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(Pls. create masterpiece without texts inside it,) [use Eclecticism + sped down _surrealism for very compulsorily_peacefully ongoing eclectic Postappeal and also very nicely wild youthful post-positivism within brut-urban setting: {[ The blonde smiles. I've never had a worse beer in my life, it cost three dollars, they say it's cheaper in the steppe, a guy from Kazakhstan said. I'm dead from it, and everything is clear to me; on Red Square, I was once looking for some weed, sir. I missed(a bit) the train of Comrades('vlak Družby'), so I gave me a spliff, I caught it right away, I've already realized that no train driver, probably won't be omniscient. I've already realized how futile all the changes are, nothing nothing can be done, even the tragic roles, they must be filled. ]} Eclectic combination of art by Josef Pleskot(+with touches of Eyvind Earle), by Max Švabinský and Michaela Žemličková(+with touches of Yossi Kotler) into dynamic~partly not-blurred(=in freezed motion) style of unknown artist influenced by Milada Lenfeldová style and early art of František Kupka and Aubrey Beardsley, all within 4K πD (oil~impasto) qualities, within tied up setting of abstract roadless cityscape at starless night. Minimalist compositions, no text, no road, no highway, no text, no another unmentioned artifacts.
When you're trying to express Petr F., but it's Friday the 13th and you get Matěj R.-alias-Josef Š.::
https://www.karaoketexty.cz/texty-pisni/mnaga-a-zdorp/vlak-druzby-3849
https://youtu.be/igRQhp_qTh4
An impressionistic painting depicts a joyous blonde woman with her head tilted upwards, smiling broadly, and clutching a large mug of beer, set against the backdrop of a vibrant, star-filled cityscape at night. The woman has shimmery skin, pink lips, and a radiant expression. Her hair, in short, wavy blonde locks, appears to be blowing slightly to the left. She is wearing a white T-shirt under a dark blue jacket with yellow trim. The clear glass mug, held firmly by both hands, is filled with a rich amber-colored beer topped with a frothy white head. The background features a nighttime urban scene with buildings of varied sizes and colors, illuminated by warm lights, lining a wide road. The road has visible lane markings and reflects some of the surrounding light. Tall, dark streetlights with glowing fixtures are scattered along the road. The dark blue sky above is dotted with numerous white, sparkling stars, and there are distinct splashes of white paint in the style of sparkling light from the stars, which are also evident around the streetlights and on the reflections in the road. The brushstrokes are loose and distinct, typical of an impasto technique from impressionism, with visible texture and thick application of paint throughout the
