#theatre

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The comprehensive model of the protection and preservation of the Historic Centre of Riga strives to sustain the authenticity and integrity of the site and to ensure the prevention of potential threats. The main threats of the property include the following areas. Firstly, the planning of urban development that is insufficiently based on balanced long-term development and low public participation in planning processes poses a threat to the property. Secondly, extremities in economic development, excessively fast growth or crisis could dramatically affect the property. Insufficient understanding and appreciation of heritage values in the society could threaten the Outstanding Universal Value of the property. Thirdly, trends of losing original substance and authenticity that must be continuously overcome, for example, demolition of historic buildings and constructions, transformation of historic planning structure, low-quality changes of spatial composition or roof shape of historic buildings and repairs of historic buildings using unsuitable methods and/or materials, and falsification of history with replicas of historical buildings or imitations of styles may pose a threat.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Historic Centre of Riga is a spatially harmonic urban environment with relatively few destructive transformations. The Historic Centre of Riga and its buffer zone include a set of authentic cultural and historical attributes significant to its Outstanding Universal Value: structure of historic urban pattern with high-quality transformations of later periods, panorama and skyline, visual perspectives, historic structure, (particularly groups of buildings of the Middle Ages, Art Nouveau and wooden architecture and the scale and character thereof), archaeological cultural layer, public outdoor space, system of greeneries and green areas, historic water courses, waterfronts and water bodies, historic ground surfacing, and historic elements of improvements.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The property is the whole central part of the capital city of Riga. Its boundaries and its buffer zone are specified in accordance with the integrity of the urban fabric and the effective protection of the important views of the site. It contains all elements necessary to express Outstanding Universal Value, namely the architectural monuments of respective historical styles of the medieval core; the semicircle of boulevards, dominated by harmonically balanced 19th century and early 20th century eclectic architecture and Art Nouveau; and the territory of former suburbs with buildings from the 18th to the 20th century, especially in wood. The outstanding panorama and visual perspectives of the Historic Centre of Riga reflect the effective protection of the important views of the property. The integrity of the site is challenged by the loss of original substance and authenticity of the site attributes, and the low-quality new developments in the Historic Centre of Riga not respecting the scale, character and pattern of the historic environment. The overall coherence of the site is also vulnerable to the possible adverse impact of new developments in and outside of the buffer zone.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Riga, which was founded as a port town in 1201, was one of the key centres of the Hanseatic League in Eastern Europe from the 13th to the 15th century. The urban fabric of its medieval core reflects the prosperity of those times, though most of the earliest buildings were rebuilt for actual needs or lost by fire or war. In the 17th century, Riga became the largest provincial town of Sweden. In the 19th century, it experienced rapid industrial development. It is in this period that the suburbs surrounding the medieval town were laid out, first, with imposing wooden buildings in neoclassical style, and later, when permanent stone buildings were allowed instead, in the Art Nouveau style. In the early 1900’s Riga became the European city with the highest concentration of Art Nouveau architecture with around 50 Art Nouveau buildings of high architectural value in the medieval part and more than 300 in the rest of the Historic Centre. The site reflects various architectural styles, which provide valuable insight into the stages of development of Riga as a city. The Historic Centre of Riga is comprised of three different urban landscapes – the relatively well-preserved medieval core.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Jomon Prehistoric Sites in Northern Japan consists of 17 archaeological sites that represent the pre-agricultural lifeways and complex spiritual culture of a prehistoric people. Located on the southern part of Hokkaido Island and across the Tsugaru Strait on the northern part of the Tohoku region, this serial property attests to the emergence, development, and maturity of a sedentary hunter-fisher-gatherer society that developed in Northeast Asia from about 13,000 BCE to 400 BCE. The series of settlements, burial areas, ritual and ceremonial sites, stone circles, and earthworks is located in a variety of landforms such as mountains, hills, plains, and lowlands, as well as near inner bays, lakes, and rivers.