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ArtistSomeone's a fan of Francis Bacon: We never see because we have opinions about what we see - a unique dystopian Harrowing Damaged Translucent Organic Polaroid Infected Transfer as raku pottery & Emulsion Lifts of Secrets of A Double of Heterochromia Vision of Belphegor the Future: Erosion of Time By David Cronenberg’s Videodrome (1983) biomechanical, psycroptic, hybrid creature emerges from a dreamlike, psychosis glitch art realm, where pixel sorting distortions and uncanny, spontaneous combustion effects blend with surreal, abstract brushstrokes. The creature's spine and ribs morph into delicate, butterfly wings, evoking the fluidity of jagged, anatomical lines reminiscent of Le Corbusier's architectural sketches, reimagined through the expressive, haunting qualities of Francisco Goya's masterpieces. The image fuses the dark, eerie atmospheres of Stephen Gammell's, Endre Penovac's, Basil Gogos's, and Aron Wiesenfeld's works, blending distorted, hybrid portraits of animals, people, and objects with a sense of playful, gestalt theory-inspired experimentation, as seen in the Magnetic Rose from the Memories (1995) anime film. Incorporating the avant-garde styles of Zdzisław Beksiński, H.R. Giger, and Ash Thorp, the artwork embodies a surreal, futuristic aesthetic, where the boundaries between reality and fantasy blur.
A surreal portrait of a person with an oversized eye at the center of their face, surrounded by abstract, colorful patterns and organic shapes, creating a striking and eerie visual effect.