#street

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: In Buddhism, a stupa (Sanskrit: स्तूप, lit. 'heap', IAST: stūpa) is a mound-like or hemispherical structure containing relics (such as śarīra – typically the remains of Buddhist monks or nuns) that is used as a place of meditation. Circumambulation or pradakhshina has been an important ritual and devotional practice in Buddhism since the earliest times, and stupas always have a pradakhshina path around them. The original South Asian form is a large solid dome above a tholobate or drum with vertical sides, which usually sits on a square base. There is no access to the inside of the structure. In large stupas there may be walkways for circumambulation on top of the base as well as on the ground below it. Large stupas have or had vedikā railings outside the path around the base, often highly decorated with sculpture, especially at the torana gateways, of which there are usually four. At the top of the dome is a thin vertical element, with one of more horizontal discs spreading from it. These were chatras, symbolic umbrellas, and tend not to have survived, if not restored. The Great Stupa at Sanchi, Madhya Pradesh, is the most famous and best-preserved early stupa in
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Wooden construction details. Wooden construction. Nyatpola & Bhairav Temples. Bhairav Temple from Nyatpola. Taumadhi Square. Wooden wheels of a disassembled festival cart for Bisket Jatra. Bhojanalaya overlooking the temples. Wide view of Nyatapola Temple. Another Side of Nyatapola Temple
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: There are five plinths on the stairways to the entrance of the temple and each of the plinth has a pair of stone guardians. Each of the pair is said to ten times stronger than the one below them. At the bottom are two Rajput wrestlers named Jai and Pratap who are said to be ten times stronger than normal men. Above them are the gaint statues of two elephants and above them are the statues of two Singhas, which is a mythical big cat and can be found throughout South and Southeast Asia. Above the cats are the statues of two Sārdūlas , a griffin-like creature of local Newari mythology. And in the topmost plinths are the Tantric deities, Simhanī and Vyāghranī, the lioness and tigress deity who are the strongest of all the guardians. There are also a total of five Ganesha idols on four shrines, one on each corner of the structure(one of the shrines, the south western one has two idols on one shrine)
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Nyatapola is noted for its unique architecture as it is one of only two five storey temples in the Kathmandu Valley, the other one being the Kumbheshvara in Lalitpur and its five level plinth which along with steps to the top part also contains pairs of stone statues of animals and deities serving as the temple's guardians. Along with the Bhairava temple and other historical monuments, the Nyatapola forms the Tamārhi square, which forms the central and culturally the most important part of Bhaktapur and a popular tourist destination. Although, the temple itself has no religious significance to the locals, it is culturally used as a symbol of Bhaktapur. Its silhouette is used by the municipality in its coats of arms as well as by most of the corporations of the city. Reaching to a height of 33 m, the Nyatapola temple dominates the skyline of Bhaktapur and is the tallest monument there. The Nyatapola Square also divides the town of Bhaktapur into two parts: Thané (lit. 'Upper one') and Konhé
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Vijaya Stambha is an imposing victory monument located within Chittor Fort in Chittorgarh, Rajasthan, India. The tower was constructed by the Hindu Rajput king Rana Kumbha of Mewar in 1448 to commemorate his victory over the army of Malwa led by Mahmud Khalji in the Battle of Sarangpur. The tower is dedicated to Hindu God Vishnu. The inscribed slabs in the uppermost storey containing a detailed genealogy of the rulers of Chittaur and their deeds is ascribed to Rana Kumbha court scholar, Atri and his son Mahesh. The names of the architect, Sutradhar Jaita and his three sons who assisted him, Napa, Puja, and Poma, are carved on the fifth floor of the tower. The Vijaya Stambha is a remarkable example of religious pluralism practised by the Rajputs. The topmost story features an image of the Jain Goddess, Padmavati.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Many of the oldest sculptural elements have been moved to the museum beside the temple, and some, such as the carved stone railing wall around the main structure, have been replaced by replicas. The main temple's survival is especially impressive, as it was mostly made of brick covered with stucco, materials that are much less durable than stone. However, it is understood that very little of the original sculptural decoration has survived. The temple complex includes two large straight-sided shikhara towers, the largest over 55 metres high. This is a stylistic feature that has continued in Jain and Hindu temples to the present day, and influenced Buddhist architecture in other countries, in forms like the pagoda.