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"No-body expects the Spanish Inquisition" - Ballett Dancing choreography before the church altar In the year 1720 AD. distant and self-confident aggressive look .obscene complacency with insect wings and the Veil of cunning and cunnilingus in the name of the Lord and the crown of the rotten rod. Claws with golden fingernails. Kneeling before the highest priests while kissing their ring of fire. Long slimy tongues sticking out of the mouths and gathering for flesh. Devilish priests of God. Hellfire with chicken wings™. Torture equipment as the Garrote, Pear of anguish, Mouth prop, Breaking wheel, Spanish boot. Self destruction. Blind faith faces turned into Sacrificial lambs.
A surreal, dark fantasy artwork styled as an old instructional anatomical or educational print, with the title "Nobody expects the Spanish Inquisition" at the top in a decorative gothic font. The central image is set in a gloomy, Gothic church interior with a grand altar and arched windows in the background. In the foreground, four identical women, resembling fairies with translucent insect-like wings and elaborate medieval gowns, stand in a symmetrical arrangement. They each have unusually long, snake-like tongues extended, appearing to interact with four identical bald, robed monks positioned between them. The monks also have elongated tongues, with those in the center seemingly spitting fire from their mouths into two golden chalices. Between the two central monks, a fire pit burns, with two white chickens standing in the flames.
Around the central scene, various torture devices are depicted with labels: a "Garrotc" and "Pear of anglush" on the left, a "Mouth prop" and what appears to be another "Mouch prop" (possibly a mispelling of 'mouth prop') on the right, a "Breaking wheel" at the bottom left, and a "Spanish boot" at the bottom right. A large block of text in an old-fashioned
