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Wet on wet watercolour artwork, using minimal paints and maximum loose water effects. The painting shows a long table stretching across the canvas. At the center sits a man in plain worker’s uniform. In one hand he holds a whole oyster, in the other a knife, its blade poised against the shells, ready to be forced between them in an attempt to open it. He looks on oyster, his gaze is cold and focused. To his left lies a pile of opened oyster shells. To his right is a small tray holding four pearls placed randomly. Further to the right on the table stands a small marble bust of a woman with sad face wearing pearl necklace. The painting is filled with a blue haze of thick, blurred paint. Emotional, masterful, detailed, lively, natural, realistic.
Inspired by a conversation with Anonymous Ananda, using the style by EmmAI.
The painting depicts what is difficult to speak of—what an ever-optimistic and positive soul would prefer to ignore, what a skeptical mind would seek to justify, what an average crowd would accept as an unchanging part of everyday life. But is that a reason to remain silent about it?
Cruelty... it's not a human invention; it's inherent in all living beings, however, no one knows how to whitewash it quite like humans do.
