Paper Art Sculpture of Three Humanoid Figures in Nature

Ethereal Paper Flower Statues

Artist
SÁNDOR SZA...
DDG Model
Krea 2 Turbo
Access
Public
Created
2w ago
Similar Try Try style
Public
86

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18
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- Info
  Ethereal Paper Flower Statues
  
  Model: Krea 2 Turbo
  
  Size: 1280 X 960 (1.23 MP)
  
  Used settings:
  
  Prompt: Transform the uploaded pen drawing into an intricate, airy 3D paper sculpture. Preserve its orientation, composition, proportions, silhouettes, overlaps, line directions, density changes and openings. Keep only explicitly drawn faces in their original positions, scale and expressions, formed from delicate pale paper layers. Ambiguous forms remain abstract; invent no faces. Build contours from curved paper edges, parallel hatching from individually separated rice-paper and mulberry-paper fins, and cross-hatching from intersecting layers at different depths. Add fine silk threads and a few slender ivory-porcelain ribs. Show tiny paper fibres, feathered edges, folds, sheet thickness and handmade irregularities. Dense regions remain intricate; sparse regions stay open. Let soft honey-coloured light linger impossibly inside the paper fibres, tracing the original lines and gently illuminating sheltered gaps. The paper remains visibly fibrous and translucent, with no neon tubes or literal flames. Use warm ivory, honey, pale amber, peach, dusty rose and restrained sage. Place the sculpture outdoors against a distant, softly blurred woodland background in gentle morning light. Use a low-contrast wash of muted foliage and subtle bokeh, without distracting scenery. Keep the sculpture's fine foreground, middle and rear details sharply readable while only the background falls out of focus. Soft backlighting reveals translucent layers; warm frontal fill preserves their detail. Real air gaps, visible thickness and delicate mutual shadows create deep, tactile space. Quiet, tender and welcoming; no flat relief, smooth plastic or harsh glare.
  
  Using base image: No
  
  Aspect Ratio: landscape
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Prompt

Transform the uploaded pen drawing into an intricate, airy 3D paper sculpture. Preserve its orientation, composition, proportions, silhouettes, overlaps, line directions, density changes and openings. Keep only explicitly drawn faces in their original positions, scale and expressions, formed from delicate pale paper layers. Ambiguous forms remain abstract; invent no faces. Build contours from curved paper edges, parallel hatching from individually separated rice-paper and mulberry-paper fins, and cross-hatching from intersecting layers at different depths. Add fine silk threads and a few slender ivory-porcelain ribs. Show tiny paper fibres, feathered edges, folds, sheet thickness and handmade irregularities. Dense regions remain intricate; sparse regions stay open. Let soft honey-coloured light linger impossibly inside the paper fibres, tracing the original lines and gently illuminating sheltered gaps. The paper remains visibly fibrous and translucent, with no neon tubes or literal flames. Use warm ivory, honey, pale amber, peach, dusty rose and restrained sage. Place the sculpture outdoors against a distant, softly blurred woodland background in gentle morning light. Use a low-contrast wash of muted foliage and subtle bokeh, without distracting scenery. Keep the sculpture's fine foreground, middle and rear details sharply readable while only the background falls out of focus. Soft backlighting reveals translucent layers; warm frontal fill preserves their detail. Real air gaps, visible thickness and delicate mutual shadows create deep, tactile space. Quiet, tender and welcoming; no flat relief, smooth plastic or harsh glare.

More about Ethereal Paper Flower Statues

A three-person medium shot of three human statues made of paper cutout of flower petals, with a soft-focus background of nature, trees, sky, morning mist, and warm light. The figure on the left is a woman, in profile, looking toward the figure on the right. She has hair and clothes made of overlapping paper ginkgo-like fan-shaped leaves in shades of peach and cream. The figure on the right is a man, in three-quarter profile, looking toward the left. He also has hair and clothes made of overlapping paper ginkgo-like fan-shaped leaves in shades of peach and cream. Between them stands a third figure, slightly behind, looking down, also made of paper cutout. The two figures on the sides are holding thin sticks or stems between their hands, which touch each other. The style is paper sculpture, paper art, paper craft, or quilling, with soft, delicate textures and a light color palette of warm peaches, creams, and pale pinks. The lighting is soft and ethereal, coming from the front and slightly behind the figures, creating a gentle glow and highlighting the paper textures.