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Yeah. Might be feeling up. Don't know just what you think. Step into my office, baby. Don't let mama fix you a drink. You might need a love one. Oh, just a little shot. But when it comes to good loving, baby, what you need is what I got. Said I've been fixing it up in my kitchen all night and day. A little something going to make you change your mind and say I put something in your drink when you ain't looking. Babe, Don't ask me no questions and I won't tell you no lies. Said I'm just here to help you. Just here to open your eyes. Now some say I'm a healer. Some people call me a wig, but there ain't nothing that you got a little sip on fix. You're her love number nine. Let's just say that Madame Ruth is a real good friend of mine. I put something in your drink when you ain't looking, baby. You can't get enough. Don't ever want to go home. Look how you throw your loving arms around me. Just can't leave me alone. Said from a burn to a burning fire. Oh, let me show you all about desire. put something in your drink when you ain't looking. Baby said, "I'll be fixing it up in my kitchen all night. And now your little something going to make you change your mind and say, "I put something in your tank when you ain't looking, babe. One more. I made three mistakes. It's okay. (((no text in image at all)))
https://www.youtube.com/watch?v=Sj9OtRWfmtM
The Shallaras - I put something in your drink #livevideo #liveperformance #musicduo
A highly detailed, intricate, and textured watercolor painting featuring a complex, surrealist composition. The left side depicts a stylized cityscape at sunset or sunrise, with tall, spired buildings and communication towers silhouetted against a vibrant orange and blue sky filled with abstract clouds and circular elements, some resembling moons or planets. A circular portrait of a woman with closed eyes is visible in the upper left. The right side features a large, detailed profile of a woman's face with closed eyes, painted in a grayscale tone with patches of vibrant, splattered color on her cheek and forehead. Her dark, textured hair flows into the background, which is a dark, starry expanse with geometric lines and connections. Her elongated hand, also in grayscale with texture, emerges from the bottom right and delicately holds a wine glass filled with red wine. From left of the wine glass, the back of a man in a trench coat and fedora is visible, extending his hand towards the glass. Another circular portrait of a woman is present on the far right, near the center, and a greenish-blue globe is visible in the bottom right corner, suggesting celestial or interconnected themes. The entire image has a visible watercolor paper texture, with drips, splatters, and a
