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‘Quiet evening spells, the sadness of blue darkness, I see not faces, but a woman in a yellow dress, or perhaps only flowers.’ Surrealism. Style of Inge Shuster, Judith Cheng, Odilon Redon, Duy Huyn Esao, Mandy Disher, Cecilia Frigati, Jimmy Lawlor, Esao Andrews. Using a combination of vine and oiled charcoal with touches of compressed charcoal, various charcoals, with black chalk and black conte crayon, wiping, stumping and erasing, on cream wove paper altered to a golden tone, golden oil pastels, pigments, and golden fixative. Promt©valestok. Full size image, no text, no copyright.
A full-shot fine art portrait of a slender, pale-skinned young woman in a flowy yellow gown with thin straps, walking through a field of numerous yellow daisy-like flowers with tall stems. Her long, wavy dark hair is dramatically windblown to the left. She is viewed in profile, looking towards the right, with closed eyes and bright pink blush on her cheeks. The background behind the woman and the flowers is a dark teal, with a large, glowing, hazy yellow full moon in the upper right. The flowers are abundant, extending from the bottom of the frame up to varying heights, many reaching the woman's shoulder level. Some tiny sparks of light are scattered in the dark teal background, resembling stars. The style is painterly with a soft, dreamy quality.
