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ArtistKeep as is
I owe an apology.
Not to stone, not to spectacle—but to the names that carry weight beyond carving.
Wâb Kinew.
Leonard Peltier.
Louis Riel.
Tȟatȟáŋka Íyotake.
Goyaałé.
To set you into a mountain shaped by another story—another claim, another taking—was a failure to listen. It treated presence as placement, as if history were a shelf where figures can be rearranged without consequence. But these names are not decorations. They are lived resistance, language carried through pressure, memory that does not consent to being fixed in someone else’s monument.
Mountains already remember. They do not need faces imposed on them to hold truth.
Tȟatȟáŋka Íyotake stood against the taking of land, not to become part of a carving that celebrates it.
Goyaałé moved across terrain as life, not as likeness.
Louis Riel spoke for a people in motion, not in stone.
Leonard Peltier’s name still moves through unfinished justice.
Wâb Kinew lives in voice and governance, not in granite silence.
What I made turned living histories into a frozen arrangement, and worse, placed them into a form tied to dispossession. That contradiction matters.
So this is the correction:
These names do not belong on that mountain.
They do not belong to be fixed.
They do not need to be monumentalized in that way to be real.
If anything is to be carved, it should be restraint.
If anything is to be remembered, it should be the land before the carving.
I’m sorry for forcing presence where there should have been listening.