Femme Fatale

52
2
  • AiDORE's avatar Artist
    AiDORE
  • DDG Model
    ChatGPT 2
  • Mode
    Base
  • Access
    Public
  • Created
    4w ago
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Prompt

A baroque oil painting of a beautiful but mischievous young woman, impressive neckline. Dark hairs with silver filaments. Porcelain pure-white-toned skin with a luminous glass-skin finish, blanck white almond-shape eyes with dark red vertically slit pupils, sharp precise orange cat-eyeliner, subtle monolid, small delicate nose, full soft lips slight smile, sharp defined jawline, high prominent cheekbones, small oval face with a sharp chin and mascara tears, wearing an oversized diaphonous sweater. Intricate necklaces. Black almond-shaped nails. A thin trickle of blood runs from the corner of her mouth down to her chin and drips onto her sweater. The tip of her tongue is leaping the blood at her mouth's corner. Sat on her massive stone sarcophage. Her sarcophage is old in a medieval dark age style, intricately sculpted. No depth of field; the image of the wall is sharp. Inspired by Frank Frazetta's dramatic lighting. Earrings sparkle. Masterpiece. Best quality. Oil on canvas. Intricate textures. Elegant sensibilities. Soft warm glow.

More about Femme Fatale

A hauntingly beautiful gothic femme fatale with long, wild raven-black hair cascading over her shoulders, seated on an ornate, gilded stone bench in a dimly lit, baroque cathedral chamber. She wears a translucent, off-the-shoulder lace robe in ivory, intricately patterned with floral embroidery and frayed edges, revealing her pale, luminous skin beneath. Blood drips from her lower lip down her sternum, staining the lace, while a thin trail of crimson also trickles from the corner of her left eye. Her piercing golden-amber eyes gaze directly at the viewer with hypnotic intensity, framed by dark, smudged eyeliner and flushed cheeks. She wears layered gold necklaces, one with a red gemstone pendant, and dangling filigree earrings that catch the candlelight. Her fingers, tipped with long, sharp black nails, rest delicately on her knee and the bench. Behind her, the walls are adorned with intricate bas-relief carvings — one panel depicts an angelic figure in flowing robes, another a skeletal, grotesque entity entwined with vines. To her right, a tall, wrought-iron candelabra holds three flickering candles,

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