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ArtistStart from total abstraction. Do NOT represent recognizable human figures. The source image should be used only as a base of movement, rhythm and color distribution, never as a figurative reference. Transform the scene into a fully abstract painting where any sense of bodies, masks or costumes is only suggested through motion, density and color, never explicitly visible. The composition should feel like a ritual in motion, expressed through overlapping strokes, splashes, drips and chaotic textures inspired by abstract expressionism and action painting. Use aggressive, energetic brushstrokes and paint splatters in the style of Jackson Pollock, combined with rough, gestural marks reminiscent of de Kooning. Shapes dissolve into one another. No clear outlines. No readable faces. No defined anatomy. The background becomes an abstract nocturnal rural atmosphere: deep blues, blacks, muted greens and earthy tones, blended and fractured like layers of old paint. Introduce fire and sparks as abstract painterly elements: glowing stains, scratched lines, burning color accents floating through the canvas, never literal flames. The final image must feel like a large-scale abstract painting, raw and physical, with visible texture, paint thickness, accidents and imperfections. Emotional, ritualistic, violent, primal — but non-figurative. Absolutely no photographic realism.
Three revelers in elaborate green masks with feathered headpieces and festive costumes dance on a confetti-strewn tiled street with abstract, painterly walls in the background, appearing to be in motion and celebrating a vibrant carnival or festival.