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Sacred Island of Okinoshima exhibits important interchanges and exchanges amongst the different polities in East Asia between the 4th and the 9th centuries, which is evident from the abundant finds and objects with a variety of origins deposited at sites on the Island where rituals for safe navigation were performed. The changes, in object distribution and site organisation, attest to the changes in rituals, which in turn reflect the nature of the process of dynamic exchanges that took place in those centuries, when polities based on the Asian mainland, the Korean Peninsula and the Japanese Archipelago, were developing a sense of identity and that substantially contributed to the formation of Japanese culture. The Sacred Island of Okinoshima is an exceptional example of the cultural tradition of worshipping a sacred island, as it has evolved and been passed down from ancient times to the present. Remarkably, archaeological sites that have been preserved on the Island are virtually intact, and provide a chronological record of how the rituals performed there changed over a period of some five hundred years, from the latter half of the 4th to the end of the 9th centuries.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: A series of industrial heritage sites, focused mainly on the Kyushu-Yamaguchi region of south-west of Japan, represent the first successful transfer of industrialization from the West to a non-Western nation. The rapid industrialization that Japan achieved from the middle of the 19th century to the early 20th century was founded on iron and steel, shipbuilding and coal mining, particularly to meet defence needs. The sites in the series reflect the three phases of this rapid industrialisation achieved over a short space of just over fifty years between 1850s and 1910. The first phase in the pre-Meiji Bakumatsu isolation period, at the end of Shogun era in the 1850s and early 1860s, was a period of experimentation in iron making and shipbuilding. Prompted by the need to improve the defences of the nation and particularly its sea-going defences in response to foreign threats, industrialisation was developed by local clans through second hand knowledge, based mostly on Western textbooks, and copying Western examples, combined with traditional craft skills. Ultimately most were unsuccessful. Nevertheless this approach marked a substantial move from the isolationism of the Edo period.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The entirety of the Island of Okinoshima, with its geomorphological features, the ritual sites with the rich archaeological deposits, and the wealth of votive offerings, in their original distribution, credibly reflect 500 years of ritual practices held on the Island; the primeval forest, the attendant islets of Koyajima, Mikadobashira and Tenguiwa, along with the documented votive practices and the taboos associated with the Island, the open views from Kyushu and Oshima towards the Island, altogether credibly reflect that the worship of the Island, although changed in its practices and meanings over the centuries, due to external exchanges and indigenisation, has retained the sacred status of Okinoshima. Munakata Taisha is a shrine that consists of three distinct worship sites – Okitsu-miya on Okinoshima, Nakatsu-miya on Oshima, and Hetsu-miya on the main island of Kyushu, all of which are located within an area that measures some 60 kilometers in breadth. These are the living places of worship that are linked to ancient ritual sites. The form of worshipping the Three Female Deities of Munakata has been passed down to the present day in rituals conducted mainly at the shrine.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Mozu and Furuichi groups of kofun provide a cohesive narrative of the kingly power expressed through the clustering of the 49 kofun, the range of types and sizes, the grave goods and haniwa, and the continuing ritual uses and high esteem that these sites hold within Japanese society. The integrity of the serial property is based on the rationale for the selection of the components and their ability to convey the Outstanding Universal Value of the kofun. The intactness of the individual components, the material evidence of the mounds and their context, and the state of conservation are also determinants of integrity. Issues that impact on the integrity of the serial property include loss of some features (such as moats), and changes to the uses and settings of the components due to the close proximity of urban development. Despite changed uses and landscape treatments, and the high degree of 20th century urbanisation of the Osaka region, the kofun are a significant visible and historical presence within the present-day landscape. The authenticity of the selected kofun is demonstrated by their forms, materials and extensive archaeological contents.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Champasak cultural landscape, including the Vat Phou Temple complex, is a remarkably well-preserved planned landscape more than 1,000 years old. It was shaped to express the Hindu vision of the relationship between nature and humanity, using an axis from mountain top to river bank to lay out a geometric pattern of temples, shrines and waterworks extending over some 10 km. Two planned cities on the banks of the Mekong River are also part of the site, as well as Phou Kao mountain. The whole represents a development ranging from the 5th to 15th centuries, mainly associated with the Khmer Empire.