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A pre-Raphaelite style painting, "The Day and the Last of Days" by Edward Burne-Jones, features a group of seven people gathered together in a somber, indoor setting. The composition is arranged around a large, intricate, spherical object resembling a glowing, woven orb or celestial body, positioned prominently in the upper center against a dark background, almost like a window or portal.
On the left, a young man with dark hair, dressed in a yellow tunic and reddish-brown trousers, sits on a wooden chair, his right elbow resting on his knee, and his hand to his head in a pensive or troubled gesture. His left hand is extended as if reaching out to someone or something. Below him, partially obscured, is another figure, possibly a child, lying on the ground with a red cap covering their head.
In the center, two young women are positioned closely. One, wearing a flowing white or light-colored dress and a green drape, is partially embraced or supported by another woman dressed in a yellow top and skirt with a thick, textured hairstyle. The woman in yellow appears to be leaning over the one in white. At their feet, on the green and red fabric covering the floor,
Note: This is based on Arthur Hughes' painting he called Bad Time. Hughes was one of the preraphaelite painters. The image her is mixed with some spheres making the window bulge in as other balls are scattered about.