#theatre

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: At the core of the Villa, is a second group of structures including buildings specifically for the emperor and his court, and includes the so called ‘Maritime Theatre’, the ‘Imperial Palace’, ‘Winter Palace’, Latin and Greek ‘Libraries’ and the ‘Golden Square’. This group of structures is organized around four separate peristyles. The ‘Golden Square’ is one of the most impressive buildings in the complex, comprising a vast peristyle surrounded by a two-aisled portico with alternate columns of cipollino marble and Egyptian granite. The ‘palace’ consists of a complex of rooms around a courtyard. The circular structure of the ‘Maritime Theatre’ comprises an ionic marble peristyle that surrounds an artificial circular island with a miniature villa. The ‘Libraries’ are reached from there by two passages, and a nymphaeum stands on the northern side.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Villa Adriana is an exceptional architectural legacy of the great Roman Emperor Hadrian. Built as a retreat from Rome between 117 and 138 AD, the villa was designed as an ideal city and incorporates the architectural traditions of Ancient Greece, Rome and Egypt. The remains of some 30 buildings extend over 120 hectares of the Tiburtine Hills, in Tivoli in the Lazio Region. While the structures appear to be arranged with no particular plan, the site comprises a complex and well planned arrangement together with a large number of residential and recreative buildings, extensive gardens and reflective pools, the site creates a serene and contemplative oasis. There are some thirty extant buildings within the site that can be broadly divided into four groups. A first group of buildings on the site includes the so called ‘Greek Theatre’ and ‘Temple of Cnidian Aphrodite’.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Founded in the 5th century and spread over 118 small islands, Venice became a major maritime power in the 10th century. The whole city is an extraordinary architectural masterpiece in which even the smallest building contains works by some of the world's greatest artists such as Giorgione, Titian, Tintoretto, Veronese and others. In this lagoon covering 70,176.4 ha, nature and history have been closely linked since the 5th century when Venetian populations, to escape barbarian raids, found refuge on the sandy islands of Torcello, Jesolo and Malamocco. These temporary settlements gradually became permanent and the initial refuge of the land-dwelling peasants and fishermen became a maritime power. Over the centuries, during the entire period of the expansion of Venice, when it was obliged to defend its trading markets against the commercial undertakings of the Arabs, the Genoese and the Ottoman Turks, Venice never ceased to consolidate its position in the lagoon.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The Bahá’i Holy Places in Haifa and Western Galilee are inscribed for their profound spiritual meaning and the testimony they bear to the strong tradition of pilgrimage in the Bahá’i faith. The property includes the two most holy places in the Bahá’í religion associated with the founders, the Shrine of Bahá’u’lláh in Acre and the Shrine of the Báb in Haifa, together with their surrounding gardens, associated buildings and monuments. These two shrines are part of a larger complex of buildings, monuments and sites at seven distinct locations in Haifa and Western Galilee that are visited as part of the Bahá’i pilgrimage. Bahá’i Holy Places demonstrate Outstanding Universal Value for the Holy shrine of Bahá’u’lláh and the Holy shrine of the Báb, as the most holy places of the Bahá’í faith provide an exceptional testimony to the strong traditions of Bahá’í pilgrimage which have grown up over the last century and draw large numbers of followers from around the world. They also have a profound meaning and value for followers of the Bahá’í faith as sacred sites linked to the faith’s two founders.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Tel Aviv was founded in 1909 and developed as a metropolitan city under the British Mandate in Palestine. The White City was constructed from the early 1930s until the 1950s, based on the urban plan by Sir Patrick Geddes, reflecting modern organic planning principles. The buildings were designed by architects who were trained in Europe where they practised their profession before immigrating. They created an outstanding architectural ensemble of the Modern Movement in a new cultural context.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Standing in a large green expanse, Piazza del Duomo houses a group of monuments known the world over. These four masterpieces of medieval architecture – the cathedral, the baptistry, the campanile (the 'Leaning Tower') and the cemetery – had a great influence on monumental art in Italy from the 11th to the 14th century. Piazza del Duomo houses a group of monuments known throughout the world. Standing in a large green expanse, enclosed by the city walls, the former Ospedale della Misericordia and the Palazzo dell’Arcivescovato, the Piazza del Duomo at Pisa comprises one of the most renowned constructed landscapes in the world. The four masterpieces of medieval architecture – the cathedral, the baptistery, the bell tower (the 'Leaning Tower') and the cemetery – were erected between the 11th and 14th centuries within close proximity of each other, forming a unique cluster of monuments. A striking quality pervades the site, emanating from the interplay of marble and mosaics, the usual alliance of bare walls and arched galleries, triangular frontons and heavy cupolas with the whole effect heightened by the breath-taking slant of the bell tower.