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Vibrant retro-futuristic illustration in the style of 1950s sci-fi poster art. A radiant Carnaval goddess smiles confidently, wearing a bold, jet-age mask of gleaming white fiberglass and scarlet aluminum. The mask features a large, single curved visor in atomic teal, reflecting stylized starburst patterns. The headdress is a fantastic structure of sleek, orbiting rings and polished satellite dishes, adorned with plastic tropical flowers and bold geometric shapes. Her costume is a one-piece, futuristic samba outfit in bold white, red, and yellow, with a short, structured skirt. She poses heroically on a platform overlooking a Googie-style "Brasília of the Future," full of flying saucers and atomic-era architecture, under a stylized sun and a sky of colorful, swirling abstract patterns. Clean lines, optimistic lighting, and a saturated, joyful color palette. Signature: @digo.a.i
A vibrant retrofuturistic illustration depicts a smiling woman in a superhero-esque outfit and helmet, set against a backdrop of a futuristic city and a colorful sky. The woman is centrally positioned, her body angled slightly as she rests one hand on her hip and extends the other with an open palm. She wears a white, red, and yellow leotard or dress with geometric patterns, and metal cuffs on her wrists. Her helmet is white with red accents and large teal goggle-like lenses, adorned with multiple antennae-like structures and a circular metallic ring around her head. Several colorful flowers are tucked into the helmet's design.
The background is highly stylized and features a bold color palette of teal, pink, yellow, and orange, creating a dynamic, wavy pattern that suggests movement. A bright sunburst radiates from the top center of the image. Flying saucers and rockets are scattered across the sky.
Below the woman, a futuristic city unfolds with sleek, modern architecture. Notable structures include tall, slender towers with observation decks, and buildings with large glass domes and curved facades. Palm trees line roads where small figures of people can be seen. The word "BRASIL" is visible on one of the buildings. The foreground features a
