Prompt: Create a photorealistic, cinematic street photograph of two adult women in elegant wedding dresses sharing a tender kiss in front of a large anti-LGBT propaganda poster.
The two women are standing together in the foreground on a paved city sidewalk, slightly right of center. They are visibly in love and completely absorbed in the intimate moment. One woman is a brunette with long dark-brown hair, seen mostly from behind and in three-quarter profile. She wears a long, flowing ivory-white wedding gown with a delicate veil extending down her back. She holds a compact bridal bouquet made of pale cream and blush-pink flowers.
The other woman is a blonde with her hair swept into an elegant vintage-style updo. She wears a sophisticated strapless ivory-white wedding gown with a fitted bodice and a long flowing skirt. She holds a large bridal bouquet composed primarily of white and cream roses with subtle pale pink flowers. She leans toward her bride and kisses her gently on the lips. Their body language should feel natural, affectionate and quietly defiant rather than theatrical.
Behind them, mounted prominently on a dark red-brown brick wall, is a large framed rectangular propaganda poster. The poster consists of broad horizontal bands in muted red, ochre-brown, yellow-green, dark green, blue and purple. Superimposed over these colored bands is an enormous black prohibition symbol: a thick black circle crossed diagonally by a thick black slash, clearly resembling a universal "no" or prohibition sign. The graphic should strongly communicate opposition to LGBT people without containing any readable text, slogans, logos or identifiable political organization.
The poster is old, slightly faded and weathered, with subtle surface imperfections. It is enclosed in a simple dark frame and mounted against a recessed section of the brick facade.
The surrounding architecture is an older urban brick building with dark weathered bricks, visible mortar lines, a stone or concrete base along the bottom of the wall, and a narrow paved sidewalk in the foreground. The scene should feel like a real European or North American city street rather than a studio set.
Composition: horizontal landscape photograph, approximately 3:2 aspect ratio. Medium-wide framing, with both brides shown nearly full-length and the entire propaganda poster clearly visible behind them. The women should be the primary visual focus while the poster remains immediately recognizable as the powerful background element.
Lighting: soft natural daylight, slightly overcast or diffused, with gentle shadows and realistic skin tones. Use subtle cinematic contrast, restrained saturation, fine photographic detail and a slightly documentary/editorial aesthetic. Natural fabric texture, realistic hair, flowers, brickwork and pavement. No glamour retouching or artificial studio lighting.
The overall image should create a striking visual contrast between the warmth and tenderness of the newly married couple and the hostile anti-LGBT message displayed behind them.
No readable text, watermarks, captions, borders, extra people, distorted anatomy, duplicated limbs, or artificial-looking faces.
Prompt: Create a photorealistic, cinematic street photograph of two adult women in elegant wedding dresses sharing a tender kiss in front of a large anti-LGBT propaganda poster.
The two women are standing together in the foreground on a paved city sidewalk, slightly right of center. They are visibly in love and completely absorbed in the intimate moment. One woman is a brunette with long dark-brown hair, seen mostly from behind and in three-quarter profile. She wears a long, flowing ivory-white wedding gown with a delicate veil extending down her back. She holds a compact bridal bouquet made of pale cream and blush-pink flowers.
The other woman is a blonde with her hair swept into an elegant vintage-style updo. She wears a sophisticated strapless ivory-white wedding gown with a fitted bodice and a long flowing skirt. She holds a large bridal bouquet composed primarily of white and cream roses with subtle pale pink flowers. She leans toward her bride and kisses her gently on the lips. Their body language should feel natural, affectionate and quietly defiant rather than theatrical.
Behind them, mounted prominently on a dark red-brown brick wall, is a large framed rectangular propaganda poster. The poster consists of broad horizontal bands in muted red, ochre-brown, yellow-green, dark green, blue and purple. Superimposed over these colored bands is an enormous black prohibition symbol: a thick black circle crossed diagonally by a thick black slash, clearly resembling a universal "no" or prohibition sign. The graphic should strongly communicate opposition to LGBT people without containing any readable text, slogans, logos or identifiable political organization.
The poster is old, slightly faded and weathered, with subtle surface imperfections. It is enclosed in a simple dark frame and mounted against a recessed section of the brick facade.
The surrounding architecture is an older urban brick building with dark weathered bricks, visible mortar lines, a stone or concrete base along the bottom of the wall, and a narrow paved sidewalk in the foreground. The scene should feel like a real European or North American city street rather than a studio set.
Composition: horizontal landscape photograph, approximately 3:2 aspect ratio. Medium-wide framing, with both brides shown nearly full-length and the entire propaganda poster clearly visible behind them. The women should be the primary visual focus while the poster remains immediately recognizable as the powerful background element.
Lighting: soft natural daylight, slightly overcast or diffused, with gentle shadows and realistic skin tones. Use subtle cinematic contrast, restrained saturation, fine photographic detail and a slightly documentary/editorial aesthetic. Natural fabric texture, realistic hair, flowers, brickwork and pavement. No glamour retouching or artificial studio lighting.
The overall image should create a striking visual contrast between the warmth and tenderness of the newly married couple and the hostile anti-LGBT message displayed behind them.
No readable text, watermarks, captions, borders, extra people, distorted anatomy, duplicated limbs, or artificial-looking faces.
Would you like to report this Dream as inappropriate?
