#text2dream

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Anderson's design was influenced by a number of other Gothic and Gothic Revival architectural works, in particular the rectangular Gothic Doge's Palace in Venice and the works of George Gilbert Scott, and similarities have also been drawn between the Portrait Gallery and Anderson's Mount Stuart House on the Isle of Bute, which he designed for the 3rd Marquess of Bute in the late 1870s. Around the exterior are sculpted figures of noted Scots set in niches, designed by William Birnie Rhind. These were added in the 1890s to compensate for the lack of contemporary portraits of medieval Scots in the gallery's collection at the time, as was the large processional frieze inside the main entrance hall, painted by William Hole. This mural, added in 1898, depicts an array of notable Scots from history, ranging from Saint Ninian to Robert Burns. Figures were added to the frieze over the years after the gallery opened, and Hole added further large mural narrative scenes on the 1st floor later.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The Scottish National Portrait Gallery building is a large edifice at the east end of Queen Street, built in red sandstone from Corsehill in Dumfriesshire. It was designed by Robert Rowand Anderson in the Gothic Revival style with a combination of Arts and Crafts and 13th-century Gothic influences, and is a Category A listed building. Built between 1885 and 1890, the building is noted for its ornate Spanish Gothic style, an unusual addition to Edinburgh's mostly Georgian Neoclassical New Town. The windows are in carved pointed arches and the main entrance on the Queen Street front, surrounded a large gabled arch, leads to the main entrance hall, arcaded with pointed arches, which originally served both the Portrait Gallery to its east, and the National Museum of Antiquities of Scotland to its west. A distinctive feature of the gallery is its four octagonal corner towers topped with crocketed Gothic pinnacles; originally, Anderson had intended to flank the facade with a pair of large Franco-Scottish tourelles, but these were replaced at the request of the benefactor by the pointed turrets seen today.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Templeton On The Green, converted from the Templeton Carpet Factory, is a distinctive building near the People's Palace, in Glasgow, Scotland, opened in 1892. In 1984 it was converted into the Templeton Business Centre, then in 2005 a major regeneration project made it into a mixed use 'lifestyle village' incorporating apartments, office space, and the WEST brewery, bar and restaurant.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The oldest part of the palace is the wing overlooking the lagoon, the corners of which are decorated with 14th-century sculptures, thought to be by Filippo Calendario and various Lombard artists such as Matteo Raverti and Antonio Bregno. The ground floor arcade and the loggia above are decorated with 14th- and 15th-century capitals, some of which were replaced with copies during the 19th century. In 1438–1442, Giovanni Bon and Bartolomeo Bon built and adorned the Porta della Carta, which served as the ceremonial entrance to the building. The name of the gateway probably derives either from the fact that this was the area where public scribes set up their desks, or from the nearby location of the cartabum, the archives of state documents. Flanked by Gothic pinnacles, with two figures of the Cardinal Virtues per side, the gateway is crowned by a bust of Mark the Evangelist over which rises a statue of Justice with her traditional symbols of sword and scales. In the space above the cornice, there is a sculptural portrait of the Doge Francesco Foscari kneeling before the Lion of Saint Mark.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: In 810, Doge Agnello Participazio moved the seat of government from the island of Malamocco to the area of the present-day Rialto, when it was decided a palatium duci (Latin for "ducal palace") should be built. However, no trace remains of that 9th-century building as the palace was partially destroyed in the 10th century by a fire. The following reconstruction works were undertaken at the behest of Doge Sebastiano Ziani (1172–1178). A great reformer, he would drastically change the entire layout of the St. Mark's Square. The new palace was built out of fortresses, one façade to the Piazzetta, the other overlooking the St. Mark's Basin. Although only few traces remain of that palace, some Byzantine-Venetian architecture characteristics can still be seen at the ground floor, with the wall base in Istrian stone and some herring-bone pattern brick paving. Political changes in the mid-13th century led to the need to re-think the palace's structure due to the considerable increase in the number of the Great Council's members. The new Gothic palace's constructions started around 1340, focusing mostly on the side of the building facing the lagoon.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Bradford City Hall is a 19th-century town hall in Centenary Square, Bradford, West Yorkshire, England. It is a Grade I listed building which has a distinctive clock tower.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: But the potential of Ellis's design was not lost on all of his contemporaries. John Wellborn Root studied in Liverpool as a teenaged boy, being sent there by his father to be safe from the American Civil War following the Atlanta Campaign (1864). In all likelihood, he studied the then brand new Oriel Chambers and put the lessons learnt to good use when he developed into an important architect of the Chicago School of Architecture, exporting Ellis' ideas across the Atlantic.