I probably don't have a brain in my head, but I have one in my hand is better than ten in the bush??

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  • Thomas Simonsen's avatar Artist
    Thomas Sim...
  • DDG Model
    Grok
  • Access
    Public
  • Created
    5d ago
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Prompt

Two nuns of the machine and The master wizard android is in his clockwork lab , witch beautiful android woman, miserable, downhearted, emotionally and unstable sitting under a strange monolith holding a broken brain mechanism in one hand and android arm, mixed media collage, textured, layered, assemblage,elements of kintsugi on the edges of the glass is traced with a gold and oxidized copper patina, backdrop of an wordly landscape interspersed with delicate strange flowers and subtle bokeh effects, the entire composition exuding an aura of feelings of shock, grief, numbness and loss, with an intense focus on texture, dynamic pose capturing despair. unframed. vibrant colours inspired by Brian Viveros and Esao Andrews, super detailed, oil on a cracked intricate old Master's canvas, highly textured features of a high resolution artwork a masterpiece of a high calibre.

More about I probably don't have a brain in my head, but I have one in my hand is better than ten in the bush??

A steampunk-style digital painting shows a central figure dressed in a patchwork and cog-adorned outfit, seated and holding a brain in her hand. Her face expresses sadness, with tears escaping her eyes, and her limbs are partially robotic, featuring gears and metallic components. To her right, two women in nun-like habits observe her. These figures also have robotic elements, with glowing blue lights resembling eyes on their faces. Behind them, a robotic arm extends, pointing towards the scene. On the left side of the composition, a large, metallic robot with visible gears stands tall, its head tilted towards the primary figure.

Between the robot and the seated woman, a stack of obelisk-like structures, resembling computer circuits and metallic blocks, rises. The background features more floating landmasses, reminiscent of flying islands, bathed in a soft, ethereal light. Various flowers in muted purples, pinks, and yellows are scattered throughout the scene, some appearing ethereal. The floor beneath the figures is a geometric mosaic, interspersed with metallic pieces and gears. The overall color palette is a mix of muted golds, silvers, browns, and soft blues and purples, creating a blend of mechanical complexity and organic etherealness.

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