#futuristic

Cyberpunk Cyborg Dreams in a Neon Cityscape

• Model: ChatGPT 2

• Size: 3744 X 4968 (18.60 MP)

• Used settings:

  • Prompt: A highly detailed cyberpunk portrait of a female cyborg with luminous blue hair, facing right in profile, with a futuristic cityscape at sunset in the background. The cyborg wears intricate, glowing cybernetic implants on her head, including large headphones with intricate circuitry and glowing magenta and blue accents. Her face is pale and her lips are subtly colored. She wears glowing blue visor glasses that obscure her eyes, reflecting light. Her body is covered in a form-fitting, metallic, armored suit with visible wires, tubes, and glowing panels in blue, magenta, and orange hues, giving a complex mechanical texture. In the mid-ground, a sleek, white and red futuristic flying car, or hovercraft, with glowing blue and magenta thrusters, streaks past from right to left, leaving light trails. Other smaller flying vehicles are visible further in the background. The futuristic city skyline features towering skyscrapers with neon lights in pink, blue, and orange, contrasting with the warm glow of the setting sun on the horizon. The sky is a mix of dark clouds and bright orange and yellow where the sun sets. The overall lighting is dramatic and vibrant, with strong glows and reflections from the neon lights and cybernetic elements. The colors are rich and saturated, dominated by blues, purples, and oranges, creating a dynamic and energetic atmosphere. The style is highly detailed, hyperrealistic, and digital art, with a strong emphasis on sci-fi and cyberpunk aesthetics. The mood is futuristic, awe-inspiring, and slightly mysterious. Hyper-realistic textures, 8k resolution. Artstation showcase quality. High resolution for intricate details. Epic Science-Fiction Masterpiece.
  • Using base image: No
  • Aspect Ratio: portrait

Pinocchio 2.0

• Model: Flux Klein

• Size: 960 X 1280 (1.23 MP)

• Used settings:

  • Prompt: Cyberpunk Pinocchio
  • Using base image: No
  • Aspect Ratio: portrait

Alien Surgery

• Model: Grok

• Size: 2176 X 1632 (3.55 MP)

• Used settings:

  • Prompt: Human being dissected by a orange ,green and, blue alien with large oval shaped eyes small nose and small mouth
  • Using base image: No
  • Aspect Ratio: landscape

Afternoon Delight 26 05 13. SK:45. Twilight in a Futuristic Urban Jungle www.omarsolh.com

• Model: DaVinci2

• Size: 2240 X 1680 (3.76 MP)

• Used settings:

  • Prompt:
  • Using base image: No
  • Aspect Ratio: landscape

Dreamlike Cyberpunk City at Sunset

• Model: Grok

• Size: 3783 X 2128 (8.05 MP)

• Used settings:

  • Prompt: A surreal, sprawling cityscape with intricate mazelike structures and towering futuristic buildings under a dramatic, cloudy sky. A giant, disembodied hand, positioned slightly right of center, holds a swirling, rainbow-colored ribbon that transitions into a snail-like spiral at its tip. Numerous stylized, bird-like creatures and floating objects populate the sky, with a distant, ringed planet visible. The scene is viewed from a high, wide-angle perspective, emphasizing the labyrinthine quality of the city. Roads and train tracks weave through the urban maze, leading towards the monolithic architecture. The color palette is dominated by warm oranges, soft blues, and metallic grays, with the lighting suggesting a fantastical sunset or sunrise. The atmosphere is dreamlike and enigmatic, evoking a sense of wonder and mystery.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Comfort Trim for Hostile Terrain

• Model: FluX 2 (Pro)

• Size: 3840 X 2160 (8.29 MP)

• Used settings:

