Sunflower Gaze Portrait

Sunflower Gaze Portrait

• Model: Ideogram v4 (Pro)

• Size: 1664 X 2224 (3.70 MP)

• Used settings:

  • Prompt: BACKGROUND SURREALISM ABSTRACT FLOWERS SUNFLOWERS, INK LUMINOUS, VELLUM, FRONT ELEGANT PORTRAIT WOMAN POSE FASHION, MAKE UP, LONG HAIRS FLOWED, GREEN EYES, GLITTERS LIPS, JEWERLY, FABULOUS LOOK, CONTRAST OF INK WHITE, BLACK, YELLOW, GOLD, NO GRIME, SMOOTH TEXTURE, NO ROUGH TEXTURES, NO PHOTOREALISM, NO BADLY DRAWN LIMBS, NO EXTRA FINGERS LIQUID INK SCULPTING V3 1 — FOUNDATION PRESERVE LUMINOUS WHITE SHAPES AS THOUGH THEY HAVE BEEN MASKED BEFORE RICH WET BLACK INK IS ALLOWED TO FLOW AROUND THEM. REVEAL THE SUBJECT THROUGH THE INTERACTION OF PRESERVED LIGHT AND WET INK RATHER THAN THROUGH DRAWING, SHADING OR OUTLINES. BUILD LARGE INTERLOCKING SHAPES OF LIGHT AND INK BEFORE ANY DETAIL APPEARS. THINK ONLY IN ABSTRACT SHAPES OF BLACK INK AND PRESERVED WHITE LIGHT. THE SUBJECT MUST EMERGE FROM THESE SHAPES, NEVER BE DRAWN ON TOP OF THEM. IGNORE THE IDENTITY OF THE SUBJECT DURING RENDERING. FIRST CREATE AN ABSTRACT COMPOSITION OF BLACK INK MASSES AND PRESERVED WHITE LIGHT. ONLY AFTER THE ABSTRACT COMPOSITION IS COMPLETE SHOULD THE SUBJECT NATURALLY EMERGE FROM THOSE SHAPES. 2 — INK BEHAVIOUR DEEP SATURATED WET BLACK or other prompted colour INK, CONNECTED INK MASSES, LIQUID BLACK PIGMENT, CONTROLLED INK FLOW, CONTROLLED INK DENSITY GRADIENTS, DILUTED INK CONCENTRATIONS, SUBTLE INK LIFTING, PARTIAL PIGMENT REMOVAL, SOFT WET-ON-WET EDGE BLEEDING, FEATHERED INK BLOOMS, SUBTLE CAPILLARY FLOW, SELECTIVE INK POOLING, ORGANIC PIGMENT MOVEMENT. NO WATERCOLOUR SPREADING. IMAGINE THE ENTIRE IMAGE HAS BEEN MASKED TO STOP THE INK SPREADING WHILE RETAINING NATURAL WET INK EDGES. 3 — VALUE STRUCTURE HIGH-KEY CHIAROSCURO, PRESERVED LUMINOUS WHITES, LARGE UNINTERRUPTED WHITE AREAS, STARK NEGATIVE SPACE (MA), RICH COOL MIDTONES, STRATEGIC AREAS OF PURE BLACK, LARGE CONNECTED VALUE MASSES, LIGHT CARVES THE FORM, SUBTRACTIVE EDGE LIGHTING, VALUES COMPRESSED TOWARD WHITE. 4 — EDGE BEHAVIOUR ABSOLUTELY NO OUTLINES. NO CONTOUR LINES. NO EDGE DRAWING. FORMS EXIST ONLY WHERE LIGHT MEETS INK. LOST-AND-FOUND EDGES, DISSOLVING CONTOURS, FEATHERED INK BOUNDARIES, BROKEN SILHOUETTES, EDGES EVAPORATING INTO LIGHT, OCCASIONAL SHARP MASKED EDGES SURROUNDED BY SOFT WET DIFFUSION. 5 — ATMOSPHERE TRANSLUCENT INK VEILS, FLOATING TONAL LAYERS, SOFT ATMOSPHERIC DISSOLUTION, SELECTIVE VERTICAL MASKED WET INK DRAGGING, GRAVITY-PULLED PIGMENT, ELONGATED INK STREAKS, THIN PULLED LIGHT VEILS, ORGANIC LIQUID FLOW, CLEAN WHITE BREATHING SPACE, SELECTIVE DRAGGING RATHER THAN UNIFORM DRAGGING. REFLECTIVE METTALIC ACCENTS ON SURFACES THAT STAND OUT FROM THE IMAGE 6 — SUBJECT CONSTRUCTION DO NOT RECOGNISE OBJECTS UNTIL THE ABSTRACT INK COMPOSITION IS COMPLETE.. HAIR EXISTS AS CONNECTED BLACK INK MASSES BEFORE INDIVIDUAL STRANDS. FLOWERS EXIST AS PRESERVED WHITE SHAPES BEFORE PETALS. DETAILS EMERGE NATURALLY FROM THE INTERACTION OF LIGHT, INK AND VALUE RATHER THAN BEING DRAWN DIRECTLY. REDUCE COMPLEX OBJECTS TO SIMPLE GRAPHIC LIGHT AND INK SHAPES BEFORE REFINEMENT. 7 — COLOUR OVERWHELMINGLY MONOCHROMATIC FOUNDATION, TRANSPARENT COLOUR GLAZES ONLY, LUMINOUS CRIMSON, AMBER AND GOLD ACCENTS APPLIED SPARINGLY, COLOUR FLOATING ABOVE THE INK STRUCTURE, NEVER REPLACING THE MONOCHROMATIC FOUNDATION. ADAPTIVE 3D PAPER SCULPTURE PASS Independent immersive adaptive three-dimensional paper sculpture seamlessly integrated into the artwork rather than placed on top of it.,by Medlinyelle
  • Using base image: No
  • Aspect Ratio: portrait