Of Ashes, Feathers, and Golden Light

Of Ashes, Feathers, and Golden Light

• Model: AIVision

• Size: 1536 X 1536 (2.36 MP)

• Used settings:

  • Prompt: A high-contrast, full-body avant-garde portrait of a breathtakingly athletic Senegalese woman, captured in a dynamic three-quarter rear view. Her sculpted back—smooth and luminous under dramatic, angular lighting—features a fragmented golden encircled pentagram. Voluminous, coppery-gold curls explode in kinetic tendrils, some strands dissolving into ink-like splatters mid-air. From her shoulders erupt two massive, black-feathered wings, with jagged shards of black glass and liquid metal, refracting light in prismatic bursts. The "feathers" warp and splinter at the edges, some fragments hovering in suspended animation, others melting into smoke. Their unstable forms create a tension between solid and liquid, real and surreal. The background is a storm of Russ Millis' signature chaos: violent ink splashes collide with precise geometric wireframes of mathematical equations, all backlit by an unnatural golden haze. The bokeh isn't circular but fractal, as if the air itself is pixelating. Style: Hyper-deconstructed avant-garde—part digital glitch, part expressionist painting. Lighting is harsh and directional, with spotlights that carve her form out of the darkness while leaving edges deliberately unfinished. The phi symbol and wing shards emit a faint data-mosquito flicker. Mood: A celestial entity caught mid-transformation between human and algorithm—both goddess and artifact. Key Details: Her right hand is slightly blurred, fingers pixelating into gold dust. A "error" streak cuts diagonally across the composition, revealing a flash of raw canvas beneath. The shadows don't follow physics; some leap upward as if gravity reversed. (Medium: Mixed digital over hand-pressed sumi ink textures. Final output should look like a 4K screenshot from a corrupted Renaissance simulation.)
  • Face enhance: No
  • Upscale & Enhance: 1
  • Aspect Ratio: square