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Said has painterly cleansed the doors of perception, everything can appear to mind and matter as it is: infinite.
A young woman with her back to the viewer stands in an art installation, holding up a large curved piece of light-colored wood. The wood is speckled with blue, teal, and gold paint drips and splashes, denser at the top and fading towards the bottom. The woman has long dark hair tied up with a teal scarf or fabric, and she is wearing a light olive-green long-sleeved shirt, dark grey cuffed jeans, and dark brown flat shoes. Her right hand is visible behind the wood panel, supporting it. The installation features vertical wooden slats with narrow gaps between them, creating a textured background and enclosing the space. The floor beneath her feet is white paper or canvas, also splattered with paint.
