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A spacious, secluded and slightly chaotic 1970s American retro jazz café, secretly used as the private hideout of four adult university men in their early twenties. Heavy curtains, dark wood, worn leather sofas, dim amber lamps, huge vintage speakers, vinyl records and faded jazz posters create a smoky, shadowy, lived-in interior. The four men gather closely in one shared seating area, all at nearly the same distance and on roughly the same spatial plane. Keep their apparent scale closely consistent, with only minimal natural perspective variation. NO large foreground figure, NO small background figure, NO dramatic depth-based size differences. Their arrangement remains spontaneous rather than neat: some around the table, one half-reclining on a sofa, bodies turned in different directions, with overlapping conversations and casual glances. Coats, shoes, books, magazines, records, cosmetics and personal belongings are naturally scattered around them. They drink and talk with careless familiarity. From left to right: a long-haired, bespectacled caucasion man with a slightly long face, narrow eyes and thin eyebrows, naturally proportioned, wearing an ordinary high-necked 1970s shirt and quietly drinking bourbon on the rocks from a low heavy tumbler with several visible ice cubes; a charming hippie-inspired man with a rounder face, soft cheeks, lively eyes, loose hair and bohemian clothing; a broad-shouldered, stylish urban man with an angular face, sharp eyes and short fashionable hair, wearing a tailored blazer, shirt and wide-leg trousers; a refined man with a small oval face, straight nose and composed features, wearing elegant clothing and smoking one clearly visible long, slender black cigarette. The right man's cigarette has smoke emerging ONLY from its lit tip, never from the middle or any other part. The burning tip is clearly visible and slightly glowing, with a thin natural plume of smoke rising directly from that tip. The cigarette remains intact, straight and cylindrical. The tabletop contains only clearly recognizable everyday objects: bourbon tumbler, a few drinking glasses, ashtray, cigarette pack, lighter, books, magazines and a small cosmetics case. These objects are physically separate, realistically proportioned, clearly identifiable and naturally scattered with casual disorder, but without clutter becoming chaotic or abstract. NO mysterious objects, NO unidentifiable shapes, NO invented decorations, NO object fusion or duplication. Anatomically correct hands with five distinct fingers naturally interacting with objects. No fused or malformed objects. Decadent, idle, dissolute and carefree, yet lively and intimate: a private world of wasted time, freedom, friendship and fleeting pleasure. American fused with heavy, richly textured oil painting, dramatic chiaroscuro, muted earthy tones, authentic 1970s American Pop.
Four young men are gathered in a dimly lit, richly decorated room that evokes a 1970s atmosphere. The man on the far left, with long brown hair and round glasses, wears a dark turtleneck and brown striped pants, drinking from a glass of amber liquid. Next to him, a man with curly brown hair and a patterned shirt, adorned with necklaces, smiles as he converses with the others. Both are seated on a plush, dark brown leather sofa. The third man, also with curly brown hair, wears a white shirt unbuttoned to reveal his chest, a dark jacket, and light brown trousers. He holds a glass of amber liquid and gazes to his right. The fourth man, on the far right, has dark brown hair and a patterned shirt under a dark jacket, with light brown trousers. He holds a lit cigarette between his fingers, exhaling a plume of smoke, and looks to his right.
In the foreground, a round wooden coffee table holds several items: two glasses of amber liquid, a dark ashtray with cigarette butts, two packs of cigarettes (one white, one red), and a small metallic disk. On the table, there are also a couple of magazines or record covers
