#man

Winter Journey to the Church at Dusk

• Model: DaVinci2

• Size: 1336 X 888 (1.19 MP)

• Used settings:

  • Prompt: a man walking to church on a windy snowy day
  • Using base image: Yes

Encounter in a Dreamlike Setting

• Model: DigitalDaVinci

• Size: 1216 X 1501 (1.83 MP)

• Used settings:

  • Prompt: Wet on wet watercolor and oil brush painting of a fluffy feathered train Graffiti with enormous happy eye sits on an old broken mailbox laying on the ground. A snake-hélicoptère walks along the fence in the background.
  • Using base image: Yes

The Diver: A Moment by the Poolside

• Model: DaVinci2

• Size: 976 X 1224 (1.19 MP)

• Used settings:

  • Prompt: Man climbing out of the water. Contemporary figure. Abstract realism. Style of David. Hockney.
  • Using base image: Yes

Winter Walk: Man and Dog in Golden Glow

• Model: DaVinci2

• Size: 1336 X 888 (1.19 MP)

• Used settings:

  • Prompt: a man with dark hair and his dog walking in the snow
  • Using base image: Yes

Midnight Flight Over a Glowing Cityscape

• Model: DaVinci2

• Size: 1152 X 864 (1.00 MP)

• Used settings:

  • Prompt: Man in an archetypal dream flying. Over the pulsing yellow blue city at night in the moonlight. Surreal.
  • Using base image: No
  • Aspect Ratio: landscape

Silk Lies over Blood Spills on lantern lit Gion Streets

• Model: ChatGPT (Base) Full

• Size: 1568 X 2352 (3.69 MP)

• Used settings:

  • Prompt: Full length portrait of a fearful 1940s noir Tokyo detective holding a pistol with a beautiful kyoto geisha by his side by Murasaki Shikibu, using a combination of oil paint and watercolour, Paranoia, fear and loathing, Somebody's got their eye on me, in the style of a Murasaki Shikibu dark fantasy novel cover, an epic moody, magical image, thick intense oil paint and watercolour, thick textured brush strokes
  • Using base image: No
  • Aspect Ratio: 2_3

Detective man stand near Fallout post-apocalyptic city billboard

• Model: Z-Image Turbo

• Size: 2219 X 1664 (3.69 MP)

• Used settings:

  • Prompt: The image appears to be from a Fallout video game, likely set within a post-apocalyptic environment, suggested by the worn and weathered textures and a cinematic-like color scheme that includes dark shades, neon accents, and overcast lighting. The style is realistic with a cinematic quality, designed to evoke a sense of a vibrant and slightly oversaturated color palette, and it exhibits the characteristics of a photorealistic image, with high attention to detail in elements like lighting, reflections, and environments. In the foreground, there is a sci-fi detective man is dressed in a sci-fi classic, black silver trench-coat aesthetic and is wearing a fedora black hat with a silver band and a silver scarf around the neck and a device with a glowing neon title "Pip-Boy" on green screen that seems to radiate flashlight on his right hand stands in front of a large billboard. His facial expression is smiling, and he is looking directly at the camera. The large billboard displays a vintage-style advertisement featuring a smiling man with dark hair in a sci-fi classic, silver suit on a red, metallic, black futuristic sci-fi motorcycle with one hand on the metallic handlebar and the other holding a fedora black hat with a silver band tossed in the air, with the red words "Lone Wanderer" and white and black words "LEAVE WORK BEHIND". The scene is set in an urban, slightly dystopian environment with an elevated structure and a dimly lit background. The composition places the sci-fi detective man in the foreground on the left, with the large billboard dominating the right side. The lighting is sunny day, with a focus on the green glow from the person's wrist accessory, casting shadows. The colors are muted and dark, with green and red being prominent due to the lighting and large billboard. The style is a mix of retro-futuristic and post-apocalyptic, with an emphasis on vintage advertisements. The mood is mysterious and atmospheric, suggesting a narrative of adventure. The overall aesthetic suggests a dystopian cityscape, likely a special zone within the Fallout video game. The graphics are characterized by attention to texture and light, giving the scene a textured and inviting quality. The background gives the impression of an post-apocalyptic setting, with a harsh, gritty aesthetic. There is a text at the bottom right corner of the image that text "FALLOUT", which is title of post-apocalyptic video game.
  • Using base image: No
  • Aspect Ratio: landscape

A Life For A Life

• Model: ChatGPT (Pro) Full

• Size: 2352 X 1568 (3.69 MP)