  • Prompt: Futuristic moon buggy dominates the scene as primary subject in a wide-angle eye-level shot, sleek design with sweeping curves, enclosed body and enclosed cabin clearly readable, vehicle low, imposing, and road-capable rather than tank-like or open-frame rover; brushed aluminum surface carries the main material identity, no soft plastic shell, no exposed driver basin, no flying vehicle drift, silhouette strong against the barren valley and twilight sky. Moon buggy construction remains explicit through coherent exploded-view detailing: selective cutaway shell sections, separated body panels, visible cabin framework, suspension structure, internal compartments, seating volume, structural ribs, and mechanical subassemblies all revealed in controlled relation while the vehicle stays intact and drivable; exploded view bound to real vehicle anatomy, not floating parts cloud, not labels, not arrows, no schematic overlay, heavy armor details integrated into the body and lower flanks. Large transparent bubble windows define the enclosed cabin, glazing broad and architectural, surfaces catching the cold twilight and lunar glow; heavy duty metal tires fully explicit, large, rugged, and load-bearing, gripping loose stones and small boulders as the buggy drives through the rocky terrain, motion conveyed by wheel attitude, thrown gravel, dust scatter, and suspension compression, no hovering, no tracks-only stillness, no paved-road basin. Rocky valley environment stretches around the vehicle on a barren alien world, ground covered with loose stones, small boulders, fractured regolith, and hard mineral forms, valley walls or ridges stepping through depth without becoming mountain spectacle; world unmistakably lifeless and extraterrestrial, no vegetation, no water, no buildings, no city, no human crowd, no Earth desert simplification, terrain and vehicle locked into one offworld traversal event. Sky and atmosphere hold twilight in a cosmic space-setting register: starry sky visible above, one single large glowing moon high in the sky and unmistakably solitary, no second moon, no planet cluster, no clouded Earth atmosphere; twilight light and cosmic darkness balance across the brushed aluminum, bubble windows, tire metal, and rocks, soft focus applied as atmospheric cohesion rather than blur, no daylight noon, no deep black night swallowing detail. Asymmetrical cinematic composition locked around the moon buggy driving through the rocky valley with strong foreground-to-background hierarchy, hyperrealistic, hyper-detailed, photorealistic digital science-fiction illustration, imposing scale, amazing depth, meticulously composed, single photographable instant of armored offworld mobility beneath a high glowing moon, masterpiece-level scene clarity, material precision, and environmental depth. --mod futuristic enclosed moon buggy --mod sweeping curved brushed-aluminum body --mod coherent exploded-view cabin detail --mod large transparent bubble windows --mod heavy-duty metal tires --mod integrated heavy armor detailing --mod barren rocky valley at twilight --mod one high glowing moon in starry sky
  • Using base image: No
  • Aspect Ratio: landscape_wide

Futuristic Turret in a Sci-Fi Desert Landscape

• Model: Z-Image Turbo

• Size: 592 X 800 (0.47 MP)

• Used settings:

  • Prompt: An oil painting depicting a vibrant, fantastical scene: a futuristic, space-themed artillery cannon with an elegant design featuring angular shapes and mechanical details. The cannon is mounted on a sturdy, rounded base, providing stability, with visible ammunition compartments. The background features a deserted, alien landscape characterized by rocky formations and a muted color palette, suggesting a distant planet. The tone conveys a sense of advanced technology and space exploration.
  • Using base image: Yes

Cyborg Dreams

• Model: DaVinci2

• Size: 856 X 1392 (1.19 MP)

• Used settings:

  • Prompt: fully colored oil on canvas by Alan Lee depicting a nacreous surface pencil sketch, chiaroscuro shadings and charcoal drawing, a full bodied gorgeous Kyoto cyborg Model, that is highly detailed, with circuit board patterns linked to her.. The atmosphere is a peaceful, magic infused and formal, under the light of the morning sun in Rivendell, mysterious & harmonious. Predominantly warm colours with rose, black, rust, burgundy, and black. Walls covered with norse motifs & hieroglyphics, hyperrealistic, sharp focus, Cameron Gray. Predominantly cool colours with rose, black, rust, burgundy, and black. Soft watercolour, extra water in Art Deco by Annigoni, Egon Schiele, Milo Manara, Botticelli, Catrin Welz-Stein, Jean Metzinger, Klimt, perfect eyes, perfect handsface, highly detailed, complementary colours, hyper detailed. Watercolor and ink splatter, dynamic pose, dark blue background, unreal engine, greg Rutkowski, loish, rhads, beeple, makoto shinkai and lois van baarle, Ilya Kuvshinov, rossdraws, tom bagshaw, alphonse mucha, global illumination, detailed and intricate environment, chiaroscuro lit contrast, style of Gustave Doré, Annigoni, Egon Schiele, Milo Manara, Botticelli, Catrin Welz-Stein, Jean Metzinger, Klimt, Zdzisław Beksiński, Lawrence Alma-Tadema, global illumination, detailed and intricate environment, chiaroscuro lit contrast.
  • Using base image: Yes

