#text2dream

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The building that is commonly referred to as the Fagus building is the main building. It was constructed in 1911 according to Werner's plan but with the glass facades designed by Gropius and Meyer and then expanded in 1913. The Fagus building has a 40-centimeter high, dark brick base that projects from the facade by 4 centimeters. The entrance with the clock is part of the 1913 expansion. The interiors of the building, which contained mainly offices, were finished in the mid 20s. The other two big buildings on the site are the production hall and the warehouse. Both were constructed in 1911 and expanded in 1913. The production hall is a one-storey building. It was almost invisible from the railway (north) elevation and acquired a proper facade after the expansion. The warehouse is a four-storey building with few openings. Its design followed the original plan by Werner closely, and it is left out from many of the photographs. Apart from them, the site contains various small buildings designed by Gropius and Meyer. Gropius and Meyer were able to enforce only minor changes in the overall layout of the factory complex.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Common characteristics of the International Style include: a radical simplification of form, a rejection of ornament, and adoption of glass, steel and concrete as preferred materials. Further, the transparency of buildings, construction (called the honest expression of structure), and acceptance of industrialized mass-production techniques contributed to the international style's design philosophy. Finally, the machine aesthetic, and logical design decisions leading to support building function were used by the International architect to create buildings reaching beyond historicism. The ideals of the style are commonly summed up in three slogans: ornament is a crime, truth to materials, form follows function; and Le Corbusier's description: "A house is a machine to live in".
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Jakriborg is a housing estate in Hjärup, Staffanstorp Municipality between Malmö and Lund in Scania, southern Sweden.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Poundbury is an experimental urban extension on the western outskirts of Dorchester in the county of Dorset, England.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The Palace of Assembly is a legislative assembly building in Chandigarh, India. It was designed by modernist architect Le Corbusier.
  • Using base image: Yes

AutoCrashy

• Model: Artistic

• Size: 864 X 640 (0.55 MP)

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  • Prompt: Imaginative Qualities of Actual Things
  • Using base image: Yes

Springtime in the Rockies

• Model: Artistic

• Size: 1155 X 908 (1.05 MP)