• Used settings:

  • Prompt: A cinematic, emotionally charged oil painting set during daytime at the edge of a quiet rural lake in 1930s Dust Bowl America. The light is pale and overcast, with soft blues, muted greens, and silvery reflections shimmering across the water’s surface. The air feels still, heavy, and expectant. At the center of the scene, Ben — a lean 24-year-old man with dark, wind-tossed hair and pale, burdened eyes — stands waist-deep in the lake. His clothes are soaked and clinging to his body. His posture is tense yet gentle, arms outstretched as he supports a young sick girl floating on the surface of the water, her dress is fluid, diaphane, red color. The girl’s body is limp but peaceful, her face pale, her long blond hair floating, her eyes closed as if between sleep and death. Ben’s hands glow faintly beneath the water, a soft, warm light radiating outward in subtle ripples. His expression is focused and anguished — a healer fully aware that what he gives must be taken from somewhere else. Around them, the lake tells the cost. Dead fish float lifelessly on the surface, their pale bellies catching the light, some have colors. Some drift close to Ben and the child, others spread outward in widening rings. Reeds and aquatic plants near the shore are darkened and wilted, their color drained as if life itself has been drawn away. The water near Ben appears slightly clouded, disturbed by unseen exchange. On the shoreline, a few distant figures — perhaps the girl’s family — stand frozen, watching in silence. They do not enter the water. Fear and hope mix in their posture. The environment remains natural but altered. The sky is bright yet subdued, streaked with soft clouds. Sunlight glints off the water, contrasting cruelly with the stillness of the dead fish. The palette balances cool blues and greens with the warm glow emanating from Ben’s hands, you can see his light from his hands and on the girl's body. The brushwork is painterly and expressive, emphasizing water movement, skin, fabric soaked with lake water, and the eerie calm of floating bodies. The mood is tragic and awe-filled — a miracle performed in daylight, where the price is visible and undeniable.
  • Using base image: No
  • Aspect Ratio: 3_2

When God Was Silent

• Model: ChatGPT (Pro) Full

• Size: 2352 X 1568 (3.69 MP)

• Used settings:

  • Prompt: A cinematic, tragic oil painting set at night in the aftermath of a devastating fire in 1930s Dust Bowl America. The remains of a small refuge building — once meant to shelter abandoned children — smolder in ruins. Charred wooden beams collapse inward, ash drifts through the air, and faint embers glow amid blackened debris. The sky above is dark, clouded with smoke, lit intermittently by the dying fire. In the foreground, Brother Justin kneels on the scorched ground. He is a tall evangelical minister in his early thirties, dressed in a dark clerical coat now smeared with ash and soot. His posture is broken — shoulders hunched, head bowed, hands pressed into the dirt as if he can no longer stand. His face is contorted with grief and disbelief, his faith shaken but not yet abandoned. Before him lie the still forms of several children, covered partially by ash and debris. Their presence is solemn and tragic, depicted with restraint and dignity — no gore, no sensational detail — only the unbearable stillness of loss. Their small bodies contrast cruelly with the scale of the destruction. Brother Justin’s eyes are normal — not black — emphasizing that this is not a moment of power, but of failure. His mouth is slightly open, as if in silent prayer or accusation, caught between pleading with God and demanding an answer. Around him, the burned structure stands as a hollowed shell, its purpose erased. The ground is scarred and lifeless. No miracle has occurred. The color palette is ashen and mournful: blacks, charcoals, deep reds, scorched browns, and dull embers. Occasional warm firelight flickers across Justin’s face, highlighting tears cutting through soot. The brushwork is heavy and expressive, emphasizing smoke, ash, ruined wood, and human anguish. The mood is catastrophic and intimate — the moment when a man’s desire to save others is met with irreversible loss, planting the seed of a belief that the world must be purged to be redeemed.
  • Using base image: No
  • Aspect Ratio: 3_2

Cosmic Ruins and the Guardian's Gaze

• Model: WAN

• Size: 2880 X 2880 (8.29 MP)

• Used settings:

  • Prompt: A lone warrior draped in celestial rags stands before a crumbling titan carved from forgotten constellations, as the sky fractures into myth and memory. In the 'Mythoclysm' art style—where ancient myth meets apocalyptic surrealism—depict a world unraveling through divine catastrophe. Blend shattered classical motifs with chaotic divine energy, twisted relics of gods, sacred beasts decaying into cosmic ash, and relic temples bleeding molten starlight. Use contrasting textures—cracked marble, burning sky-veins, glitched halos—to create a surreal, sacred collapse
  • Using base image: No
  • Aspect Ratio: square

Sure Frank, leave if you want. But we both know you'll be back tomorrow...

