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‘Crack From Istanbul’ Surrealism. Style of Andre Kohn, Irena Gendelman, Ewa Czarniecka, Mirjam Duizendstra, Peter Mitchev, Cecilia Frigati, Jimmy Lawlor. Surrealism. Mixed media, illustration, painting, different charcoals with diverse characteristics, oil pastels, acrylic, pure metallic pigments, golden and silvery powder, double exposure, soft transitions with semi-transparent layers. Prompt and aesthetics ©valestok. Full size image, no text, no copyright.
An impressionistic painting depicts a vibrant street scene featuring a classic yellow car, its front half clearly visible, with a striking yellow body and chrome accents on the bumper and grille. The car's front wheels have white sidewall tires. A woman with long brown hair, wearing a white tank top, dark pants, and a wide-brimmed straw hat, sits on the passenger side of the car, her right leg casually bent and resting on the vehicle. Her expression is calm as she gazes directly forward. In the background, another woman in a white dress is leaning over the hood of the car, her back to the viewer. To the right of the painting, a prominent yellow domed building with tall, slender spires characteristic of a mosque or large temple stands out. The street on which the car is parked is rough and reflects light. In the background there are various buildings, some appear to be shops with awnings, and an additional yellow car is subtly visible. The sky, which is also a shade of yellow, complements the car's color, and the overall color scheme of the painting uses shades of yellow, grey, and black. The painting has bold brushstrokes and thick impasto texture, adding to its dynamic
