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Artist16:9 format of a painstakingly detailed, multilayer, delicate lithograph and multilayered woodblock rendering on rough handmade paper of poem number 32, Harumichi no Tsuraki, of the Ogura Hyakunin Isshu: Intricately textured Joan Miro and Paul Klee style, paint run, fine network of thin black lines and dots: highly detailed surreal landscape, cottages at a garden pond, flowers, grasses, arched bridge, trees, fence, billowing clouds; bleeding ink on textured parchment, red, amber, olive, lime, indigo, aquamarine and maroon colours, precisely executed fine line art, mixed media, frameless, by Susanne. Modifiers: high definition crisp quality vibrant colours *SK "Ah, the weir / that the wind has flung / across the mountain stram / is the autumn foliage that cannot flow on, / even though it would." The image shows a silvery mountain creek cascading over rocks and pooling at the right-lower-hand corner of the image, where a pile of wet, bunched-up maple leaves turned soggy and brown lies on the creek, stlowing down the flow and damming up the waters. More red maple leaves are falling from the trees above, fluttering through the cold air. The sides of the small brook are iced over with thin shards of late-autumn ice. A pale, yellow sun catches in the reflections of the stream and the wet rocks. Lithograph and woodcut execution in styles reminiscent of Kawase Hasui. Deft execution, introspective nature motif. Old masters' technique. Exquisite Japanese folio.
This artwork features a stunning, multilayered lithograph and woodblock print on handmade paper, showcasing a surreal landscape with a serene creek, autumn foliage, and intricate details in vibrant colors.