[5] Long rows of bay windows (of which oriels are a special type) characterise some of Burnham and Root's 1880s American skyscrapers. More importantly, Oriel Chambers, and Ellis's building at 16 Cook Street, Liverpool, are amongst the precursors of modernist architecture for another reason. In addition to the extensive use of glass on their facades, both boast metal framed glass curtain walls towards the courtyards which makes them two of the world's first buildings to include this feature. Both buildings rely on H-section iron columns at the perimeter, which support the floors and cladding. Ellis's method for cladding was not adopted by Burnham and Root though: their Monadnock Building of 1891.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: An oriel window is a form of bay window which protrudes from the main wall of a building but does not reach to the ground. Supported by corbels, brackets, or similar cantilevers, an oriel window is most commonly found projecting from an upper floor but is also sometimes used on the ground floor. Oriel windows are seen in Arab architecture in the form of mashrabiya and in Turkish are known as şahnişin or cumba. In Islamic culture, these windows and balconies project from the street-front of a house, providing an area in which women could peer out and see the activities below while remaining invisible.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: This issue of definition, apparently so simple, has proven to be one of the most serious problems for advocates of vernacular architecture and landscapes research. A straightforward, convincing, authoritative definition has not yet been offered. Vernacular architecture is a phenomenon that many understand intuitively but that few are able to define. The literature on the subject is thus filled with what might be called non-definitions. Vernacular architecture is non-high style building, it is those structures not designed by professionals; it is not monumental; it is un-sophisticated; it is mere building; it is, according to the distinguished historian Nikolaus Pevsner, not architecture. Those who take a more positive approach rely on adjectives like ordinary, everyday, and commonplace. While these terms are not as pejorative as other descriptive phrases that are sometimes applied to the vernacular, neither are they very precise. For example, the skyscrapers of Manhattan are works of high style architecture, but they are also commonplace in Manhattan. Are they not logically New York City vernacular buildings?
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The International Towers is a commercial skyscraper complex in central Sydney, in the Barangaroo area. The complex comprises three main office towers; Tower 1 at 217 metres (712 feet), Tower 2 at 178 metres (584 feet), and Tower 3 at 168 metres (551 feet). Construction on the towers began in 2013 before completion in mid 2016. The complex was built as part of a major urban redevelopment of Barangaroo, forming part of the core commercial, residential, retail and leisure development at Barangaroo South. More than 50 per cent of the Barangaroo South precinct (7.6 hectares) is accessible to the public. The ITS development delivers 283,900 m2 of commercial office space.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Riparian Plaza is a 53-storey skyscraper located in the central business district of Brisbane, Queensland, Australia. The building stands at 250 m (820 ft) in height to its communications spire and 200 m (660 ft) to its roof. It was Brisbane's tallest building until it was surpassed by Aurora in 2006 and is a particularly iconic building on the Brisbane skyline. It is a mixed use building, with 11 car park levels from the ground up, 25 commercial levels, and 12 residential levels originally housing 50 penthouse apartments.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Riparian Plaza was designed by Harry Seidler (architect) and Robert Bird Group (structural engineer). Most office spaces have river views, due to the 45-degree angle to the river of the building and the lack of columns on these mid level floors. Each penthouse has its own curvilinear, projecting terrace that faces the river. The cantilevering balconies have a highly sculptured shape. Seidler claimed the composite stacking of sectors vertically is unique in Australia.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The Blue Condominium, also known as the Blue Tower, is located in the Lower East Side neighborhood of New York City at 105 Norfolk Street. Designed by Bernard Tschumi, it is his first residential and first high-rise structure. At 16 stories tall, it opened in 2007 with 32 condominium apartments, a ground floor commercial space occupied by the Thierry Goldberg Gallery, and a third floor roof terrace for residents. Commercial at the ground floor with residential above is a common method of programming space in urban residential projects. The tower is not LEED certified. The faceted pixelated form, a reaction to the zoning and set back requirements, is clad in a blue panel and window curtain wall system, contrasting with the low rise brick buildings that typify the neighborhood.[1]
