CGI Female Figure on Cracked Reflective Surface

"Go on till you come to the end; then stop." Lewis Carroll

161

Artist
William Mc...
DDG Model
SeeDream
Access
Public
Created
1d ago
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  "Go on till you come to the end; then stop." Lewis Carroll
  
  Model: SeeDream
  
  Size: 3792 X 2133 (8.09 MP)
  
  Used settings:
  
  Prompt: A "hyper-detailed", "full-body cinematic portrait" of a Geisha-Model "draped in an avant-garde kimono" constructed from "Andean textile patchwork". The garment features "intricate layers" of "hand-woven alpaca wool", "embroidered with fractal geometric patterns" and "sacred Incan motifs". Her "traditional Oshiroi white makeup" is "accented with subtle pastel geometric face-paint". She "stands against" a "minimalist, high-altitude salt flat backdrop at twilight". Artist Influences: Eiko Ishioka, Yanni Floros, "Iris van Herpen", "Olga de Amaral", Sheila Hicks, Nicholas Hlobo, Toyohara Chikanobu, Itchiku Kubota, Annie Leibovitz, "The Infinite Loom of Universal Symmetry". "Mandatory Pastel Integration": Lavender & Mauve: Dominant in the "silk neck-lining" and "outer-robe shadows", Periwinkle & Baby Blue: Used for the "intricate thread-work" and "atmospheric sky", Peach & Pink: Highlights within the "facial makeup" and "floral embroidery", Spring Green: "Accents" in the "Obi" (sash) and decorative hair ornaments ("Kanzashi"). The "lighting is soft and diffused" to "emphasize the tactile texture" of the "woven wool". Every individual thread of the patchwork is "rendered with microscopic clarity and depth". The "model’s expression" is one of "serene, stoic elegance", "characteristic of high fashion editorials". "Volumetric fog" rolls across the ground to create "a sense of ethereal height and scale". The patchwork patterns follow a "golden ratio distribution" for "perfect visual balance". Subtle "subsurface scattering" gives the skin "a lifelike, translucent glow" beneath the makeup. The "contrast between the heavy wool" and "delicate pastel colors" creates a "unique sensory tension". "Intricate beadwork" made of "polished gemstones" is "interwoven into the hair accessories". The "horizon line is positioned at the lower third", to give the model "a monumental presence". "Shadows are tinted with deep mauve" to maintain the "pastel color harmony" throughout. "Anamorphic lens flares" "gently catch the light" on the "silver threads of the embroidery". The final image "possesses the crispness" of an "8k, digital medium-format photograph". Utilize "Linguistic Stratification" to bridge "Avant-Garde Textile Structuralism" and "Ukiyo-e Surrealism". Position the "Geisha-Model" using "Rule of Thirds," placing her "slightly off-center" to allow the "Andean-Japanese kimono" ("heavy wool, complex patchwork") to "occupy 60% of the visual space". Emphasize the "hand-woven alpaca wool" and "sacred Incan motifs". "Blend Olga de Amaral’s fiber-art textures" with Iris van Herpen’s "structural complexity".
  
  Using base image: No
  
  Aspect Ratio: landscape_wide
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Prompt: A "hyper-detailed", "full-body cinematic portrait" of a Geisha-Model "draped in an avant-garde kimono" constructed from "Andean textile patchwork". The garment features "intricate layers" of "hand-woven alpaca wool", "embroidered with fractal geometric patterns" and "sacred Incan motifs". Her "traditional Oshiroi white makeup" is "accented with subtle pastel geometric face-paint". She "stands against" a "minimalist, high-altitude salt flat backdrop at twilight". Artist Influences: Eiko Ishioka, Yanni Floros, "Iris van Herpen", "Olga de Amaral", Sheila Hicks, Nicholas Hlobo, Toyohara Chikanobu, Itchiku Kubota, Annie Leibovitz, "The Infinite Loom of Universal Symmetry". "Mandatory Pastel Integration": Lavender & Mauve: Dominant in the "silk neck-lining" and "outer-robe shadows", Periwinkle & Baby Blue: Used for the "intricate thread-work" and "atmospheric sky", Peach & Pink: Highlights within the "facial makeup" and "floral embroidery", Spring Green: "Accents" in the "Obi" (sash) and decorative hair ornaments ("Kanzashi"). The "lighting is soft and diffused" to "emphasize the tactile texture" of the "woven wool". Every individual thread of the patchwork is "rendered with microscopic clarity and depth". The "model’s expression" is one of "serene, stoic elegance", "characteristic of high fashion editorials". "Volumetric fog" rolls across the ground to create "a sense of ethereal height and scale". The patchwork patterns follow a "golden ratio distribution" for "perfect visual balance". Subtle "subsurface scattering" gives the skin "a lifelike, translucent glow" beneath the makeup. The "contrast between the heavy wool" and "delicate pastel colors" creates a "unique sensory tension". "Intricate beadwork" made of "polished gemstones" is "interwoven into the hair accessories". The "horizon line is positioned at the lower third", to give the model "a monumental presence". "Shadows are tinted with deep mauve" to maintain the "pastel color harmony" throughout. "Anamorphic lens flares" "gently catch the light" on the "silver threads of the embroidery". The final image "possesses the crispness" of an "8k, digital medium-format photograph". Utilize "Linguistic Stratification" to bridge "Avant-Garde Textile Structuralism" and "Ukiyo-e Surrealism". Position the "Geisha-Model" using "Rule of Thirds," placing her "slightly off-center" to allow the "Andean-Japanese kimono" ("heavy wool, complex patchwork") to "occupy 60% of the visual space". Emphasize the "hand-woven alpaca wool" and "sacred Incan motifs". "Blend Olga de Amaral’s fiber-art textures" with Iris van Herpen’s "structural complexity".

