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Frontal view: A surreal and haunting scene rendered with a tactile, earth‑like materiality reminiscent of Miquel Barceló’s heavily textured surfaces. The central figure —a woman with an anguished expression— stands in a prayer‑like pose, covered by a flowing ocre garment. Her pale skin appears cracked and dusted with clay, as if emerging from a wall of dried earth. The surrounding environment is a vast, eroded wall, built from thick layers of pigment, clay, and mud. Embedded within it are numerous sculpted faces, which protrude like fossilized screams of clay. Their wide-open mouths emit silent cries, some coated in a raw, visceral red, others with the unsettling realism of unglazed clay and mud. The surface is uneven, cracked, and deeply textured, with lumps and subtle reliefs that catch the dim, dramatic light. The overall atmosphere evokes despair and ritualistic intensity, as if the entire scene were a sacred ruin made of earth, blood, and time. The lighting enhances the grotesque beauty of the material, revealing the tactile depth of the clay, the roughness of the wall, and the fragile, almost crumbling presence of the central figure.
A full shot of an aged and cracked stucco wall, textured and colored with shades of brown, orange, and red, featuring a sculpture of a crying woman in the middle of a wall, she has dirty long blonde hair that is messy and dirty, she is wearing textured orange robes that are a bit broken, with crack marks along her neck and arms, her hands are together as if she is praying, there are multiple distressed faces, screaming in agony, some cracked and partially destroyed, molded into the wall around the woman. Dirt and debris are scattered across the floor, all of it is in a muted color palette, in an abandoned and overgrown forest. It's a dark and sad scene filled with tragedy. The faces have their mouths open, crying out for help. There's a subtle vignette around the edges of the image. The art style is abstract and heavily textured, in a cinematic shot.