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The tower is built in the Solanki style. The tower is 75 feet (23 m) Height. The tower is famous for its for intricate carvings and architecture. The seven storey temple is adorned by sculpture and mouldings from the base to summit. The carvings on each summit is different from other. The tower stands near the Saat-Bees Jain temple.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The large group of Palitana temples on the Shatrunjaya hills in Gujarat are another very important Jain pilgrimage site, with temples numbering into the hundreds (most very small, and all but one Svetambara). Though many were founded much earlier, the site was so thoroughly destroyed by Muslim armies, starting in 1311, that there is little surviving that dates back before the 16th century. The temples are packed tightly together in a number of high-walled compounds called "tuks" or "tonks". Michell calls them "characteristic of the final phase of Western Indian temple architecture", with traditional shikharas, double storey porches, often on three or four sides, and miniature-urn roofs to the main mandapas. But there are influences from Indo-Islamic architecture in the domes, often fluted, over porches and second mandapas, "arches with petalled fringes, parapets of merlons", and other features. The Polo Forest in Gujarat has groups of Hindu and Jain ruined temples of various dates, but mostly 15th century.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The temple is a grand white marble structure spread over 48,000 square feet (4,500 m2) with 1444 marble pillars, twenty-nine halls, eighty domes and 426 columns. One pillar is incomplete and legend says every time it is built the next morning the pillar breaks down again. The temple, with its distinctive domes, shikhara, turrets and cupolas rises majestically from the slope of a hill. The 1444 marble pillars, carved in exquisite detail, support the temple. The pillars individually carved and no two pillars are the same. Legend says that it is impossible to count the pillars. One of the pillar bares the carving mother of a tirthankar lying on a cot. In the axis of the main entrance, on the western side, is the largest image. Inside the garbhagriha, the moolnayak of this temple, there is a 6-ft. tall, white-coloured chaumukha idol of Adinath with four heads facing in four direction. Temple has a total of 84 bhonyra (underground chambers) built to protect the Jain idols from the Mughals.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Whilst Dilwara temples are known for their sculptural work, this temple is famous for its intricate carvings and unique architecture. It was built in the form of Nalini-Gulma Vimana(a heavenly vehicle Dharna Shah saw in his dreams). This temple is built in Māru-Gurjara architecture. The temple has a garbhagriha in which the main Chaumukha Adinatha idol is placed. The four openings of the sanctum lead to rangamandapa— the Dancing hall, which is connected to a two-storeyed mandapa, which is again connected to another two-storeyed mandapa called Balana and nalimandapa. This courtyard is surrounded by a wall enclosing sub-shrines. The wall is also exclusive on projections like devakulikas and minor deity. The temple has five shikharas amongst which the central one is the largest. The temple is rich with sculptural pieces - carvings created with great skill and artistry. The Shikhara in the temple is symbolic of Mount Meru, the mountain which forms the axis of Jambudvipa with a preaching hall as the Samavasarana.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: A stambha is a pillar or a column employed in Indian architecture. A stambha sometimes bears inscriptions and religious emblems. In Hindu mythology, a stambha is believed to be a cosmic column that functions as a bond, joining heaven (Svarga) and earth (Prithvi). A number of Hindu scriptures, including the Atharva Veda, feature references to stambhas. In the Atharva Veda, a celestial stambha has been described as an infinite scaffold, which supports the cosmos and material creation. In the legend of Narasimha, an avatara of Vishnu, the deity appears from a stambha to slay the asura Hiranyakashipu. The stambha has been interpreted to represent the axis mundi in this myth by Deborah A. Soifer.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Accounts differ on the building's height at the time of its completion, with a cited height figure of 142 feet (43 m).[7] According to a contemporary article in The New York Times, the Equitable Life Building was at least 130 feet (40 m) tall.[8] Architectural historian Robert A. M. Stern wrote that was likely the actual height based on a "convincing analysis" by architectural writer Lee Edward Gray.[6] An expansion in 1885 brought the total height to 155 feet (47 m) and nine stories.[3][8] Up to five separate structures made up the building.[3] Its final height may have been 172 feet (52 m).