Futuristic Bar Vibes

• Model: Nano Banana 2 (Pro)

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: science fiction, by Arthur Rackham, Hajime Sorayama, Mikhail Vrubel style, masterpiece, best quality, absurdres, very awa, newest, very aesthetic, 可愛い, expressive, Sprezzatura, (three young ladies having fun at a table in a fantasy bar, drinking a lot), futuristic, glamour, evening dress, jewelry, young, blondes, warm colors. unusual angle. neofuturism. blondes. Colorful glowing cocktails. Glamorous. full body, jewelry. Glamorous. masterpiece, best quality, absurdres, very awa, newest, very aesthetic,
  • Using base image: No
  • Aspect Ratio: square

Futuristic Portrait of a Cyborg Beauty

• Model: DigitalDaVinci

• Size: 1088 X 1088 (1.18 MP)

• Used settings:

  • Prompt: A surreal, futuristic portrait of a synthetic being merging with cosmic energy, split down the middle. The left half depicts a highly detailed, metallic cyborg face with intricate circuits, lenses, and digital screens embedded into its structure, against a warm, orange-toned grid background filled with abstract digital windows. The right half explodes into a vibrant, kaleidoscopic nebula of swirling blues, greens, and fiery oranges, dominated by a colossal, piercing blue eye with an intensely detailed iris. Clusters of vintage camera lenses and gears are integrated into the mechanical side, while ethereal, colorful wisps and glowing orbs emanate from the cosmic side, forming a dynamic flow. The overall mood is one of profound contemplation, technological advancement, and boundless imagination, echoing the styles of H.R. Giger and Alex Grey. Dramatic, ethereal lighting with a strong lens flare effect. Sharp focus on the eye, with a shallow depth of field creating a bokeh effect on distant elements. Cinematic composition, ultra-detailed, photorealistic, octane render, 8k resolution --ar 16:9 --stylize 750 --quality 2 32k resolution
  • Using base image: Yes

Futuristic Airship in Industrial Landscape

• Model: ChatGPT 2 (Pro)

• Size: 3812 X 2144 (8.17 MP)

• Used settings:

  • Prompt: [Oil Brushstrokes Painting + Impasto art style]: Breathtaking image [hand‑painted photograph-like digital painting depicting cinematic dark sci-fi vibe with a highly detailed CGI (computer-generated imagery) artwork depicting a massive, futuristic, airship-like structure suspended in a vertical, industrial setting. The airship is the central focus, occupying most of the image. It has a bulbous, aerodynamic shape with a rounded nose and multiple horizontal layers or decks. The exterior of the airship is a mix of weathered, rust-colored metal and white, with black windows and vents running along its sides. The structure appears heavily industrialized, with exposed mechanical parts and a rugged texture. The airship is suspended between two towering, vertical structures that resemble giant scaffolding or support frames, which are painted in a similar rust-orange color. These frames extend from the bottom to the top of the image, creating a narrow, tunnel-like perspective. The background shows a cloudy, blue sky with sunlight filtering through, casting a soft light on the scene. Below the airship, there are complex networks of pipes, cables, and machinery, adding to the industrial atmosphere. The overall style of the image is hyper-realistic, with a focus on intricate details and textures, creating a sense of depth and realism in the futuristic, industrial setting. In the style of 1970s and 1980s science fiction, this image resembles a classic cover illustration from an old sci-fi space opera book/novel. Avoid smooth realistic look, focus on rich textures and painterly brushstrokes. (masterpiece, best quality, amazing quality, very aesthetic, high resolution, ultra-detailed, absurdres, newest, colorful, rim light, backlit, highest detailed, very awa)
  • Using base image: No
  • Aspect Ratio: landscape_wide

Safe Travels on the Fairy Dust...

