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Image composition in a strict Cubist style, reduced to the famous monochrome palette of Picasso’s Guernica (black, white, gray, ochre). Geometrically fragmented shapes form an abstract interior installation. Instead of humans, two iconic animals dominate the scene: an Iberian fighting bull with an angular, faceted body, staring alertly in one direction, and a dying horse, geometrically distorted and rearing in a zigzag motion. Along the upper edge of the image, fragmented olive tree branches (symbolizing peace) extend into the space through sharp, angular forms. A narrow Cubist window reveals a vague silhouette of the Eiffel Tower. The scene is crossed by harsh, glaring beams of light reminiscent of exhibition lighting. No humans, no body parts. Pure Cubist animal and plant symbolism.
A cubist style painting featuring a black and white geometric bull facing a rearing geometric horse, also in black and white, against a background of abstract shapes in black, white, gray, and earthy brown tones under a tree with dark angular leaves. In the upper right, a window reveals a view of the Eiffel Tower.
