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Stop-Motion Under the Forest Floor: Jan Švankmajer Reanimates Otto Marseus van Schrieck’s Nocturnal Still Life, Where Blue Morning Glories Pulse Like Mechanical Lungs, Butterflies Freeze Mid-Flinch, Roots Twitch with Edible Anxiety, and a Clay-Jointed Zombie Toad Hauls Itself Back into Being—Jaw Unhinged, Tongue Lolling, Skin Mottled with Baroque Decay—Muttering Alchemical Recipes, Chewing on Moss, Beetles, and Time Itself, While the Dutch Golden Age Quietly Decomposes into Puppetry, Taxidermy, Childhood Dread, and the Damp Philosophy of Things That Refuse to Stay Dead