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And what I do and my shoe has everything to do with you. I see multiplicity which is not multiple. This is two-not-two. The very fabric of S and you. I find non-locality in my shoe. This. No "that". Just this. A non-local and contextual world in which the stable Said el Prado shoe is woven upon a fabric faster-than-true And what I do and prior to concept this superluminal afoot is not separated from me and my shoe.
Two black leather men's dress shoes, designed as oxfords or brogues, with visible laces and decorative perforations (broguing) along the seams and toe caps, are positioned on a rumpled, light brown or tan fabric surface. One shoe is laid flat, facing right, with its toe pointing towards the right side of the frame, showcasing the top and side of the shoe. The second shoe is standing upright on its heel, with the toe pointing upwards and slightly to the left, revealing the white interior lining of the shoe. Both shoes are made of shiny, smooth black leather, and their interiors are lined with a lighter, possibly white or cream-colored material. The light brown fabric background appears soft and has natural wrinkles and folds, suggesting a textile like cashmere, felt, or a soft blanket. The lighting is diffused, highlighting the texture of the fabric and the details of the shoes.