Not a Bad Day After All.

164
1
  • Suzanne's avatar Artist
    Suzanne
  • DDG Model
    DaVinci2
  • Access
    Public
  • Created
    1w ago
  • Try (2)

Prompt

A Post-Impressionist painting with deep, rich colors and black ink accents. A mysterious blonde woman with tousled hair in a long bob sits by a window at sunset, her figure outlined with soft strokes of black ink. The palette is rich—burgundy, warm orange, and deep emerald—with a soft, impasto texture and expressive, bold brushstrokes. The light is warm and radiant, enhancing the dramatic contrast. Features include: Krinichka aesthetics, bold impasto brushstrokes, black ink details, a rich color palette, soft yet dramatic texture, warm highlights, deep shadows, and an expressive Post-Impressionist style. The textures are expressive — palette-knife strokes, traces of black ink drips, and silver foil glimmers create a dreamlike tactility. The atmosphere combines soft melancholy and tender warmth, as if time has paused in the quiet between sunlight and memory, layered textures and fragmented elements,apply the best algorithms & capabilities to achieve as close to AIVision generation as possible

More about Not a Bad Day After All.

A vibrant impressionistic painting depicts a beautiful fair-skinned woman with short, wavy, strawberry-blonde hair, parted in the middle, staring directly at the viewer with light green eyes. Her face is softly illuminated by a warm light source coming from the left, highlighting her cheekbones and the bridge of her nose, contrasting with the shadow on the right side of her face. She has subtle pink blush on her cheeks and bright red lipstick on her full lips. She wears a long-sleeved, low-necked, maroon or dark red dress, which exposes her collarbones and a glimpse of her cleavage. The background through a window is a stunning sunset or sunrise with the sky painted in horizontal strokes of bright orange, peachy pink, and light red, simulating clouds. The sun appears as a bright white circle near the horizon, partially obscured by the window frame. Below the sky, there's a body of water with reflections of the bright orange light, and beyond that, green and dark blue silhouettes of hills or mountains. The window frame is dark, creating a grid-like pattern on the left side of the painting that intersects with the colorful landscape. The painting has visible brushstrokes, giving it a textured, oil-on-canvas

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