Fang Zheng (方證)

Artist
Marcus...
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DDG Model
DigitalDaVinci
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Created
1w ago
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  Fang Zheng (方證)
  
  Model: DigitalDaVinci
  
  Size: 1320 X 1752 (2.31 MP)
  
  Used settings:
  
  Prompt: Soft Watercolor & ink on silk painting of a Surrealistic Portrait by Beksinski of a old hunch back shaolin abbot with a white beard & eyebrows with beige skin tone, wearing a traditional Shaolin monk attire representing the highest rank, made out of silk, with a chain of long chanting beads over his neck, while having his palms touching each other in a praying position, meditating, apocalyptic and haunting atmosphere, hyperrealistic, sharp focus, Cameron Gray. A monastery in the background. The background showcases a smoky and overcast atmosphere, in the cover of night under a full moon, dark, mysterious & eerie. Predominantly cool colours with rose, gold, rust, burgundy, and black. Soft watercolour, extra water in Art Deco by Annigoni, Egon Schiele, Milo Manara, Botticelli, Catrin Welz-Stein, Jean Metzinger, Klimt, perfect eyes, perfect handsface, highly detailed, complementary colours, hyper detailed. Watercolor and ink splatter, dynamic pose, dark blue background, unreal engine, greg Rutkowski, loish, rhads, beeple, makoto shinkai and lois van baarle, ilya kuvshinov, rossdraws, tom bagshaw, alphonse mucha, global illumination, detailed and intricate environment, chiaroscuro lit contrast.
  
  Using base image: Yes (Effect strength - 56%)
  
  Base image resolution: Default
  
  Face enhance: No
  
  Upscale & Enhance: 0
  
  Aspect Ratio: landscape
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Prompt: Soft Watercolor & ink on silk painting of a Surrealistic Portrait by Beksinski of a old hunch back shaolin abbot with a white beard & eyebrows with beige skin tone, wearing a traditional Shaolin monk attire representing the highest rank, made out of silk, with a chain of long chanting beads over his neck, while having his palms touching each other in a praying position, meditating, apocalyptic and haunting atmosphere, hyperrealistic, sharp focus, Cameron Gray. A monastery in the background. The background showcases a smoky and overcast atmosphere, in the cover of night under a full moon, dark, mysterious & eerie. Predominantly cool colours with rose, gold, rust, burgundy, and black. Soft watercolour, extra water in Art Deco by Annigoni, Egon Schiele, Milo Manara, Botticelli, Catrin Welz-Stein, Jean Metzinger, Klimt, perfect eyes, perfect handsface, highly detailed, complementary colours, hyper detailed. Watercolor and ink splatter, dynamic pose, dark blue background, unreal engine, greg Rutkowski, loish, rhads, beeple, makoto shinkai and lois van baarle, ilya kuvshinov, rossdraws, tom bagshaw, alphonse mucha, global illumination, detailed and intricate environment, chiaroscuro lit contrast.

Modifiers:

dramatic Van Gogh Arthur Rackham Gothic Paul Klee pen and ink dreamy anatomically correct Edward Gorey disturbing metallic colors forboding Esao Andrews biomorphic hallucinatory DZO:Olivier Dorota Piotrowiak No extra hands or legs Perfect flawless hands & fingers Perfect flawless feet & toes Symmetrical perfect flawless eyes

Started from image:

More about Fang Zheng (方證)

The abbot of the Shaolin Temple and headmaster of the Shaolin Sect. After informing Linghu Chong of his expulsion from Huashan for his alleged collaboration with the Sun-Moon Sect, he offered Linghu Chong the opportunity to join the Shaolin Sect as his apprentice because he believes it is in Linghu Chong's karma to learn the ‘Tendon-Altering Sutra’, which was believed to be the only way to treat Chong's internal injuries. He was one of the few people whom Ren Woxing respected and was considered one of the most powerful and senior members in the world of martial arts. In a fight to determine whether Ren Woxing, Xiang Weitian and Ren Yingying would be allowed to leave the Shaolin temple or stay for ten years, Ren Woxing fought Fang Zheng and was forced to use an underhand technique to defeat him. Fang Zheng and his best friend, Priest Chongxu, the headmaster of Wudang Sect, agreed to secretly pass on the ‘Tendon-Altering Sutra’ to Linghu Chong, disguising it as internal energy methods passed on to him by Feng Qingyang, to aid him in his battle with both Ren Woxing and his former master, Yue Buqun.

Fang Zheng (方證)

More about Fang Zheng (方證)

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