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Three Classical orders (Greek Doric, Roman/Composite and Corinthian) are used, one above the other, in the elegant curved facades. The frieze of the Doric entablature is decorated with alternating triglyphs and 525 pictorial emblems, including serpents, nautical symbols, devices representing the arts and sciences, and Masonic symbols. The parapet is adorned with stone acorn finials.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Circus is a historic ring of large townhouses in the city of Bath, Somerset, England, forming a circle with three entrances. Designed by architect John Wood, the Elder, it was built between 1754 and 1769, and is regarded as a pre-eminent example of Georgian architecture. The name comes from the Latin circus, meaning a ring, oval or circle. It has been designated as a Grade I listed building.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Castle Colditz (or Schloss Colditz in German) is a Renaissance castle in the town of Colditz near Leipzig, Dresden and Chemnitz in the state of Saxony in Germany. The castle is between the towns of Hartha and Grimma on a hill spur over the river Zwickauer Mulde, a tributary of the River Elbe. It had the first wildlife park in Germany when, during 1523, the castle park was converted into one of the largest menageries in Europe.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Monadnock rests on the floating foundation system invented by Root for the Montauk Building that revolutionized the way tall buildings were built on Chicago's spongy soil. A 2-foot (0.61 m) layer of concrete, reinforced with steel beams, forms a spread footing extending out 11 feet (3.4 m) under the surrounding streets, spreading the weight of the building over a large area of earth. The building was designed to settle 8 inches (200 mm), but by 1905 had settled that much and "several inches more", necessitating reconstruction of the first floor. By 1948, it had settled 20 inches (51 cm), resulting in a step down from the street to the ground floor. The entire east wall is supported on caissons sunk to the hardpan, installed when the subway Blue Line was dug under Dearborn Street in 1940.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Together, the two parts of the building have a frontage of 420 feet (130 m) on Dearborn Street with a depth of 70 feet (21 m). The original northern half presents a plain, unbroken vertical mass of purple-brown brick, which is contoured to create a gentle curve at the base of the building and an outward flare to form an austere parapet at the top. The gentle swelling at base and cornice, observed historian Donald Hoffman, "came very close to the bell-shaped column the Egyptians had derived from papyrus". The corners of the building are gracefully chamfered as they rise to the top and the oriel windows are chamfered at their base. The floor divisions are not marked on the exterior; the unbroken edifice is interrupted only by a series of oriel windows, separated by rows of single thin silled windows set into the vertical face. The entryways are small, single-height portals topped with plain stone lintels.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: With its 17 stories (16 rentable plus an attic), its 215-foot-high (66 m) load-bearing walls were the tallest of any commercial structure in the world. To support the towering structure and reinforce against wind, the masonry walls were braced with an interior frame of cast and wrought iron. Root devised for this frame the first attempt at a portal system of wind bracing in America, in which iron struts were riveted between the columns of the frame for reinforcement. The narrow lot allowed only a single, double-loaded corridor, which was appointed with a 3-foot-high (0.91 m) wainscot of white Carrara marble, red oak trim, and feather-chipped glass[d] that allowed outside light to filter from the offices on each side into the hallways. Floors were covered with hand-carved marble mosaic tiles. Skylit open staircases were made of bronze-plated cast iron on upper floors. On the ground floor, they were crafted in cast aluminum—an exotic and expensive material at the time—representing the first use of aluminum in building construction.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: In 1889, a new plan was announced for the building: a thick-walled brick tower, 16 stories high, devoid of ornamentation and suggestive of an Egyptian pylon. Brooks insisted that the building have no projections, for which reason the plan did not include oriel windows, but Aldis argued that more rentable space would be created by projecting oriel windows, which were included in the final design. The Monadnock's final height was calculated to be the highest economically viable for a load-bearing wall design, requiring walls 6 feet (1.8 m) thick at the bottom and 18 inches (46 cm) thick at the top. Greater height would have required walls of such thickness that they would have reduced the rentable space too greatly. The final height was much dithered over by the owners, but a decision was forced when the city proposed an ordinance restricting the height of buildings to 150 feet (46 m). To protect future income potential, Aldis sought a permit for a 16-story building immediately. The building commissioner, although "staggered by the sixteen story plan", granted the permit on June 3, 1889.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The earliest stage of skyscraper design encompasses buildings built between 1884 and 1945, predominantly in the American cities of New York and Chicago. Cities in the United States were traditionally made up of low-rise buildings, but significant economic growth after the American Civil War and increasingly intensive use of urban land encouraged the development of taller buildings beginning in the 1870s. Technological improvements enabled the construction of fireproofed iron-framed structures with deep foundations, equipped with new inventions such as the elevator and electric lighting. These made it both technically and commercially viable to build a new class of taller buildings, the first of which, Chicago's 138-foot (42 m) tall Home Insurance Building, opened in 1885. Their numbers grew rapidly, and by 1888 they were being labelled "skyscrapers".
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