Cinematic stormscape. Wide-angle shot. A colossal supercell thunderstorm dominates the sky, its anvil-shaped clouds boiling with intense turbulence, as a ropelike funnel cloud unfurls from the base. Low-angle shot. Inspired by Ash Thorp and Simon Stalenhag's atmospheric landscapes. Electric blue and purple lightning bolts refract through misty veils. Undulating, cauliflower-like clouds glow with an ethereal light. Lush, emerald green fields stretch towards the horizon, dotted with vibrant wildflowers. Warm, golden lights of a distant town twinkle in the distance. Moody, atmospheric color palette with a dash of blue and purple hues. Radiant, crepuscular lighting with dynamic shadows. Fractal, iridescent lightning paths
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Prompt: "Ethereal, Lovecraftian entities with twisted, elongated, cloud-like and glowing, iridescent lights, floating in the dark, ominous expanse of space, fueled by the swirling, iridescent energy of a massive, three-dimensional black hole, its accretion disk glowing with an otherworldly, dark blue luminescence, radiating an aura of eerie power, surrounded by an abysmal bottomless void, with tendrils of energy twisting outwards in ghostly, cosmic cloud-like forms, as if grasping for the last vestiges of sanity, in a haunting, 12k photorealistic close-up, with intense, cinematic lighting, deep, mysterious shadows and an unsettling, dream-like quality, evoking the dark, biomechanical nightmares of H.R. Smith. The film evokes the surreal, dystopian landscapes of Giger and the eerie, unsettling intimacy of macro photography, with hints of Ash Thorp’s neon-lit cyberpunk futurism and Simon Stalenhag’s haunting, atmospheric sci-fi landscapes. There’s a simmering, existential dread to the film, as if reality itself is being engulfed by the eerie, abysmal horror of the void."
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