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A woman in shorts, in the 1950s, stretches her arms and legs, holding a headless, armless Greek sculpture, sitting on a rock at the top of a Swiss mountain. Trapeze. There's a 50-story building in a low angle. A giant vice gripping the woman and the sculpture. Lines of vanishing perspectives appear throughout the image. Black and white image, except for the rocks in bright colors. Solid, unbalanced lines. Funicular. Visible and functional jewelry. Bizarre wireframed facial shapes. Polaroid glitch photography. Faces, horrible masks, feathers, skis.
A surreal scene blends classic sculptures and modern elements. A figure pulls a bow, surrounded by geometric shapes, vibrant colors, and ethereal landscapes, merging history with contemporary art.