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An army of evil nanobots are attacking Human DNA and rearranging it: style of Roger Dean and Richard M. Powers. rich textures, and complementary epic colors to evoke a misty, atmospheric scene with dynamic movement and depth. HDR lighting enhances the visual impact. Paul Lehr and Richard M. Powers. VRay, 3D
A dystopian-themed digital painting features several rusted robots of varying sizes, with glowing blue circular eyes, manipulating oversized, colorful DNA double helix structures. The robots are positioned in a desolate, foggy landscape, with debris scattered on the ground and faint structures of buildings visible in the background, including one resembling a mushroom-shaped tower. The robot in the foreground on the right side of the image, which is the largest and most detailed, holds an ornate, colorful DNA model with both hands. It has a weathered, rusty brown and grey metallic body with visible bolts and exposed mechanical components. Another robot, to the left of the foreground robot, is also holding a colorful DNA model and has an identical design. Additional robots, all with glowing blue eyes, are scattered throughout the background, some holding or interacting with similar DNA models, while others are in various poses, suggesting movement or a synchronized activity among them. The ground is covered with what appears to be discarded wires, scraps of metal, and other debris, indicating a post-apocalyptic or industrial setting. The overall atmosphere is somber and mysterious, with muted colors dominating the scene, except for the vibrant DNA models.