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Artist(Pls. create masterpiece without texts inside it,) [use Eclecticism + sped_up_surrealism for very Dynamically&Peacefully ongoing eclectic postappeal and also very nice wild_night_urban_wonder: {[ We got there late at night and all the heads were already empty and no place was clean and everyone was already (a little) indifferent to everything.. We stood in the middle of the room and looked at those happy **** and the only thing that could be done was to quickly disappear back; we still caught the midnight train but it was really just only just (!) in the train it was dark, you and me and cold we felt strange and we felt great! But someday I'll be young too - but someday I'll be too; but someday I'll be young too!! I come in everywhere and a little late for everything. I arrive everywhere a little late and find out everything a little late. (so){I come up everywhere and a little late for everything a little late a little late but someday I'll be young too } ]} Eclectic combination of art by Josef Pleskot(+with touches of Eyvind Earle), by Max Švabinský and Michaela Žemličková(+with touch of Milo Manara) into dynamic~partly blurred(=in motion) style of unknown artist influenced by Milada Lenfeldová style and early art of František Kupka, all within 4K πD (oil~impasto) qualities, within calm setting of abstract starless night. ] Minimalist compositions, no text, no another(unmentioned) artifacts.
A highly detailed and atmospheric painting depicts a dark, rainy night in a European-style mountain village, with homes on both sides of a wet, dark road that reflects the yellow light from the streetlights and windows. In the background, dark, craggy mountains rise under a dark, cloudy sky illuminated by a large, bright yellow full moon and a smaller, dimmer moon to its left. The sky, a gradient of deep blue to black, has dramatic white and gray clouds with visible rain streaks, suggesting a recent or ongoing downpour.
On the left side of the road, a three-story house with dark roofs and yellow-lit windows has various plants and flowers in front of it. A two-bulb streetlamp casts a warm glow on the wet sidewalk and street. Further down the road on the left, more houses with illuminated windows recede into the distance.
On the right, another three-story house with dark roofs, a tall chimney, and glowing windows also features flower boxes under some windows and a small tree in front. The wet road, textured with horizontal lines, reflects the streetlights and moon, creating shimmering streaks of light. Flower pots and shrubs in vibrant reds, yellows, and blues are scattered along the road
