Mermaid on Coral Throne in Futuristic Tunnel Setting

Queen of the Neon City

Artist
Tobias Riv...
DDG Model
SeeDream
Access
Public
Created
3mos ago
Similar Try Try style
Public
57

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- Info
  Queen of the Neon City
  
  Model: SeeDream
  
  Size: 1920 X 1920 (3.69 MP)
  
  Used settings:
  
  Prompt: cold, minimalist scientific futurism inspired by stanley kubrick’s 2001: a space odyssey, with clinical objectivity, strict geometric symmetry, and one‑point perspective: a sleek, metallic spacecraft interior featuring straight lines, curved pods, smooth white surfaces, muted functional colors, and a rotating centrifuge corridor that recedes into a vanishing point, all bathed in soft, diffused studio lighting that emphasizes the stark, brutalist architecture. in the center of this symmetrical hall stands a full‑body mystical sea queen seated regally on an elaborate throne of coral, viewed from a high angle looking down; her expression, facial lines, skin pores, and natural hair texture are preserved exactly as in a vintage portrait, with vibrant yet natural colorization, crisp studio lighting, deep micro‑contrast, and no background blur. the sea queen’s regal garb is composed of iridescent, tattered high‑fashion fabrics that catch faint neon glints, and around her throne ornate gold filigree frames echo art nouveau motifs. behind the spacecraft scene, a double‑exposure overlay creates a cyberpunk belle epoque cityscape: glowing neon pink and teal reflections, towering sleek skyscrapers, and vintage parchment‑toned sky, rendered in oil‑on‑canvas texture with heavy impasto, visible brushstrokes, and watercolor‑ink splatter accents reminiscent of turner and rackham. volumetric neon lighting casts chiaroscuro shadows, while subtle graffiti, cracked paint, and distressed linen canvas edges suggest urban decay. the entire composition is hyper‑detailed, ultra‑photorealistic, 16k resolution, with every element fully within the frame, no extra limbs, text artifacts, or distortions, and maintains a clean, professional studio photograph quality without halos, over‑sharpening, watermarks, or logos.
  
  Using base image: Yes
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Prompt: cold, minimalist scientific futurism inspired by stanley kubrick’s 2001: a space odyssey, with clinical objectivity, strict geometric symmetry, and one‑point perspective: a sleek, metallic spacecraft interior featuring straight lines, curved pods, smooth white surfaces, muted functional colors, and a rotating centrifuge corridor that recedes into a vanishing point, all bathed in soft, diffused studio lighting that emphasizes the stark, brutalist architecture. in the center of this symmetrical hall stands a full‑body mystical sea queen seated regally on an elaborate throne of coral, viewed from a high angle looking down; her expression, facial lines, skin pores, and natural hair texture are preserved exactly as in a vintage portrait, with vibrant yet natural colorization, crisp studio lighting, deep micro‑contrast, and no background blur. the sea queen’s regal garb is composed of iridescent, tattered high‑fashion fabrics that catch faint neon glints, and around her throne ornate gold filigree frames echo art nouveau motifs. behind the spacecraft scene, a double‑exposure overlay creates a cyberpunk belle epoque cityscape: glowing neon pink and teal reflections, towering sleek skyscrapers, and vintage parchment‑toned sky, rendered in oil‑on‑canvas texture with heavy impasto, visible brushstrokes, and watercolor‑ink splatter accents reminiscent of turner and rackham. volumetric neon lighting casts chiaroscuro shadows, while subtle graffiti, cracked paint, and distressed linen canvas edges suggest urban decay. the entire composition is hyper‑detailed, ultra‑photorealistic, 16k resolution, with every element fully within the frame, no extra limbs, text artifacts, or distortions, and maintains a clean, professional studio photograph quality without halos, over‑sharpening, watermarks, or logos.

Modifiers:

zentangle style in the style of H.P. Giger, W.T. Turner, Cameron Grao and Katherine Wells-Stein, Gustave Doré. (ergab mit Model "DaVinci2": ) -- Artist Mattias Adolfsson style. A filigree pale white little-brittle girl-fractal rich color palette of deep reds Dentelle polonaise chromée

Started from images:

Prompt

cold, minimalist scientific futurism inspired by stanley kubrick’s 2001: a space odyssey, with clinical objectivity, strict geometric symmetry, and one‑point perspective: a sleek, metallic spacecraft interior featuring straight lines, curved pods, smooth white surfaces, muted functional colors, and a rotating centrifuge corridor that recedes into a vanishing point, all bathed in soft, diffused studio lighting that emphasizes the stark, brutalist architecture. in the center of this symmetrical hall stands a full‑body mystical sea queen seated regally on an elaborate throne of coral, viewed from a high angle looking down; her expression, facial lines, skin pores, and natural hair texture are preserved exactly as in a vintage portrait, with vibrant yet natural colorization, crisp studio lighting, deep micro‑contrast, and no background blur. the sea queen’s regal garb is composed of iridescent, tattered high‑fashion fabrics that catch faint neon glints, and around her throne ornate gold filigree frames echo art nouveau motifs. behind the spacecraft scene, a double‑exposure overlay creates a cyberpunk belle epoque cityscape: glowing neon pink and teal reflections, towering sleek skyscrapers, and vintage parchment‑toned sky, rendered in oil‑on‑canvas texture with heavy impasto, visible brushstrokes, and watercolor‑ink splatter accents reminiscent of turner and rackham. volumetric neon lighting casts chiaroscuro shadows, while subtle graffiti, cracked paint, and distressed linen canvas edges suggest urban decay. the entire composition is hyper‑detailed, ultra‑photorealistic, 16k resolution, with every element fully within the frame, no extra limbs, text artifacts, or distortions, and maintains a clean, professional studio photograph quality without halos, over‑sharpening, watermarks, or logos.

More about Queen of the Neon City

An oil painting of a crowned woman with long gray hair wearing a sheer iridescent dress, sitting on a throne made of coral with a golden ornate frame behind her. She is positioned in the center between a tunnel or futuristic pathway that stretches into the distance, with light at the end of the tunnel. The pathway is flanked on either side by a cityscape with tall buildings lit with neon lights in pink and blue, under an orange and purple twilight sky. The image has a textured, aged paper effect with cracks and discoloration in the corners and along the top edge, and a red circular emblem with a white figure of arms outstretched and roots coming into the ground on the bottom left corner. A signature is visible on the upper right side of the image.