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THE OTHERS ON THE REVERSE SIDE OF THE MIRROR
A woman with dark hair in a loose bun, wearing a delicate, off-the-shoulder, lace-trimmed gown in muted gold and blue tones, kneels barefoot on a richly patterned, ornate rug with swirling, psychedelic motifs in deep blues, reds, and golds. She reaches out with both hands toward a large, ornate, arched-framed painting that appears to be alive — within it, a group of six surreal, otherworldly figures with skin adorned in intricate, colorful, tattoo-like patterns and symbolic designs. The central figure, a bald woman with blue-toned skin and golden patterns, gazes outward, her hands pressed against the “glass” of the painting, mirroring the kneeling woman’s gesture. Surrounding her are five other ethereal beings — one with a single cyclopean eye, another with fiery orange leaf-like markings, a woman with pale blue skin resting her chin on her hand, a small childlike figure with a patterned face, and a figure with a pinkish, flower-adorned torso. The painting’s background is a vortex of swirling, psychedelic colors — oranges, reds, blues, and purples — evoking a cosmic or dream