Prompt:
Create a photorealistic, cinematic street photograph of two adult women in elegant wedding dresses sharing a tender kiss in front of a large anti-LGBT propaganda poster.
The two women are standing together in the foreground on a paved city sidewalk, slightly right of center. They are visibly in love and completely absorbed in the intimate moment. One woman is a brunette with long dark-brown hair, seen mostly from behind and in three-quarter profile. She wears a long, flowing ivory-white wedding gown with a delicate veil extending down her back. She holds a compact bridal bouquet made of pale cream and blush-pink flowers.
The other woman is a blonde with her hair swept into an elegant vintage-style updo. She wears a sophisticated strapless ivory-white wedding gown with a fitted bodice and a long flowing skirt. She holds a large bridal bouquet composed primarily of white and cream roses with subtle pale pink flowers. She leans toward her bride and kisses her gently on the lips. Their body language should feel natural, affectionate and quietly defiant rather than theatrical.
Behind them, mounted prominently on a dark red-brown brick wall, is a large framed rectangular propaganda poster. The poster consists of broad horizontal bands in muted red, ochre-brown, yellow-green, dark green, blue and purple. Superimposed over these colored bands is an enormous black prohibition symbol: a thick black circle crossed diagonally by a thick black slash, clearly resembling a universal "no" or prohibition sign. The graphic should strongly communicate opposition to LGBT people without containing any readable text, slogans, logos or identifiable political organization.
The poster is old, slightly faded and weathered, with subtle surface imperfections. It is enclosed in a simple dark frame and mounted against a recessed section of the brick facade.
The surrounding architecture is an older urban brick building with dark weathered bricks, visible mortar lines, a stone or concrete base along the bottom of the wall, and a narrow paved sidewalk in the foreground. The scene should feel like a real European or North American city street rather than a studio set.
Composition: horizontal landscape photograph, approximately 3:2 aspect ratio. Medium-wide framing, with both brides shown nearly full-length and the entire propaganda poster clearly visible behind them. The women should be the primary visual focus while the poster remains immediately recognizable as the powerful background element.
Lighting: soft natural daylight, slightly overcast or diffused, with gentle shadows and realistic skin tones. Use subtle cinematic contrast, restrained saturation, fine photographic detail and a slightly documentary/editorial aesthetic. Natural fabric texture, realistic hair, flowers, brickwork and pavement. No glamour retouching or artificial studio lighting.
The overall image should create a striking visual contrast between the warmth and tenderness of the newly married couple and the hostile anti-LGBT message displayed behind them.
No readable text, watermarks, captions, borders, extra people, distorted anatomy, duplicated limbs, or artificial-looking faces.
Prompt
Create a photorealistic, cinematic street photograph of two adult women in elegant wedding dresses sharing a tender kiss in front of a large anti-LGBT propaganda poster.
The two women are standing together in the foreground on a paved city sidewalk, slightly right of center. They are visibly in love and completely absorbed in the intimate moment. One woman is a brunette with long dark-brown hair, seen mostly from behind and in three-quarter profile. She wears a long, flowing ivory-white wedding gown with a delicate veil extending down her back. She holds a compact bridal bouquet made of pale cream and blush-pink flowers.
The other woman is a blonde with her hair swept into an elegant vintage-style updo. She wears a sophisticated strapless ivory-white wedding gown with a fitted bodice and a long flowing skirt. She holds a large bridal bouquet composed primarily of white and cream roses with subtle pale pink flowers. She leans toward her bride and kisses her gently on the lips. Their body language should feel natural, affectionate and quietly defiant rather than theatrical.
Behind them, mounted prominently on a dark red-brown brick wall, is a large framed rectangular propaganda poster. The poster consists of broad horizontal bands in muted red, ochre-brown, yellow-green, dark green, blue and purple. Superimposed over these colored bands is an enormous black prohibition symbol: a thick black circle crossed diagonally by a thick black slash, clearly resembling a universal "no" or prohibition sign. The graphic should strongly communicate opposition to LGBT people without containing any readable text, slogans, logos or identifiable political organization.
The poster is old, slightly faded and weathered, with subtle surface imperfections. It is enclosed in a simple dark frame and mounted against a recessed section of the brick facade.
The surrounding architecture is an older urban brick building with dark weathered bricks, visible mortar lines, a stone or concrete base along the bottom of the wall, and a narrow paved sidewalk in the foreground. The scene should feel like a real European or North American city street rather than a studio set.
Composition: horizontal landscape photograph, approximately 3:2 aspect ratio. Medium-wide framing, with both brides shown nearly full-length and the entire propaganda poster clearly visible behind them. The women should be the primary visual focus while the poster remains immediately recognizable as the powerful background element.
Lighting: soft natural daylight, slightly overcast or diffused, with gentle shadows and realistic skin tones. Use subtle cinematic contrast, restrained saturation, fine photographic detail and a slightly documentary/editorial aesthetic. Natural fabric texture, realistic hair, flowers, brickwork and pavement. No glamour retouching or artificial studio lighting.
The overall image should create a striking visual contrast between the warmth and tenderness of the newly married couple and the hostile anti-LGBT message displayed behind them.
No readable text, watermarks, captions, borders, extra people, distorted anatomy, duplicated limbs, or artificial-looking faces.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