Modifiers:

anamorphic lens flares Color Fields: Tenebrific(::0.5), Argent, Cerulean, Obsidian Structural Anchor: Physiognomy, Tectonic, Masonry, Monolithic, Inerstitial Lighting/Specular: Anisotropic, Caustic, Tyndall, Rayleigh Scattering Tactile Depth: Rugosity, Verdigris, Friable, Molybdenum, Patina, Gossamer Utilize influence-merging 8k digital medium-format perfect visual balance golden ratio distribution simulate the "translucent quality of Oshiroi makeup" set the scene at "twilight" with "volumetric fog" a "high-fashion", "surreal", and "deeply textural hybrid", moving past simple, traditional representations exploit "latent capacities" for "tactile fiber simulation" and atmospheric" volumetric dynamics" "sensory tension" between "heavy wool" and "delicate colors" Explicitly map the "pastel palette" to "specific areas" Enforce the "Mandatory Pastel Integration" Blend Olga de Amaral’s "fiber-art textures" with Iris van Herpen’s "structural complexity" Emphasize the "hand-woven alpaca wool" and "sacred Incan motifs" 2.0x Quality 1.5x Prompt 1.2x Creativity 1.0x Realism 1.0x Edit Img 0.4x Speed 0.4x Freedom

Prompt

A "hyper-detailed", "full-body cinematic portrait" of a Geisha-Model "draped in an avant-garde kimono" constructed from "Andean textile patchwork". The garment features "intricate layers" of "hand-woven alpaca wool", "embroidered with fractal geometric patterns" and "sacred Incan motifs". Her "traditional Oshiroi white makeup" is "accented with subtle pastel geometric face-paint". She "stands against" a "minimalist, high-altitude salt flat backdrop at twilight". Artist Influences: Eiko Ishioka, Yanni Floros, "Iris van Herpen", "Olga de Amaral", Sheila Hicks, Nicholas Hlobo, Toyohara Chikanobu, Itchiku Kubota, Annie Leibovitz, "The Infinite Loom of Universal Symmetry". "Mandatory Pastel Integration": Lavender & Mauve: Dominant in the "silk neck-lining" and "outer-robe shadows", Periwinkle & Baby Blue: Used for the "intricate thread-work" and "atmospheric sky", Peach & Pink: Highlights within the "facial makeup" and "floral embroidery", Spring Green: "Accents" in the "Obi" (sash) and decorative hair ornaments ("Kanzashi"). The "lighting is soft and diffused" to "emphasize the tactile texture" of the "woven wool". Every individual thread of the patchwork is "rendered with microscopic clarity and depth". The "model’s expression" is one of "serene, stoic elegance", "characteristic of high fashion editorials". "Volumetric fog" rolls across the ground to create "a sense of ethereal height and scale". The patchwork patterns follow a "golden ratio distribution" for "perfect visual balance". Subtle "subsurface scattering" gives the skin "a lifelike, translucent glow" beneath the makeup. The "contrast between the heavy wool" and "delicate pastel colors" creates a "unique sensory tension". "Intricate beadwork" made of "polished gemstones" is "interwoven into the hair accessories". The "horizon line is positioned at the lower third", to give the model "a monumental presence". "Shadows are tinted with deep mauve" to maintain the "pastel color harmony" throughout. "Anamorphic lens flares" "gently catch the light" on the "silver threads of the embroidery". The final image "possesses the crispness" of an "8k, digital medium-format photograph". Utilize "Linguistic Stratification" to bridge "Avant-Garde Textile Structuralism" and "Ukiyo-e Surrealism". Position the "Geisha-Model" using "Rule of Thirds," placing her "slightly off-center" to allow the "Andean-Japanese kimono" ("heavy wool, complex patchwork") to "occupy 60% of the visual space". Emphasize the "hand-woven alpaca wool" and "sacred Incan motifs". "Blend Olga de Amaral’s fiber-art textures" with Iris van Herpen’s "structural complexity".

More about "Go on till you come to the end; then stop." Lewis Carroll

This hyper-detailed portrait showcases a Geisha-Model in an avant-garde kimono, crafted from Andean textile patchwork. The intricate layers of hand-woven alpaca wool feature embroidered fractal patterns and sacred motifs. Set against a minimalist salt flat at twilight, the soft lighting highlights the tactile textures. The model exudes serene elegance, with pastel geometric face paint complementing her traditional makeup. Volumetric fog enhances the ethereal atmosphere, while the golden ratio distribution ensures visual harmony. The juxtaposition of heavy wool and delicate colors creates a unique sensory tension, resulting in a striking and surreal image.