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Hit the road Jack and don't you come back No more, no more, no more, no more Hit the road Jack and don't you come back no more What you say? Hit the road Jack and don't you come back No more, no more, no more, no more Hit the road Jack and don't you come back no more Old woman, old woman, don't treat me so mean You're the meanest old woman that I've ever seen I guess if you said so I'll have to pack my things and go (that's right) Hit the road Jack and don't you come back No more, no more, no more, no more Hit the road Jack and don't you come back no more What you say? Hit the road Jack and don't you come back No more, no more, no more, no more Hit the road Jack and don't you come back no more Now baby, listen baby, don't ya treat me this way 'Cause I'll be back on my feet some day (Don't care if you do 'cause it's understood) (You ain't got no money, you just ain't no good) Well, I guess if you say so I'll have to pack my things and go (that's right) Hit the road Jack and don't you come back No more, no more, no more, no more Hit the road Jack and don't you come back no more What you say? Hit the road Jack and don't you come back No more, no more, no more, no more Hit the road Jack and don't you come back no more Well (don't you come back no more) Uh, what you say? (Don't you come back no more) I didn't understand you (don't you come back no more) You can't mean that (don't you come back no more) Oh, now baby, please (don't you come back no more) What you tryin' to do to me? (Don't you come back no more) Oh, don't treat me like that (don't you come back no more) (((One single image. No text in image at all)))
https://youtu.be/x9A7h_vGp6c?si=i8F14q24ODLItahk
Ray Charles - Hit the Road Jack - 1966
A surreal watercolor painting in the style of Edward Hopper and Salvador Dali shows a man in a black suit and fedora hat, walking away from the viewer, carrying a brown suitcase. He is walking on a wet surface that reflects the light, towards a fantastical city with tall, spired buildings. In the foreground, on the left side, is a large, detailed profile of a woman's face with dramatic eye makeup and red lips, looking towards the man. Her skin is rendered with yellow-orange tones on a fair complexion. The background is filled with abstract shapes, including large red circles, crescent moons, and constellations, interspersed with watercolor splashes of blue, orange, and red. Fine black lines connect various elements, creating a sense of geometry and dynamism. On the far right, a vintage black car is parked, with its reflection visible in the wet ground. The overall mood is mysterious and dreamlike, blending realism with abstract fantasy.