation extremely detailed Award winning photography intricate 8k cinematic lighting masterpiece award winning fantastic view 4K 3D Unreal Engine colourful cinematic postprocessing focused Golden ratio Ultra realistic Epic visionary art Fibonacci correct face anatomy Fibonacci measured body Science-Fiction Art Prompt by ©Chris M High quality lighting and shadow High end quality reflections and supreme color rendering Fibonacci correct hands

More about Chronicles of the Rogue Time Surfers: I am Chronos - Time is on my Side

Welcome to my world: a never ending merry go round, where every eight-hour reset is a fresh opportunity, and where the only real law is the Time Master Blueprint, discovered in the ruins of a dead civilization.

I am Chronos — the first of the Time Rogues. We answer to many names; some call us “Rogue Time Surfers.” Truth is, we don’t care for rules. Laws and order are curiosities to be toyed with. Our bread is chaos; our trade is permanent change. Classical space-time is a costume we shed; we live outside its seams.

Now, every one of us rogues carries a Chronoblade. Most look like blades; some are hybrid revolvers that fire wormholes instead of bullets. A slash with a Chronoblade opens a door; a trigger becomes a seam.

On our Home World the rules are simple and splashy: every eight hours Earth-time, history rewrites itself. Streets rearrange, memories recede, empires wink out and are reborn. Ordinary minds sleep through the edits. Ours were especially designed — a graft of biology and quantum intelligence — so we remember every dying second. You might call us “artists extraordinaire”.

Long ago we found the Time Master Blueprint for the whole space-time fabric: a ritualized topology left by an elder, long gone civilization. It is equal parts code, liturgy and weapon — a narrow grammar for cutting holes in time without ripping the whole fabric.

Follow it, and the world swallows your changes like a tide; ignore it and you wake up inside a wound that never heals. We keep its rules like jazz musicians keep rhythm — not to be shackled, but so we can improvise without annihilating the stage.

The Time Patrol Agency hates our guts. Misfits, saboteurs, rebels without a cause, that’s what they call us. TPA polices continuity the way priests police heresy: ledger-plates, canonical mandates, and a bureaucratic certainty that every moment belongs in a single, sanctioned history.

They chase us across stitched timelines, flinging statutes and doctrine like nets. Alas they know next to nothing about the Time Master Blueprint. Their handicap is our edge for delirious Houdini escapes through space-time.

The ride is loud, messy and outlandish.

Life changing fallout is expected.

Strap in.
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