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A hooded monk surveys a surrealist landscape where the clock bodies look like grandfather clocks growing out of tree trunks but the time is marked by cuckoo clocks instead of clock faces marking a unique passage of time. The sky is a swirling vortex with lightening and realistic but stormy clouds, and the ground is a sandy desert with dunes full of wormlike creatures. This piece is inspired by the dreamlike absurdity of Salvador Dali and the meticulous detail of Zdzisław Beksiński.
A vast, surreal desert landscape at twilight under a swirling, dark storm-filled sky with lightning striking in the distance and illuminating the scene. In the foreground, a hooded figure, wearing a grey cloak and facing away from the viewer, stands on a small sand dune, looking towards an array of eccentric, tall clock towers. These clock towers are intricately carved from wood, with detailed wooden structures resembling tree trunks or roots forming their bases, transitioning into ornate clock faces contained within small, house-like enclosures. Some clocks are elevated on very tall, slender metallic poles with intricate carvings, while others are perched on massive, gnarled tree-like growths that emerge from the sandy ground. The clocks display Roman numerals. The ground is a rich sandy yellow-brown, with scattered rocks and subtle ripples in the sand. The overall atmosphere is fantastical and ominous.