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  • Prompt: Springtime in the Rockies, evergreens, wildflowers of all colors, green grass
  • Using base image: No
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The Boerentoren (English: "Farmer's Tower"; officially the KBC Tower, originally the Torengebouw van Antwerpen) is a historic tall building in Antwerp, Belgium.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The Empire State Building is a 102-story[c] Art Deco skyscraper in Midtown Manhattan, New York City.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The Mole Antonelliana (pronounced [ˈmɔːle antonelˈljaːna]) is a major landmark building in Turin, Italy, named after its architect, Alessandro Antonelli. A mole in Italian is a building of monumental proportions.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The ornamentation for the building includes a wide frieze below the deep cornice, which expresses the formalized yet naturalistic celery-leaf foliage typical of Sullivan and published in his System of Architectural Ornament, decorated spandrels between the windows on the different floors and an elaborate door surround at the main entrance. "Apart from the slender brick piers, the only solids of the wall surface are the spandrel panels between the windows. ... . They have rich decorative patterns in low relief, varying in design and scale with each story."[17] The frieze is pierced by unobtrusive bull's-eye windows that light the top-story floor, originally containing water tanks and elevator machinery. The building includes embellishments of terra cotta,[18] a building material that was gaining popularity at the time of construction.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Historian Carl W. Condit described the Wainwright as "a building with a strong, vigorously articulated base supporting a screen that constitutes a vivid image of powerful upward movement."[13] The base contained retail stores that required wide glazed openings; Sullivan's ornament made the supporting piers read as pillars. Above it the semi-public nature of offices up a single flight of stairs are expressed as broad windows in the curtain wall. A cornice separates the second floor from the grid of identical windows of the screen wall, where each window is "a cell in a honeycomb, nothing more".[14] The building's windows and horizontals were inset slightly behind columns and piers, as part of a "vertical aesthetic" to create what Sullivan called "a proud and soaring thing."[15] This perception has since been criticized as the skyscraper was designed to make money, not to serve as a symbol.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Aesthetically, the Wainwright Building exemplifies Sullivan's theories about the tall building, which included a tripartite (three-part) composition (base-shaft-attic) based on the structure of the classical column,[11] and his desire to emphasize the height of the building. He wrote: "[The skyscraper] must be tall, every inch of it tall. The force and power of altitude must be in it the glory and pride of exaltation must be in it. It must be every inch a proud and soaring thing, rising in sheer exultation that from bottom to top it is a unit without a single dissenting line." His 1896 article cited his Wainwright Building as an example.[12] Despite the classical column concept, the building's design was deliberately modern, featuring none of the neoclassical style that Sullivan held in contempt.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Accounts differ on the building's height at the time of its completion, with a cited height figure of 142 feet (43 m).[7] According to a contemporary article in The New York Times, the Equitable Life Building was at least 130 feet (40 m) tall.[8] Architectural historian Robert A. M. Stern wrote that was likely the actual height based on a "convincing analysis" by architectural writer Lee Edward Gray.[6] An expansion in 1885 brought the total height to 155 feet (47 m) and nine stories.[3][8] Up to five separate structures made up the building.[3] Its final height may have been 172 feet (52 m).
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Three Classical orders (Greek Doric, Roman/Composite and Corinthian) are used, one above the other, in the elegant curved facades. The frieze of the Doric entablature is decorated with alternating triglyphs and 525 pictorial emblems, including serpents, nautical symbols, devices representing the arts and sciences, and Masonic symbols. The parapet is adorned with stone acorn finials.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The Circus is a historic ring of large townhouses in the city of Bath, Somerset, England, forming a circle with three entrances. Designed by architect John Wood, the Elder, it was built between 1754 and 1769, and is regarded as a pre-eminent example of Georgian architecture. The name comes from the Latin circus, meaning a ring, oval or circle. It has been designated as a Grade I listed building.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Castle Colditz (or Schloss Colditz in German) is a Renaissance castle in the town of Colditz near Leipzig, Dresden and Chemnitz in the state of Saxony in Germany. The castle is between the towns of Hartha and Grimma on a hill spur over the river Zwickauer Mulde, a tributary of the River Elbe. It had the first wildlife park in Germany when, during 1523, the castle park was converted into one of the largest menageries in Europe.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The Monadnock rests on the floating foundation system invented by Root for the Montauk Building that revolutionized the way tall buildings were built on Chicago's spongy soil. A 2-foot (0.61 m) layer of concrete, reinforced with steel beams, forms a spread footing extending out 11 feet (3.4 m) under the surrounding streets, spreading the weight of the building over a large area of earth. The building was designed to settle 8 inches (200 mm), but by 1905 had settled that much and "several inches more", necessitating reconstruction of the first floor. By 1948, it had settled 20 inches (51 cm), resulting in a step down from the street to the ground floor. The entire east wall is supported on caissons sunk to the hardpan, installed when the subway Blue Line was dug under Dearborn Street in 1940.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Together, the two parts of the building have a frontage of 420 feet (130 m) on Dearborn Street with a depth of 70 feet (21 m). The original northern half presents a plain, unbroken vertical mass of purple-brown brick, which is contoured to create a gentle curve at the base of the building and an outward flare to form an austere parapet at the top. The gentle swelling at base and cornice, observed historian Donald Hoffman, "came very close to the bell-shaped column the Egyptians had derived from papyrus". The corners of the building are gracefully chamfered as they rise to the top and the oriel windows are chamfered at their base. The floor divisions are not marked on the exterior; the unbroken edifice is interrupted only by a series of oriel windows, separated by rows of single thin silled windows set into the vertical face. The entryways are small, single-height portals topped with plain stone lintels.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: With its 17 stories (16 rentable plus an attic), its 215-foot-high (66 m) load-bearing walls were the tallest of any commercial structure in the world. To support the towering structure and reinforce against wind, the masonry walls were braced with an interior frame of cast and wrought iron. Root devised for this frame the first attempt at a portal system of wind bracing in America, in which iron struts were riveted between the columns of the frame for reinforcement. The narrow lot allowed only a single, double-loaded corridor, which was appointed with a 3-foot-high (0.91 m) wainscot of white Carrara marble, red oak trim, and feather-chipped glass[d] that allowed outside light to filter from the offices on each side into the hallways. Floors were covered with hand-carved marble mosaic tiles. Skylit open staircases were made of bronze-plated cast iron on upper floors. On the ground floor, they were crafted in cast aluminum—an exotic and expensive material at the time—representing the first use of aluminum in building construction.
  • Using base image: Yes