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: When the Emperor Frederick II built this castle near Bari in the 13th century, he imbued it with symbolic significance, as reflected in the location, the mathematical and astronomical precision of the layout and the perfectly regular shape. A unique piece of medieval military architecture, Castel del Monte is a successful blend of elements from classical antiquity, the Islamic Orient and north European Cistercian Gothic. Castel del Monte, located in the municipality of Andria, rises on a rocky hill dominating the surrounding countryside of the Murgia region in southern Italy near the Adriatic Sea. A unique piece of medieval architecture, it was completed in 1240. The castle’s location, its perfect octagonal shape, as well as the mathematical and astronomical precision of its layout all reflect the broad education and cultural vision of its founder, Emperor Frederick II. As a leader of modern humanism, the Germanic Emperor brought scholars together in his court from throughout the Mediterranean, combining Eastern and Western traditions. The castle’s unique design, an octagonal plan with octagonal towers at each angle, represents a search for perfection.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The initial nucleus of the city evolved from a fortified Roman settlement dating from the 3rd and 2nd centuries BCE. The Romans built on the top of the hill where the Ducal Palace now stands and until the 11th century, the city remained within these limits. At the end of that century, its urban expansion required the construction of a new system of defensive walls. In the mid 15th century, Federico da Montefeltro undertook a radical rebuilding campaign within these original walls without disturbing the overall urban structure. The city was later further expanded to a second hill lying to the north, giving the area, now enclosed by the Renaissance walls an elongated outline. Urbino is a small city in the hills that experienced an astonishing cultural flowering in the 15th century. During this period, it attracted artists and scholars from all over Italy and beyond which, in turn, influenced cultural developments elsewhere in Europe. Between 1444 and 1482, Federico da Montefeltro ruled in Urbino and his court brought together some of the era’s leaders: foremost humanists of the time such as Leone Battista Alberti, Marsilio Ficino, and Giovanni Bessarione.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The Cilento is an outstanding cultural landscape. The dramatic groups of sanctuaries and settlements along its three east–west mountain ridges vividly portray the area's historical evolution: it was a major route not only for trade, but also for cultural and political interaction during the prehistoric and medieval periods. The Cilento was also the boundary between the Greek colonies of Magna Graecia and the indigenous Etruscan and Lucanian peoples. The remains of two major cities from classical times, Paestum and Velia, are found there. Cilento is a cultural landscape of outstanding value that has evidence of human occupation dating from 250,000 years ago. It has been successively occupied over time by farmers during the Neolithic period, by Bronze and Iron Age societies, Etruscans, Greek colonists, Lucanians, and was eventually incorporated into the Roman territory inthe 3rd century BC. Roman road networks replaced the earlier tracks, but after the collapse of the Western Roman Empire, these roads fell into disrepair and the ancient network was revived during the Middle Ages, as is evident in the feudal castles and religious establishments built along routes.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Located at the northern end of the Adriatic Sea on the Natissa (Natiso) River, the property includes the Archaeological Area and the Patriarchal Basilica of Aquileia. The Roman city dates to 181 BCE and became one of the largest and wealthiest cities in the early Roman Empire until it was sacked and destroyed in 452 by the Huns led by Attila. The city was a major trading centre connecting the Mediterranean to Central Europe. Aquileia’s wealth and status within the empire was reflected in its magnificent public buildings and private residences many of which survive as archaeological remains. The archaeological area, covering 155 hectares, includes part of the forum and its Roman basilica (courthouse), the late antique horrea, one of the sets of baths, and two luxurious residential complexes. Outside the late Roman city walls, the entire course of which has been located and part of which stills survives, excavations have also revealed a cemetery with some impressive funerary monuments. Below ground archaeological remains of the amphitheatre and the circus have also been preserved.