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The CCTV Headquarters serves as the headquarters for China Central Television (CCTV) formerly located at the old China Central Television Building some 15 km (9.3 mi) to the west. Feted by architecture critics as perhaps "the greatest work of architecture built in this century" [6] and awarded the 2013 Best Tall Building Worldwide from the Council on Tall Buildings and Urban Habitat, the 51-floor skyscraper on East Third Ring Road, Guanghua Road in the Beijing Central Business District (CBD). Groundbreaking took place on 1 June 2004 and the building's façade was completed in January 2008. After the construction was delayed by a fire that engulfed the adjacent Television Cultural Center in February 2009, the headquarters was completed in May 2012[5] and was officially inaugurated in June 2013.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Eureka Tower is a 297.3 m (975 ft) skyscraper located in the Southbank precinct of Melbourne, Victoria, Australia.[3] Construction began in August 2002 and the exterior was completed on 1 June 2006. The plaza was finished in June 2006 and the building was officially opened on 11 October 2006.[4] The project was designed by Melbourne architectural firm Fender Katsalidis Architects and was built by Grocon (Grollo Australia). The developer of the tower was Eureka Tower Pty Ltd, a joint venture consisting of Daniel Grollo (Grocon), investor Tab Fried and one of the Tower's architects Nonda Katsalidis. It was the world's tallest residential tower when measured to its highest floor,[5] until surpassed by Ocean Heights and the HHHR Tower in Dubai. From 2006 to 2019, it was the tallest building in Melbourne, until the topping out of Australia 108. It is currently the third tallest building in Australia, behind the Q1 in Queensland and Australia 108, as well as the second tallest to roof (excluding spire) behind the latter skyscraper.[6] As of 2016 it was the 15th tallest residential building in the world.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: According to the ranking system developed by the U.S.-based Council on Tall Buildings and Urban Habitat, the Eureka Tower qualified as the tallest building in three of the four categories in which heights are ranked, namely height to the floor of the highest occupied floor of the building. For comparison, the Q1 apartment tower on the Gold Coast has its highest habitable floor (the observation deck), reaching a height of 235 m (771 ft), some 62 m (203 ft) lower than Eureka Tower's highest habitable floor. Q1's highest penthouse apartment is 217 m (712 ft) whilst Eureka's penthouse is 278 m (912 ft) high. However, the spire attached to the top of Q1 exceeds the Eureka Tower in the other two categories, namely "Height to the tip of spire, pinnacle, antenna, mast or flag pole" – in this case, spire – and height to architectural top of the building.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The San Francisco Museum of Modern Art (SFMOMA) is a modern and contemporary art museum located in San Francisco, California. A nonprofit organization, SFMOMA holds an internationally recognized collection of modern and contemporary art, and was the first museum on the West Coast devoted solely to 20th-century art. The museum's current collection includes over 33,000 works of painting, sculpture, photography, architecture, design, and media arts, and moving into the 21st century. The collection is displayed in 170,000 square feet (16,000 m2) of exhibition space, making the museum one of the largest in the United States overall, and one of the largest in the world for modern and contemporary art.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: At the heart of Schermerhorn Symphony Center is the 30,000 square feet (2,800 m2), 1,844-seat Laura Turner Concert Hall, which is home to the Nashville Symphony. The hall is of the shoebox style. It features natural lighting, which streams in through 30 soundproof, double-paned clerestory windows. Intricate symbolic motifs appear throughout the hall and the rest of the center, including irises (the Tennessee state flower), horseshoes (a tribute to the late Laura Turner's love of horses) and coffee beans (representing Nashville's Cheek family, which played a key role in the founding of the Nashville Symphony and also originally owned the Maxwell House Coffee brand).
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The building is designed as a cultural and residential complex. The original 1966 brick façade of the Kaispeicher A, formerly a warehouse, was retained at the base of the building. On top of this a footprint-matching superstructure rests on its own foundation exhibiting a glassy exterior and a wavy roof line. About one thousand glass windows are curved. The building has 26 floors with the first eight floors within the brick façade. It reaches its highest point with 108 metres (354 ft) at the western side. The footprint of the building measures 120,000 square metres (1.3 million square feet). A curved escalator from the main entrance at the east side connects the ground floor with an observation deck, the Plaza, at the 8th floor, the top of the brick section. The Plaza is accessible by the public. It offers a view of Hamburg and the Elbe. From the Plaza the foyer of the concert hall can be reached.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The building is shaped as a nine-floor-high asymmetrical polyhedron covered in plaques of white cement, cut by large undulated or plane glass windows. The building is accessible through a front stairway and stands at the center of a vast open plaza of marble, yellow with hint of brown. Its isolated architectural form, deeply set back from adjacent streets, including the main Avenida da Boavista, and from the city's prime ceremonial public space, the Praça Mouzinho de Albuquerque, is evocative of the hull of a ship beached at low tide. It deliberately ignores and challenges the neoclassical order of converging avenues and the vast oval of continuous blocks centered on a tall monument, Heroes of the Peninsular War, that has defined the Praça.
  • Using base image: Yes