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Luang Prabang is located in northern Laos at the heart of a mountainous region. The town is built on a peninsula formed by the Mekong and the Nam Khan River. Mountain ranges (in particular the PhouThao and PhouNang mountains) encircle the city in lush greenery. Many legends are associated with the creation of the city, including one that recounts that Buddha would have smiled when he rested there during his travels, prophesying that it would one day be the site of a rich and powerful city. Known as Muang Sua, then Xieng Thong, from the 14th to the 16th century the town became the capital of the powerful kingdom of Lane Xang (Kingdom of a Million Elephants), whose wealth and influence were related to its strategic location on the Silk Route. The city was also the centre of Buddhism in the region. Luang Prabang takes its name from a statue of Buddha, the Prabang, offered by Cambodia. After the establishment of the French Protectorate in 1893, following a period of turmoil during which the country was divided into three independent kingdoms, Luang Prabang once again became the royal and religious capital during the reign of King Sisavang Vong. It played this role until Vientiane
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Silk Roads were an interconnected web of routes linking the ancient societies of Asia, the Subcontinent, Central Asia, Western Asia and the Near East, and contributed to the development of many of the world's great civilizations. They represent one of the world’s preeminent long-distance communication networks stretching as the crow flies to around 7,500 km but extending to in excess of 35,000 km along specific routes. While some of these routes had been in use for millennia, by the 2nd century BC the volume of exchange had increased substantially, as had the long distance trade between east and west in high value goods, and the political, social and cultural impacts of these movements had far-reaching consequences upon all the societies that encountered them. The routes served principally to transfer raw materials, foodstuffs, and luxury goods. Some areas had a monopoly on certain materials or goods: notably China, who supplied Central Asia, the Subcontinent, West Asia and the Mediterranean world with silk. Many of the high value trade goods were transported over vast distances – by pack animals and river craft – and probably by a string of different merchants.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Sulaiman-Too Mountain dominates the surrounding landscape of the Fergana Valley and forms the backdrop to the city of Osh. In mediaeval times Osh was one of the largest cities of the fertile Fergana valley at the crossroads of important routes on the Central Asian Silk Roads system, and Sulaiman-Too was a beacon for travellers. For at least a millennium and a half Sulaiman-Too has been revered as a sacred mountain. Its five peaks and slopes contain a large assembly of ancient cult places and caves with petroglyphs, all interconnected with a network of ancient paths, as well as later mosques. The mountain is an exceptional spiritual landscape reflecting both Islamic and pre-Islamic beliefs and particularly the cult of the horse. Sulaiman-Too corresponds closely to iconic images in the Universe of Avesta and Vedic traditions: a single mountain with a peak dominating four others, standing in the virtual centre of a vast river valley, and surrounded by and related to other mountains in the landscape system.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: As a vast expanse of largely pristine mid-ocean environment, replete with a suite of largely intact uninhabited atolls, truly an oceanic wilderness, the Phoenix Islands Protected Area (408,250 sq km), the largest marine protected area in the Pacific, is globally exceptional and as such is a superlative natural phenomenon of global importance. Phoenix Islands Protected Area contains an outstanding collection of large submerged volcanoes, presumed extinct, rising direct from the extensive deep sea floor with an average depth of more than 4,500 metres and a maximum depth of over 6,000 metres. Included are no less than 14 recognised seamounts, submerged mountains that don't penetrate to the surface. The collection of atolls and reef islands represent coral reef capping on 8 other volcanic mountains that approach the surface. The large bathymetric range of the submerged seamount landscape provides depth defined habitat types fully representative of Pacific mid oceanic biota.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Phoenix Island Protected Area (PIPA) is a 408,250 sq.km expanse of marine and terrestrial habitats in the Southern Pacific Ocean. The property encompasses the Phoenix Island Group, one of three island groups in Kiribati, and is the largest designated Marine Protected Area in the world. PIPA conserves one of the world's largest intact oceanic coral archipelago ecosystems, together with 14 known underwater sea mounts (presumed to be extinct volcanoes) and other deep-sea habitats. The area contains approximately 800 known species of fauna, including about 200 coral species, 500 fish species, 18 marine mammals and 44 bird species. The structure and functioning of PIPA's ecosystems illustrates its pristine nature and importance as a migration route and reservoir. This is the first site in Kiribati to be inscribed on the World Heritage List.