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An illustration by Boris Artzybasheff depicting a humanoid electric clock of the 1950's.
A grayscale, full-body portrait of a highly detailed, intricate clock mechanism humanoid, standing directly in front of the viewer. The humanoid's head is shaped like a human face composed of small, precise metal parts, wires, and gears. These components form the eyes, nose, lips, and cheeks, with a slight smirk on the lips. The humanoid's bald head features an intricate, open network of gears and clockwork, with a small clock face at the very top displaying the number "12". This entire structure is set against a large, circular clock face in the background, with Roman numerals marking the hours, and smaller Arabic numerals, such as "50", present. The humanoid's neck and upper torso are also made of complex machinery, including tubes, pistons, and various mechanical elements, seamlessly integrated with the clock-themed aesthetic. The metallic surface of the humanoid and clockwork is rendered with excellent lighting, creating strong contrasts between light and shadow, highlighting the texture and depth of the intricate details. The background is solid black, emphasizing the luminous metallic figure. The overall style is reminiscent of a blend between steampunk, surrealism, and intricate mechanical design, with a touch of art deco influence in the stylized features of