• Model:

• Size: 1296 X 1456 (1.89 MP)

• Used settings:

  • Prompt: Mind revealing, Neon, fey, fantasy, ethereal modernized fairies... sitting upon a futuristic loud crackling neon sign shining in horrible brilliance, in a science fiction themed apocalyptic landscape advertising a trip to Neptune on the Fairy Dust.
  • Using base image: No
  • Aspect Ratio: square

Leave the Quarrel in the Crystal

• Model: FluX 2 (Pro)

• Size: 3840 X 2160 (8.29 MP)

• Used settings:

  • Prompt: Dimly lit alien landscape fills frame as primary environment, nocturnal or twilight terrain of strange beauty and restrained menace, magic and alien technology fused into one coherent biome; high obelisks of pure glass rise through the scene in staggered hierarchy, no human architecture, no city basin, no ordinary forest, no daylight openness, atmosphere low-lit and otherworldly. High glass obelisks dominate the vertical field, tall and elegant, pure transparent or translucent structures with complex internal structure, fluorescent crystals suspended or embedded within, neon glow running through facets, channels, and geometric veins; obelisks read as engineered-alien monoliths rather than carved stone pillars, no ruins drift, no smooth featureless prisms, internal complexity and luminous crystal logic clearly readable. XenoTech forest spreads around and between the obelisks, alien plants glowing with bioluminescence, trunks, stalks, fronds, and branching lattice-growths carrying hybrid organic-technological form; leaves visibly hum with arcane energy through radiant edges, vibrating light filaments, charged halos, or subtle energy shimmer, plants unmistakably nonhuman and active, no earthly botany, no decorative flower-garden basin. Ground plane and mid-depth hold the merger of magic and alien technology: root-like conduits, luminous fungal mats, crystalline growth seams, patterned soil, reflective mineral pools, cable-vein tendrils, and energy transfer lines linking flora to obelisks; causal connection explicit, environment functions as one living techno-mystic system, no random scatter, no industrial clutter, no separate magic-versus-tech split. Lighting remains dim and immersive: neon obelisk glow, fluorescent crystal light, bioluminescent vegetation, and faint arcane radiance shaping the scene from within, shadows deep but legible, haze and atmospheric diffusion controlled; palette driven by dark grounds and luminous electric greens, cyans, violets, and spectral blues, no overbloom washout, no bright daylight, no monochrome darkness, mysterious and enchanting atmosphere sustained. Asymmetrical cinematic composition locked around glass obelisks rising through the XenoTech forest with layered glow recession into alien depth, strong foreground-to-background hierarchy, digital science-fantasy illustration, detailed and immersive, single photographable instant of a dimly lit biome where arcane energy and extraterrestrial technology have become one ecological order. --mod dim alien xenotech landscape --mod towering pure-glass obelisks --mod fluorescent crystal interiors --mod neon monolith glow --mod bioluminescent alien forest --mod arcane-energy humming leaves --mod magic-tech ecological fusion --mod asymmetrical immersive composition
  • Using base image: No
  • Aspect Ratio: landscape_wide

Futuristic Stripe Racecar in Neon-Noir Style

• Model: (Mode 30)

• Size: 1920 X 1920 (3.69 MP)

• Used settings:

  • Prompt: A highly rendered, high-resolution, full-body shot of a vintage a glossy black 1963 Cheetah Race Car with white racing stripes, a low stance, and large chrome exhaust pipes exiting from the sides. The car is positioned on a reflective, wet surface, possibly simulating water or slick asphalt, which mirrors its vibrant red and white striped body, including its side, and the glow from its headlights. The car features prominent, exposed engine details with chrome and red elements, a large air intake on the hood, and intricate wire-spoke wheels with black tires that have white lettering. The background is a gradient of deep blue and teal, giving a futuristic or ethereal atmosphere, with numerous vertical, glowing orange-red light streaks resembling rain or light trails, and subtle, scattered light particles creating a starry or misty effect in the upper part of the image. The overall impression is one of speed, retro-futurism, and dynamic illumination.
  • Using base image: No
  • Aspect Ratio: square

Line of Refusal

• Model: FluX 2 (Pro)

• Size: 3840 X 2160 (8.29 MP)

• Used settings:

