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My young is a bit upset that Minimalist contemporary mixed-media portrait on a large holey canvas. Broad flat areas of muted grey, ochre, burnt orange against bright vermilion greens, saturated deep blue/red and charcoal dark. Detailed silhouettes of architectural post-futuristic buildings. Large overlapping spirals/deep vortexes and geometric forms dominate the composition. Very little detail. Strong empty white areas. Uneven hand-painted edges. Dry, slightly worn pigment. Scraped paint. Faint stains. A few natural drips. Imperfect coverage. Slightly distressed screen-print quality combined with raw acrylic and oil paint on canvas. The composition should look handmade, physical and imperfect, with the character of an original contemporary painting. Flat visual depth, restrained forms, strong negative space, limited color palette, simple silhouettes, subtle material texture. Avoid digital illustration aesthetics. Avoid realism, CGI, 3D, glossy rendering, photographic texture, excessive brushwork, micro-details, ornate architecture, complex surfaces, sharp digital edges and unnecessary visual information.
[from Sri Lanka via Bif Inc. to large holey futurism::
https://deepdreamgenerator.com/ddream/4vukpqvvhi7
https://deepdreamgenerator.com/ddream/42230hvr2oz
]
vibrant oil painting in the style of collage art shows a realistic blue bird with black legs, black beak, and black eyes, perched in front of an abstract urban landscape. The bird is positioned slightly to the right of the center, facing left, with its body angled towards the viewer. Its plumage displays various shades of electric blue, with some darker accents on its wings and tail feathers. The background is composed of a large, off-white circular shape that resembles a moon or sun, surrounded by concentric, hand-painted arches of red, orange, green, and dark blue. These arcs are painted with visible brushstrokes, giving them a textured appearance. Behind these colorful arcs and the circular shape, an abstract cityscape is rendered with blocks and geometric shapes in muted tones of gray, brown, and dark green, suggesting buildings and architectural elements. Parts of the artwork show signs of distress, with torn edges, paint splatters, and faint horizontal and vertical crease lines across the surface, giving it an aged, worn look. The overall composition is dynamic, blending realistic elements with abstract forms and a sense of an aged, collaged aesthetic.