• Model: AI Upscaler

• Size: 2384 X 1792 (4.27 MP)

• Used settings:

  • Prompt:
  • Using base image: Yes

A Serene Night by the Ocean's Edge

• Model: DaVinci2

• Size: 1336 X 888 (1.19 MP)

• Used settings:

  • Prompt: Abstract minimalism. Surreal artwork. I have never had time to see; throw me, pieces of green, looking mean, trying to find an answer. Stars seem to shine like thoughts in my mind, forever there but somehow out of reach.
  • Using base image: Yes

Time’s Up – A Dramatic Last Minute Escape

• Model: AI Upscaler

• Size: 3347 X 5010 (16.77 MP)

• Used settings:

  • Prompt:
  • Using base image: Yes

Friday Morning Blooze

• Model: DaVinci2

• Size: 1088 X 1088 (1.18 MP)

• Used settings:

  • Prompt: Male age 60, sitting up in bed wiping his eyes. Short beard, messy brown hair. Dark blue pajames.
  • Using base image: Yes

Beach Day Fun with My Canine Companion (Repetition: 119w)

• Model: DaVinci2

• Size: 1152 X 864 (1.00 MP)

• Used settings:

  • Prompt: Furry guy with beautiful abs and dog's head wishes for a good day and shows thumbs up, professional photo, aesthetically pleasing, beautiful, realistic, close-up, high resolution, high detail, photorealism, on the sea beach
  • Using base image: No
  • Aspect Ratio: landscape

Gloomy Reflections

• Model: DaVinci2

• Size: 2560 X 1456 (3.73 MP)

• Used settings:

  • Prompt: Suffer bastards!
  • Using base image: No
  • Aspect Ratio: landscape_wide

Whimsical Encounter in a Cosmic Observatory

• Model: FluX (Base) Default

• Size: 1184 X 1592 (1.88 MP)

• Used settings:

  • Prompt: Surreal oil painting of a man wearing a crimson tuxedo suit floating in a spacecraft surrounded by thousands of tiny cute teddy bears also wearing crimson tuxedo suits.
  • Using base image: No
  • Aspect Ratio: landscape

Celestial Embrace in Art Nouveau Style

• Model: SeeDream

• Size: 2560 X 1440 (3.69 MP)

• Used settings:

  • Prompt: Romance of the divine masculine and divine feminine. Both intertwined at an everlasting cusp irresistibly attracted; boundary of bare skin and boundless sensation of sentient symmetry.
  • Using base image: No
  • Aspect Ratio: landscape_wide

1940s City Scene with Colorful Backdrop

• Model: DaVinci2

• Size: 1888 X 1000 (1.89 MP)

• Used settings:

  • Prompt: "Get lost in an old unfamiliar city" Surrealism. Mixed media, illustration, painting, acrylic, a set of oil pastels. Style: Fred Calleri, Bob Kramer, Tom Bonson, Gabriel Pacheco, Even Liu, Ralph Steadman. Promt©valestok. Full size image, no text, no copyright.
  • Using base image: Yes

Joyful Moments in a Colorful Room

• Model: AIVision (Ultra)

• Size: 1792 X 1008 (1.81 MP)

• Used settings:

  • Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: A masterful artistic scene created using Mixing Palette Knife, Impasto, and Glazing techniques, combined with expressive colored ink (ink wash and fine line details). A ginger-haired young woman and her close friend are sitting on the floor of a sunlit apartment, surrounded by scattered vinyl records and handwritten notes. They are listening to music together, one gently tapping rhythm on an old suitcase drum, the other laughing mid-gesture, hair glowing like copper under the light. The walls carry abstract shadows painted in thick impasto strokes, while colored ink lines flow freely, outlining movement, sound waves, and emotion. Warm ochres, deep blues, and muted reds blend through glazing, creating depth and intimacy. The scene feels spontaneous, raw, and alive — a moment of shared presence, friendship, and creative freedom, not posed, not staged. The composition is dynamic, slightly off-center, with textured surfaces, visible knife marks, ink splashes, and intentional imperfections. The overall feeling is a modern masterpiece, emotional, tactile, and human — a celebration of connection and everyday magic.
  • Using base image: No
  • Aspect Ratio: landscape_wide