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Roman exploitation of the countryside is symbolized by the Villa Romana del Casale (in Sicily), the centre of the large estate upon which the rural economy of the Western Empire was based. The villa is one of the most luxurious of its kind. It is especially noteworthy for the richness and quality of the mosaics which decorate almost every room; they are the finest mosaics in situ anywhere in the Roman world. The Committee decided to inscribe this property on the basis of criteria (i), (ii) and (iii), considering that the Villa del Casale at Piazza Armerina is the supreme example of a luxury Roman villa, which graphically illustrates the predominant social and economic structure of its age. The mosaics that decorate it are exceptional for their artistic quality and invention as well as their extent.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Megalithic defensive structures known as nuraghi date from the Middle to Late Bronze Age (c. 1600-1200 BCE), and are unique to Sardinia. Nuraghi are characterised by circular defensive towers in the form of truncated cones built of dressed stone with corbel-vaulted internal chambers. Nuraghi are considered to have initially been built by single families or clans. As Sardinian society evolved in a more complex and hierarchical fashion, there was a tendency for the isolated towers to attract additional structures, for social and defensive reasons. The Su Nuraxi nuraghe consisted of a massive central tower of three chambers connected by a spiral staircase, originally over 18.5 metres high. The uppermost chamber is no longer standing. The central tower was enclosed within a quadrilobate structure consisting of four subsidiary towers linked by a massive stone curtain wall. The courtyard created by this wall was later sealed with a roof thereby restricting access to the central tower. Surrounding this are the remains of second outer wall and a settlement of circular huts.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The buildings comprising the Residences of the Royal House of Savoy have undergone many restoration procedures. The conservation and restoration work undertaken is based on patient stratigraphic research, archive studies, scientific analysis and the analysis of structures. The work is also designed in some cases to bring to light elements that had been hidden by previous refurbishment and to correct some previous building works. Repair and restoration work on the House of Savoy residences, conducted with the aim of opening them to the public, begun in the 1970s and is still underway. With the programme to restore Rivoli Castle and its conversion into the Museum of Contemporary Art (inaugurated in 1984) a process of restoration and the return to public utility of these historic, architectural and artistic assets led to the reopening of many residences.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The plan was initially conceived by the Duke of Savoy, Emmanuel-Philibert, when he transferred the capital of his Duchy to Turin. His successor, Charles-Emmanuel I, and his wife developed and implemented the plan to completely reorganise the area during the 17th and 18th centuries giving the city and surrounding area a Baroque character. The plan celebrates the absolute power of the Royal House of Savoy. The capital was organized and developed along the axes defined by the ‘Command Area’ as the central node including the Palazzo Reale, Palazzo Chiablese and Palazzo della Prefettura and managing political, administrative and cultural aspects of life which was surrounded by a system of maisons de plaisance. These villas including Castello di Rivoli, Castello di Moncalieri and Castello di Venaria created a Corona di Delizie, or ‘Crown of Delights’ around the capital and with the outlying residences of Racconigi, Govone, Agliè and Pollenzo gave form to the countryside. The construction plan foresaw a change in function for existing residences, the construction of new buildings, the definition of hunting routes and the creation of a network of roads connecting outlying residenc
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The local communities have adapted themselves to this seemingly rough and inhospitable environment by living in compact settlements on the coast or in small hamlets on the hillsides (e.g. Volastra, Groppo, Drignana, San Bernardino or Campiglia), erected directly on the rock with winding streets. The general use of natural stone for roofing gives these settlements a characteristic appearance. They are generally grouped around religious buildings or medieval castles. The terraces are also dotted by innumerable tiny stone huts isolated or grouped together (e.g. at Fossola, Tramonti, Monestiroli or Schiara) used for temporary shelter during the harvest. The main five villages of Cinque Terre date back to the later Middle Ages. Starting from the north-west, the first is the fortified centre of Monterosso al Mare, that is a coastal town grown along two short valleys and facing one of the few beaches that exist in the area. Vernazza has developed along the Vernazzola water-stream on the slopes of the rocky spur protecting the village from the sea. Corniglia is the only village which has not been built on the coast itself but on a high promontory projecting to the sea.