⟿ Xome×ne evolving into Gobott

Man with Robotic Arm in Futuristic Setting

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Petr
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ImagineArt
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  ⟿ Xome×ne evolving into Gobott
  
  Model: ImagineArt
  
  Size: 1664 X 2224 (3.70 MP)
  
  Used settings:
  
  Prompt: {Aptly colored sped_up bio-futurism ON, old-school(_surrealism) off}: [ Karel Gott is a (bio-)robot ((=hereinafter 'Gobott')), who keeps gracious smiling: his back never bothers him, (for him it's not about Ego and dick) for him it's about ((lego)) and software, he is not bothered by everyday worries, he goes from night shift to morning shift & from that to afternoon shift, despite three-shift operation he gives constant performance = he is CONSTANTLY available ==> THIS IS HOW professionals should behave! Gobott eliminated the competition, here is - on places of Pepík, Láďa and Venca.. ...'Go home and get some sleep, young men. (~who can't hold a candle to artificial intelligence?!)' Odilon Redon's dreamlike surrealism fused with the delicate art of Bill Sienkiewicz, with Kintsugi influences, where fractured abstract places pulse with a mesmerizing, almost otherworldly-latest futuristic design and where fractured geometric forms, glowing faintly as if alive. Ethereal light bursts through shaky gaps(places), casting prismatic reflections, infuse a modernity shimmer and over-dynamic energy, evoking a sense of wonder of artificiality vs. raw human-emotion, while alcohol ink bleeds vibrantly at the edges, where blending both ink's chaos(~humanity) with so precise control of the modernity~artificiality(, which inspired by Pablo Lobato blocky style). The entire scene is slightly bathed in a dramatic chiaroscuro, with elements appearing to glow amidst the too warm darkness. {Aptly symbolical mixed media spatial masterpiece, bursting with colors layered with thick, tactile textures and bold, expressive brushstrokes - oil(impasto); dynamic alcohol inks, cinematic depth, hyper-detailed, with a touch of boldly sharp mysticism (+rare neon lights), all within 4K πD qualities.} ]
  
  Using base image: No
  
  Aspect Ratio: portrait
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Prompt: {Aptly colored sped_up bio-futurism ON, old-school(_surrealism) off}: [ Karel Gott is a (bio-)robot ((=hereinafter 'Gobott')), who keeps gracious smiling: his back never bothers him, (for him it's not about Ego and dick) for him it's about ((lego)) and software, he is not bothered by everyday worries, he goes from night shift to morning shift & from that to afternoon shift, despite three-shift operation he gives constant performance = he is CONSTANTLY available ==> THIS IS HOW professionals should behave! Gobott eliminated the competition, here is - on places of Pepík, Láďa and Venca.. ...'Go home and get some sleep, young men. (~who can't hold a candle to artificial intelligence?!)' Odilon Redon's dreamlike surrealism fused with the delicate art of Bill Sienkiewicz, with Kintsugi influences, where fractured abstract places pulse with a mesmerizing, almost otherworldly-latest futuristic design and where fractured geometric forms, glowing faintly as if alive. Ethereal light bursts through shaky gaps(places), casting prismatic reflections, infuse a modernity shimmer and over-dynamic energy, evoking a sense of wonder of artificiality vs. raw human-emotion, while alcohol ink bleeds vibrantly at the edges, where blending both ink's chaos(~humanity) with so precise control of the modernity~artificiality(, which inspired by Pablo Lobato blocky style). The entire scene is slightly bathed in a dramatic chiaroscuro, with elements appearing to glow amidst the too warm darkness. {Aptly symbolical mixed media spatial masterpiece, bursting with colors layered with thick, tactile textures and bold, expressive brushstrokes - oil(impasto); dynamic alcohol inks, cinematic depth, hyper-detailed, with a touch of boldly sharp mysticism (+rare neon lights), all within 4K πD qualities.} ]

Modifiers:

highly detailed intricate dynamic lighting high definition colourful high contrast Oskar Kokoschka Joan Miró Frantisek Kupka full body view Raoul Dufy Roberto Matta George Grosz neo-surrealism Construction details Contrast of lightness and darkness holographic layering of scenes deepest fantasy dramatic&magical Jitka Anlaufová C'mon, twist! >32K πD(or 4D) proactive drawing of declassified life Elegant flowing form with gentle curves & subtle contours from balanced harmonious Zen to luminous mathematically scheming act. Lucid mythohyperpoetic distortion deep phantastry in 64K πD proactive funky way Henri Matisse's art - scantily dressed by a Jiří Kolář's collage technique using photos by Jamie Heiden Elizabeth Jane Gardner Slávka Krátká 6+4K ♫D pleasant proactive rendering unsharply inclined composition elegantly fluently curved line Spatiality of Jaume Plensa's art within Peter Gric's imagination, who trying to be inside.

More about ⟿ Xome×ne evolving into Gobott

Gobott II.x ~from&using::: +a bit re-inspired by:
https://youtu.be/Xrc5HbAPO5A
https://news.headliner.cz/novinky/headliner-zlo-ktery-te-rozchechta
https://deepdreamgenerator.com/ddream/osgfikk7qti
https://deepdreamgenerator.com/ddream/oc4corv9d2h

.1) A man with a robotic left arm, cracks with golden light (kintsugi art) on the shoulder of the arm's black suit, smiles while wearing a black suit with a black tie that has golden accent lines, and a white shirt, on an alien planet with futuristic structures, and glowing rocks.

.2) Smiling Man with Robotic Arms in Digital Collage
A digital collage featuring a central image of a smiling man - possibly Majk V.í
https://radiocolor.cz/showpage.php?name=viktorik
with a robotic arm sitting at a desk with multiple computer monitors, surrounded by a complex, circular frame composed of various fragmented images and textures.
In the center, a man with light brown hair, wearing a dark suit vest, white shirt, and tie, sits in a dark wooden chair. He has a prosthetic right arm, white and grey with visible blue internal wiring, extending from his shoulder, with his robotic hand resting on a computer keyboard. His left arm is also prosthetic, resting on the chair's armrest. He is looking to the right and smiling broadly. Behind him are multiple computer monitors displaying code, a video call with another man, and a sunset landscape with a road. A stack of colorful building blocks is on the desk.
The central scene is enclosed within a large, distressed, circular frame made of segmented pieces. This circular frame itself is part of a larger composition, with elements extending beyond its boundaries. Around the central circular frame, at various points, are smaller circular cut-outs or lenses that contain additional images. Clockwise from the top:
1. Top-left: A large, close-up human eye with blue iris

.3) Sleek Android with Glowing Features - profile (FluX•Ultra)
The android's neck is articulated with exposed wiring and mechanical elements in dark gray and black, indicative of its robotic nature. The shoulder and upper chest areas are armored with robust, angular plates of the same light blue and dark gray metallic material. Several small, orange-glowing lights or indicators are embedded within the armor, particularly on the chest and around the mechanical parts.
The background is softly blurred, showcasing bokeh lights that appear as large, circular, glowing orange or yellow orbs on the left side, against a dark, indistinct backdrop. On the right side, there's a light

.QWEN) from 3 images >>> final similarity only to first one