  • Prompt: Crashed alien starcruiser buried in snow and ice of the Arctic wastes, primary subject dominating the landscape, immense nonhuman vessel half-submerged in drifts, pressure ridges, and frozen crust, hull broken into the terrain at a clear impact angle, no upright landing read, no intact parked ship, no human aircraft basin; alien silhouette unmistakable, long fractured mass with unfamiliar geometry and severe scale against open polar emptiness. Starcruiser hull reads as advanced extraterrestrial architecture: smooth and segmented armored skin, strange structural ribs, recessed apertures, torn panels, exposed inner chambers, collapsed fins or protrusions, frozen vents, and broken luminous seams now dim or intermittent; damage integrated with burial, snow packed into fractures, ice bridging ruptures, wind carving across metallic planes, no clean showroom finish, no earthly spacecraft logic, no warship deck read. Arctic wastes surround and consume the wreck through true polar terrain: broad snowfields, blue-white ice shelves, wind-scoured drifts, crusted ridgelines, frozen haze, exposed black rock or pressure-cracked ice only in sparse accents; environment vast and empty, no settlement, no vegetation, no rescue team, no tracks unless minimal wind-erased traces, no mountain forest drift, no Antarctic station basin, desolation absolute and load-bearing. Burial state remains explicit across the foreground and lower planes: prow or central section thrust from snowpack, secondary hull segments vanishing beneath drifts, ice fused along seams and cavities, frozen debris half-exposed nearby, impact trench softened by years of accumulation, snow cornices and windblown spindrift proving long abandonment; wreck reads ancient and trapped, not freshly smoking, no explosion fire, no active battle aftermath. Lighting cold and dramatic, Arctic overcast or low-angle polar light casting long blue shadows across the wreck and snow field, selective pale highlights along alien hull edges and ice crust, muted internal glow possible in a few surviving fissures but kept secondary; atmosphere harsh, silent, and immense, no sunset warmth, no aurora dominance, no heavy blizzard blackout, textures crisp across snow, frost, ice, and alien metal. Asymmetrical cinematic composition locked around the crashed starcruiser emerging from buried snow mass with Arctic emptiness receding behind, strong foreground-to-background hierarchy, digital science-fiction illustration, detailed textures, monumental wreck scale, frozen stillness, single photographable instant of alien catastrophe entombed in the polar wastes, mystery and ruin held in severe balance. --mod alien starcruiser wreck --mod arctic burial environment --mod half-buried snow-and-ice impact --mod nonhuman hull geometry --mod frozen abandoned catastrophe --mod cold dramatic polar lighting --mod asymmetrical wreck composition --mod detailed science-fiction illustration
  • Using base image: No
  • Aspect Ratio: landscape_wide

Cyborg Elegance in a Gothic Landscape

• Model: Grok

• Size: 1920 X 1920 (3.69 MP)

• Used settings:

  • Prompt: cyborg Ostriches with a visible detailed brain| cable wires| biopunk|, pale face, cybernetic| cyberpunk| sharp focus| smooth| hyperrealism| highly detailed| intricate details|
  • Using base image: Yes

Ex Machina

• Model: DaVinci2

• Size: 920 X 1296 (1.19 MP)

• Used settings:

  • Prompt: Poster cover: pen, ink, watercolour by Takato yamamoto, Takashi Murakami, Yue Minjun 岳敏君: Digital glitch art portrait of a pale ethereal girl with glowing red eyes and vibrant red lips. A mechanical creature with circuit-board patterns on its skin is nuzzling her face. The image is heavily distorted with VHS tracking errors, pixel sorting, and chromatic aberration. Palette of neon pink, electric blue, and deep crimson. High contrast, grainy texture, cyberpunk "weirdcore" aesthetic, 90s internet nostalgia style,
  • Using base image: Yes

Hands Before Our Own

• Model: FluX 2 (Pro)

• Size: 3840 X 2160 (8.29 MP)

• Used settings:

  • Prompt: Fiery surface of Venus stretches across frame as primary environment, vast rocky expanse under swirling yellow and dark yellow cloud mass, ground broken into heat-struck plates, ash-toned stone, fractured ridges, pressure-worn outcrops, no water, no vegetation, no signs of life; space marine stands in foreground as human scale anchor, futuristic minimal space suit, fully sealed, streamlined, functional, no bulky power armor, no exposed skin, silhouette clean against haze and horizon. Space marine reads as disciplined exploratory figure, not battlefield soldier: minimal futuristic suit with hard-edged helmet, compact life-support integration, restrained surface seams, subtle utility mounts, movement-ready posture, one hand near instrument, body turned toward horizon base and nearby fossil-marked rock; suit advanced and metallic in detailing but reduced in mass, no giant weapon loadout, no exoskeleton, no superhero basin, no combat action. Strange fossil prints mark a nearby rock in the lower foreground, clear and unsettling but not overblown: shallow ancient impressions, repeated nonhuman trace geometry pressed into weathered stone, visible enough to read under raking light, integrated with the rock surface rather than glowing or erupting; prints remain localized evidence, no skeleton field, no creature remains, no active lifeform, no horror gore, no excavation pit. Futuristic science base sits on the horizon as secondary but decisive destination, metallic structures, high-tech equipment, antenna arrays, habitat modules, towers, atmospheric processors, glowing lights, low connected volumes stepping across distant terrain; base remains small against Venus scale yet clearly engineered and inhabited, not city skyline, not military fortress, not derelict ruin, horizon placement reinforcing isolation and mission purpose. Atmosphere thick and hazy with dramatic Venus light: swirling yellow and dark yellow clouds above, filtered solar glare through toxic haze, long shadows cast across terrain, marine, fossil rock, and equipment, metallic surfaces holding restrained reflections, base lights puncturing distance; image dramatic but controlled, no night scene, no blue sky, no storm lightning, no lava river dominance, color held in sulfuric golds, dirty ambers, and scorched stone browns. Asymmetrical cinematic composition locked around fossil-marked foreground rock, space marine, and distant science base under oppressive Venus cloud ceiling, strong foreground-to-background hierarchy, digital artwork, ultra-high resolution, detailed textures, vastness, isolation, and discovery, single photographable instant of lifeless planetary exploration with one impossible trace preserved in stone. --mod venus surface vastness --mod space marine minimal spacesuit --mod swirling yellow cloud ceiling --mod fossil-print foreground evidence --mod distant horizon science base --mod long-shadow dramatic lighting --mod hazy toxic atmosphere --mod ultra-detailed digital artwork
  • Using base image: No
  • Aspect Ratio: landscape_wide

Levitation Pylon of Kepler’s Reach

• Model: FluX 2 (Pro)

• Size: 3840 X 2160 (8.29 MP)

• Used settings:

  • Prompt: Colossal cyclopean monolith of ancient alien design dominates the scene as the primary subject, towering miles high above a stark rust-colored desert, a single overwhelming vertical mass of impossibly smooth obsidian-like material; structure reads as ancient megamonument rather than building cluster, not a mountain, not a spaceship, not a ruin field, its scale absolute and load-bearing against the surrounding emptiness and sky. Monolith surface carries deep intricate fractal patterns etched into the obsidian-like skin, vast recursive geometries cut with inhuman precision and glowing with eerie bioluminescence; luminous patterning remains integral to the stone-black material, not painted ornament, not neon graffiti, no random surface clutter, the carvings reading as ancient alien logic embedded into the body of the structure itself. Vast arches and spiraling staircases wind around the monolith exterior in impossible paths, enormous structural voids and ascending routes defying gravity without losing coherence; stair systems cling, loop, and rise along the surface in grand exterior sweeps, not interior stairs, not decorative trim, no human-scale access read, their impossible geometry reinforcing the monument’s cosmic intelligence and nonhuman engineering. Floating platforms orbit the monolith at varied elevations, secondary but essential, faceted masses suspended in deliberate relation to the tower and connected by shimmering energy bridges; platforms and bridges remain clearly functional and architectural rather than debris or spacecraft, no swarm clutter, no random crystals, their luminous suspension and orbital placement amplifying the monolith’s scale and active mystery. Surrounding terrain remains a stark rust-colored alien desert with hard mineral flats, eroded ridges, and sparse broken outcrops under an atmosphere heavy with swirling iridescent mist; distant twin suns cast long ominous shadows across the ground and monolith face, no third sun, no clouded Earth sky, no vegetation, no city, no crowd, the environment held as barren, oppressive, and cosmically strange. Asymmetrical panoramic composition locked around the miles-high monolith with orbiting platforms and energy bridges receding into iridescent desert depth, strong foreground-to-background hierarchy, hyper-detailed digital art, 8K-resolution realism, ray-traced lighting effects, immense scale, ominous shadow, cosmic mystery, single photographable instant of ancient alien grandeur and impossible monumentality. --mod colossal ancient alien monolith --mod impossibly smooth obsidian megastructure --mod deep glowing fractal etchings --mod vast arches and spiraling exterior staircases --mod orbiting platforms --mod shimmering energy bridges --mod rust-colored alien desert with iridescent mist --mod twin suns and ray-traced monumental lighting
  • Using base image: No
  • Aspect Ratio: landscape_wide

Humans are a failed experiment

• Model: AI Upscaler

• Size: 1920 X 1920 (3.69 MP)

• Used settings:

  • Prompt:
  • Using base image: Yes