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Some of the cultivation terraces extend to as much as 2 km in length. Terraces extended along the steep slopes from a few meters above sea level to up 400 m a.s.l., the highest altitude suitable for cultivation. They were mostly built in the 12th century, when Saracen raids from the sea had come to an end. The drystone walls are most often carefully constructed of sandstone rough blocks, bonded together with pebbles removed from the ground. The maintenance of the terraces and the cultivation of vines and olive trees on the terraces reflect a communal approach to farming and the collaboration and cooperation of the communities without which such cultivation would not have been possible. The natural garrigue and maquis vegetation survives intact in the higher parts of the steep ridge. The nature of the terrain and the vegetation provides food and shelter for a wide range of insect and animal species.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The original layout and form of many of the urban areas have been dictated by the coastal geography. Their narrow streets and steep stairs are reminiscent of eastern souks. Agriculture of citrus groves, olive orchards and vineyards are supported along the terraced slopes bounded by drystone walls. In some parts of the Costiera the natural landscape survives intact, with little, if any, human intervention. Some of these areas are accessed by ancient, narrow mountain paths or mule tracks that historically connected farms and villages. Traditional activities continue including crafts such as the ceramics influenced by Arabic culture, farming and some types of fishing.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: On the southern side of the peninsula, a natural border is formed by Lattari Mountains which extends from peaks of Picentini Mountains as far as Tyrrhenian Sea, dividing the Gulf of Naples from the Gulf of Salerno. The World Heritage property is composed of four main coastal areas (Amalfi, Atrani, Reginna Maior, and Reginna Minor) and some secondary areas (Positano, Praiano, Cetara, and Erchie), with the characteristic villages of Scala, Tramonti and Ravello, and the hamlets of Conca and Furore. Several of these historical centres, flourished during the period of the great power hold by the Amalfi Sea Republic and, as a result, contain numerous artistic and architectural masterpieces, some of which are the result of the fusion of eastern and western elements known as “Arabic-Norman” style. Agricultural areas are witness to the capacity of its inhabitants to adapt, in the best way, to the different types of land. They developed terrace cultivation for vineyards and fruit gardens in the bottom area and practiced sheep-farming in the upper area.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The Costiera Amalfitana, stretches along the southern coast of the Sorrentine Peninsula in Salerno province and can rightly be defined as a landscape of outstanding cultural value, thanks to the astonishing work of both nature and humankind. Its dramatic topography and historical evolution have produced exceptional cultural and natural scenic values. Nature is both unspoiled and harmoniously fused with the results of human activity. The landscape is marked by rocky areas, wood and maquis, but also by citrus groves and vineyards, grown wherever human beings could find a suitable spot. The Costiera Amalfitana covers 11,231 hectares, a large area that encompasses 15 municipalities, agricultural lands and three natural reserves. The region has been populated since prehistoric times as illustrated by the Palaeolithic and Mesolithic remains found at Positano. While it became a Roman colony in the 4th century, the region has been intensively settled since the beginning of Middle Ages.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The cathedral and the “Ghirlandina” tower appear as a consistent complex in terms of material and structural criteria, and the construction of the two buildings kept the city of Modena busy for over two centuries, from 1099 to 1319. The rebuilding of Modena cathedral in 1099 is a key landmark in medieval history for many reasons, of which two are of most importance. First, the building is a characteristic and documented example of the reuse of ancient remains, which was common practice in the Middle Ages before the quarries were reopened in the 12th and particularly the 13th centuries. Secondly, at the turn of the 11th and 12th centuries, this was one of the first buildings, and certainly the most important one, where collaboration between an architect (Lanfranco) and a sculptor (Wiligelmo) has been documented by explicit inscriptions, found in the building. It also marked the shift from a conception of artistic production emphasizing the quality of the buildings as a masterpiece of the munificence of its founder, to a more modern concept in which the role of the creator is recognised.
  • Using base image: Yes