what's left of my heart

glitter Cell shading sand thick outlines ∞ posterization Unstructured Maximalism Novelty architecture Hyper-Structured Minimalism perfectly resonated aesthetics Licked finish Indications Of Large Planes Of Forms Equalized Focus Of Attention Throughout High Contrast Of Lightness/Darkness Japanese folklore-inspired illustration Frank Miller (artist) Encaustic (hot wax) painting technique Screen-printing Mural Fresco Technique Emotive Mosaic art technique Multidimensional Relief Art masterpiece of surreal cognition Stephen Bliss (artist) hyper-realism with stylized, graphic elements iconic cover art pulp/comic book vibes vibrant palette colors aiming for gritty realism with a distinct, almost painted, graphical feel reminiscent of vintage movie posters and 80s aesthetics specific dual-sided split lighting to create depth and drama pastels contrasting with darker, realistic Japanese Edo Period settings separate layers for color, outlines, and effects (like glows, strokes) Applying "Poster Edges" and "Oil Paint" filters to create the stylized look Use "Multiply" for outlines and "Overlay" for background gradients Faces use two light sources, one warm and one cool, creating strong core shadows and highlights for dramatic, realistic form Todd McFarlane (artist) Anthony Macbain (artist) pictured with the attributes of a divine sentience dark glazes and strategically subtracted highlights Hard Outline Of Defined Edges