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ArtistColossal, grossly obese man, a powerful corporate executive, seated on a brutalist concrete throne within a vast, high-tech banking vault. He is the personification of the Bank for International Settlements (BIS). He is grossly overfed, his tailored three-piece suit straining to contain his bulk—he has "had enough milk." His face is photorealistic, expresses a complex emotion of bloated satisfaction and deep regulatory fatigue. The setting is critical: his throne and the vault walls are a dense, complex tapestry of high-fashion cybernetic design and visceral biomechanical details (organic mechanical fusion, HR Giger meets corporate minimalism). Miles of glowing data streams, server racks, and intricate, organic-looking piping represent "arteries and veins" that merge directly into his body. At the base of his throne, ancient, leaky oil drums and archaic, heavy machinery are integrated, visually representing the inefficient "fossil flows" that power this archaic totality. Moody, high-contrast chiaroscuro lighting, dramatic shadows, 8k cinematic resolution, photorealistic editorial quality. NO CARICATURE.
https://youtu.be/N8jVYSTIQU8?si=8jtn-Kq7bRIh-yzq