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The property includes the Ohingni with their stone walls and low entrances, the structural support features known as buttresses, low water/sludge drainage vents from the inner livestock enclosures (kraals), the three-phase wall design, the inner and outer enclosures, industrial site and house pits. To ensure the full protection of the archaeological remains, the entire property area, including the suggested extension toward a yet private land in the south, will need to be considered in an integrated management approach. This also applies to the property’s immediate setting, where visual integrity depends on the conservation of the surrounding vegetation to retain the traditional atmosphere of the jungle-protected settlement.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Located 46 km northwest of Migori Town in the Lake Victoria region, Thimlich Ohinga archaeological site is a dry-stone walled settlement, based on a complex organization system of communal occupation, craft industries and livestock that reflects a cultural tradition developed by pastoral communities in the Nyanza region of the Lake Victoria basin that persisted from 16th to mid-20th centuries. Thimlich Ohinga is the largest and best preserved of these massive dry-stone walled enclosures. The Ohinga appear to have served primarily as security for communities and livestock, but they also defined social units and relationships linked to lineage based systems. The property comprises four larger Ohingni, all of which have extensions. The main Ohinga is referred to as Kochieng, while the others are Kakuku, Koketch and Koluoch. The dry stone wall enclosures are constructed in a three-phase design with separately built up outer and inner phases, held together by the middle phase. Stones were placed in an interlocking system that enhanced overall stability without use of any mortar or cement. The walls are built of neatly arranged stones of various sizes and without mortar.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Built in a period and in a region, which were at the centre of the emerging political, commercial, and cultural globalisation, Fort Jesus, with its imposing structure, and the various traces of subsequent modifications, bears significant witness to the interchange of cultural values among peoples of African, Arab, Turkish, Persian and European origin. Built and occupied first by the Portuguese, Fort Jesus, Mombasa, changed hands many times throughout its history, coming under Arab, Swahili and English control. Its important role in the control of trade also saw it host many of the peoples of the Indian Ocean basin. Fort Jesus, Mombasa, eminently exemplifies a new type of fortification that resulted from the innovations in military and weapons technology that occurred between the 15th and 16th centuries. In its layout and form, the Fort reflects the Renaissance ideal whose architectural proportions and geometric harmony are to be found in the proportions of the human body, while at the same time meeting the functional needs of a modern and well-defended fortification. The original layout of the Fort, despite several changes, has survived almost unchanged over centuries of continued
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Built by the Portuguese at the end of the 16th century at the southern edge of the town of Mombasa, over a spur of coral rock, and kept under their control for one century, Fort Jesus, Mombasa, bears testimony to the first successful attempt by Western civilization to rule the Indian ocean trade routes, which, until then had remained under Eastern influence. The design of the fort, with its proportions, its imposing walls and five bastions, reflects the military architectural theory of the Renaissance. Fort Jesus, Mombasa, bears physical witness, in its structures and subsequent transformations, also to the interchange of cultural values and influences between and among peoples of African, Arab, Turkish, Persian and European origin that fought to gain and maintain their control over this strategic port.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Kayas provide focal points for Mijikenda religious beliefs and practices, are regarded as the ancestral homes of the different Mijikenda peoples, and are held to be sacred places. As such they have metonymic significance to Mijikenda and are a fundamental source of Mijikenda’s sense of ‘being-in-the-world’ and of place within the cultural landscape of contemporary Kenya. They are seen as a defining characteristic of Mijikenda identity. Since their abandonment as preferred places of settlement, Kayas have been transferred from the domestic aspect of the Mijikenda landscape to its spiritual sphere. As part of this process, certain restrictions were placed on access and the utilisation of natural forest resources. As a direct consequence of this, the biodiversity of the Kayas and forests surrounding them has been sustained. The Kayas are under threat both externally and from within Mijikenda society through the decline of traditional knowledge and respect for practices. The Kayas are now the repositories of spiritual beliefs of the Mijikenda and are seen as the sacred abode of their ancestors. As a collection of sites spread over a large area.
  • Using base image: Yes